Eddie Izzard: Circle (2002)
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Eddie Izzard's routine has a loose trajectory from the beginning of the Old Testament and the creation of the world in seven days to Revelations. Along the way, we learn of the search for a career, bad giraffes, Prince Philip's gaffes, toilets in French campsites, the mysteries of hopscotch, becoming one's Dad and tranny bashing.
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In squeaky-clean New York at the turn of the century, playboy Charlie Hill falls so much in love that he can walk on air. The object of his affections is beautiful Angela Bonfils, a mission house worker in the Bowery. He promises to reform his dissolute life, even trying to do an honest day's work.
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Eddie Izzard made his West End debut in 1993 at the Ambassadors Theatre. The show originally had a 4 week run, which was extended twice due to the popularity of the performance. Later released as his first video, titled "Live at the Ambassadors", the show lead to Izzard being invited to the Just For Laughs Montreal Comedy Festival, awarded a British Comedy Award for "Top Stand Up Comedian", and receiving an Olivier Award nomination for "Outstanding Achievement". Live at the Ambassadors is an example of Izzard's very early and less refined style of stand up. His bizarre sense of humour has remained the same throughout performances, and various themes and ideas that can be seen in later recordings can be identified in Live at the Ambassadors.
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Former lovers butt heads in business.
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Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come along and arrange another fight, he is pushed into it. A motorcycle gang and an orangutan called Clyde all add to the 'fun'.
Jan's fastfood-business is going bankrupt, his girlfriend has left him, and he is being exploited by his live-in father. Therefore, he has nothing to loose when he gets mixed up in the kidnapping of famous rock star Iver Mo. But Jan has never been able to do anything right his whole life, and there are others who want to get their hands on the ransom money.
Never on Sunday is a 1960 Greek black-and-white film which tells the story of Ilya, a prostitute who lives in the port of Piraeus in Greece, and Homer, an American tourist from Middletown, Connecticut â a classical scholar enamored with all things Greek. Ilya is a character close to the "hooker with a heart of gold" cliché. Homer feels Ilya's life style typifies the degradation of Greek classical culture and attempts to steer her onto the path of morality. It constitutes a variation of the Pygmalion story. The film stars Melina Mercouri and Jules Dassin, and it gently submerges the viewer into Greek culture, including dance, music, and language (through the use of subtitles). The signature song and the bouzouki theme of the movie became hits of the 1960s and brought the composer, Manos Hadjidakis, an Academy Award.
Commentator-comic Bill Maher plays devil's advocate with religion as he talks to believers about their faith. Traveling around the world, Maher examines the tenets of Christianity, Judaism and Islam and raises questions about homosexuality, proof of Christ's existence, Jewish Sabbath laws, violent Muslim extremists.
Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) - think Duke University - and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He's an alcoholic, fresh out of rehab. He gradually becomes Duke's gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?
A catholic French couple sees their life upside down when their four daughters get married to men of different religion and origins.
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