Main cast Jack Nicholson; Diane Keaton; Keanu Reeves; Frances McDormand; Amanda Peet
Genres Drama, Comedy, Romance
Description Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape.
Marcus is a successful advertising executive who woos and beds women almost at will. After a company merger he finds that his new boss, the ravishing Jacqueline, is treating him in exactly the same way. Completely traumatised by this, his work goes badly downhill.
The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences donât matter and they become best friends and love each other.
Victor Bukowski is an out-of-work actor with problems. He's got a lousy agent, he has a habit of falling out with directors and he's still in love with his ex-girlfriend. However, Victor is about to embark on an unexpected emotional journey which will make him confront his future and his past mistakes.
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient's paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val's mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
A fidgety, wisecracking video store clerk develops a fixation on a particularly reclusive customer, a frequent visitor to the pornography section of Cinefile, the video store where he works in Los Angeles. After multiple failures to impress her during their brief daily transactions, he finds her street address in the store's database, drives to her apartment building and initiates an unconventional campaign to win her affections.
Ned (Liev Schreiber) is in the throes of a mid-life crisis. His work as a writer on an outrageous, semi-pornographic TV show is less than satisfying. His fifteen year old son has just told him he is gay and his eleven year old is afraid of, well pretty much everything. When his wife, Jeannie (Helen Hunt), moves her sick and embittered father (Brian Dennehy) from Detroit into their home in NY, it puts added stress on an already strained marriage. And when a sexy female co-worker (Carla Gugino) puts the moves on Ned, the temptation sends him spiraling. EVERY DAY is about one family's struggle to survive the unexpected curve-balls that are simply part of real life; aging and death; commitment and freedom; love and acceptance. It's an uncompromising look at an ordinary family making an extraordinary journey towards themselves and towards each other.
Second part of the film "Sorry if I love you". Alex (Raoul Bova) and Niki (Michela Quattrociocche) are more in love than ever. They have just returned from the lighthouse on the island Blu where they have lived unforgettable days. Niki returns to see his friends, but a number of important changes in their lives will test the friendship of the girls. Alex also resume life with his old friends. All of them, Flavio, Enrico and Pietro, are no longer serene and safe husbands due to certain difficulties that have compromised their marriages.
Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues Edmond, with the encouragement of Clarisse, but Edmond does not seem very interested.
Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son's role.
Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.
Rainbow press reporter Ludo is sentenced to 8 months, but is released on probation. But he has to work 300 hours for a local daycare center and meets Anna who has unfinished business with him.
Kenya McQueen, a corporate lawyer finds love in the most unexpected place when she agrees to go on a blind date with Brian Kelly, a sexy and free-spirited landscaper.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Giulia (Giovanna Mezzogiorno) and Carlo (Stefano Accorsi) have been happy together for three years, but Giulia's announcement that she is pregnant sends him into a secret panic. Terrified at his imminent entry into the adult world of irreversible responsibilities, Carlo finds himself tempted by a bewitching 18 year old girl, Francesca (Martina Stella), whom he meets by chance at a wedding. The possibility of one last youthful crazy fling before the impending prison of parenthood proves to be too attractive to resist.
Silent as a painting, the movie shows us day-dreamer Hermie and his friends Oscy and Benjie spending the summer of '42 on an US island with their parents - rather unaffected by WWII. While Oscy's main worries are the when and how of getting laid, Hermie honestly falls in love with the older Dorothy, who's married to an army pilot. When her husband returns to the front, Hermie shyly approaches her. Written by Bob Dawson
A small group of friends experience relationships which grow and stumble, involving everything from straight, gay, lesbian, and bisexual relationships. The speed with which these relationships last leads to the Goldfish memory effect, the belief that a Goldfish only has a 3 second memory is a metaphor for the transient nature of the characters relationships.
Things have been tough lately for Amelia. Her best friend moved out of the apartment, her cat got cancer, and now her best friend, Laura, is getting married. She copes with things, from the help of Andrew, Frank, Laura, and a brief romance with Bill "The Ugly Guy" Written by Rose Hilburn
A struggling actor comes from Delhi to Bombay and enters the Hindi film industry. This gives the audience an in sight into what sometimes happens when making a movie and what happens in the industry and more when it involves the opposite sex and when you are working together. Zoya Akhtar, sister to Farhan Akhtar and daughter of Javed Akhtar, has done a superb job in her directorial debut in showin
The French film in 1988 was considered provocative. The story is about a 14 year old girl whoâs sexual curiosities lead to date an older man. Female sexuality and puberty are themes in this film.
Prasanna (Kamal Haasan) is nursed back to health by a classical singer Bhairavi (Srividya) after a bloody street-side fight. The two are slowly drawn to each other and decide to marry in spite of their age difference and a past relationship that Bhairavi is still inextricably tied to. In the meantime, Prasanna's father (Major Sundararajan) embarks on a relationship with the young Ranjini (Jayasudha). We soon find out that Ranjini is Bhiaravi's daughter (born to her out of wedlock). Both relationships arrive at a dilemma with an unexpected twist when Bhairavi's long-lost husband (Rajinikanth) comes into picture.
Wealthy American Jervis Pendleton III (Fred Astaire) has a chance encounter at a French orphanage with a cheerful 18-year-old resident, Julie Andre (Leslie Caron). He anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Her nickname for him, "Daddy Long Legs", is taken from the description of him given to Andre by some of her fellow orphans who see his shadow as he leaves their building. Several years later, he visits her at school, still concealing his identity. Despite their large age difference, they soon fall in love.
Max Baron is a Jewish advertising executive in his 20s who's still getting over the death of his wife. Nora Baker is a 40-something diner waitress who enjoys the wilder side of life. Mismatched or not, their attraction is instant and smoldering. With time, however, their class and age differences become an obstacle in their relationship, especially since Max can't keep Nora a secret from his Jewish friends and upper-crust associates forever.
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Dangerous Liaisons is the film based on the novel of the same name by Choderlos de Laclos set in 18th century France. Marquise de Merteuilâs asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things donât go as planned in this love triangle drama.
Before he went exclusively style-over-substance, Daniel Lee directed fighting drama A FIGHTERâS BLUES, about an aging boxer (Andy Lau, in a mature and underrated performance) seeking a shot at redemption. Co-starring Japanese drama queen Takako Tokiwa. Billed as Andy Lauâs 100th film. He would go on to make a whole lot more.
Before crossing paths with Peyton, falling for a woman was an unimaginable situation for Elena, a straight wife and mother. The friendship between Peyton, an out lesbian writer, and Elena, the wife of an anti-gay paster who has never experienced true love, transforms swiftly from a one-sided crush into a torrid extramarital affair. Despite their attraction, Peyton, jaded in a number of ways, has strong reservations about becoming involved with a married straight woman; Elena, recognizing that she is caught in a loveless marriage, can barely begin to rationalize the nature and magnitude of her desires. As their relationship evolves, Elena confronts the choice of leaving her husband or ending her involvement with Peyton to save her unraveling and unrewarding marriage and return to a drab and automated life. Above all, Elena faces the looming challenge of convincing Peyton that the two women have a bright future together despite their unfavorable circumstances
Nelly leaves her lazy, unemployed husband to work for retired judge Mr Arnaud, forty years her senior, after he offers to clear her bills for her. While she types his memoirs the two develop a close friendship, but Arnaud becomes jealous when Nelly begins dating his good-looking young publisher.
Connery's character Anthony Richmond schemes to get the fortune of his tyrannical, wheelchair-using tycoon uncle Charles Richmond (Richardson) by persuading Maria, a nurse he employs (Lollobrigida), to marry him. After his uncle's demise Anthony becomes a murder suspect. Lollobrigida's character is the Woman of Straw of the title.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
Autumn in New York follows the sexual exploits of Will Keane - New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction - until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will's age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.
A man in search of his past, and a woman who lives in the moment, are brought together when they pursue the origins of a stray parrot in this comedic and romantic drama.
Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents' engagement party. Mia's father, Lasse (Krister Henriksson), is about to get married to Frida's mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse's daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Whatever Works explores the relationship between a crotchety misanthrope, Boris and a naïve, impressionable young runaway from the south, Melody. When Melody's uptight parents arrive in New York to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of "whatever works."
Henry is a player skilled at seducing women. But when this veterinarian meets Lucy, a girl with a quirky problem when it comes to total recall, he realizes it's possible to fall in love all over againâ¦and again, and again. That's because the delightful Lucy has no short-term memory, so Henry must woo her day after day until he finally sweeps her off her feet.
Located in Madrid's Plaza del Sol, Km. 0 is the point from which all distances in Spain are measured from the capital. In Km. 0, it is also the meeting point for a gallery of characters. Bored, affluent housewife Marga (Concha Velasco) meets up with gigolo Miguel (Jesus Cabrero), who co-habitates with gay Benjamin (Miquel Garcia). Sergio, a soon-to-be-married office clerk who can't wait to lose his virginity, makes the acquaintance of prostitute Tatiana (Elisa Matilla), while gay dancer Bruno (Victor Ullate Jr.) meets Maximo (Armando delRio). Meanwhile, wannabe director Pedro (Carlos Fuentes) arranges to meet up with Silvia (Merce Pons), an actress who wants to work in musicals directed by Gerardo (George Corraface), and bartender Mario (Tristan Ulloa) is caught between Amor (Silke), who wants to marry him, and her little sister Roma (Cora Tiedra), who is truly in love with him.
Tom and Hannah have been platonic friends for 10 years. He's a serial dater, while she wants marriage but hasn't found Mr. Right. Just as Tom is starting to think that he is relationship material after all, Hannah gets engaged. When she asks Tom to be her "maid" of honor, he reluctantly agrees just so he can attempt to stop the wedding and woo her.
Charley Pearl, wealthy heir and gadabout, is slated to marry Adele, the daughter of a Hollywood tycoon. But, during a wild bachelor party in Las Vegas, Charley strikes up a flirtation with nightclub crooner Vicki Anderson that soon leads to her bedroom. When the couple are discovered by Vicki's beau, infamous gangster Bugsy Siegel, he makes a surprising pronouncement -- they'd better marry, or Charley is a dead man.
A playboy who refuses to give up his hedonistic lifestyle to settle down and marry his true love seeks help from a demented psychoanalyst who is having romantic problems of his own.
An immature, newly unemployed comic must navigate the murky waters of adulthood after her fling with a graduate student results in an unplanned pregnancy.
Camille was only sixteen and still in high school when she fell in love with Eric, another student. They later married and a child and were happy for a while. But now twenty-five years have passed and Eric leaves her for a younger woman. Bitter and desperate Camille drinks so much liquor at a New Year Eve's party that she falls into an ethylic coma and she finds herself... propelled into her own past! Camille is sixteen again when she wakes up this morning, her parents are not dead anymore and she must go to school, where she will meet her schoolmates and, of course, Eric. Is she going to fall for him again and... be miserable twenty-five years later? Or will she avoid him with the result never having her beloved daughter? Who ever said that time traveling was fun?
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