In the Forest... Again (2003)
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Chotushkone (Bengali: à¦à¦¤à§à¦·à§à¦à§à¦£; English: Quadrangle) is an Indian Bengali thriller film directed by Srijit Mukherji. "Four directors get together and plan to make a film, consisting of four short stories. They have an appointment with the producer on the outskirts of the city. While they are together, each comes up with a story which is unique in its own way, but connected to the other stories by a common theme - death. They spend a night in a nearby bungalow when their car breaks down. It is here that each of them revisits their past and are held at gunpoint by their 'nemesis'."
The film tells the story of a lonely housewife, known as Charu (Madhabi Mukherjee), who lives a wealthy, secluded and idle life in 1870's Calcutta. Her husband, Bhupati (Sailen Mukherjee), runs a newspaper, The Sentinel, and spends more time at work than with his wife. However, he notices that Charu is lonely, and asks his cousin, Amal (Soumitra Chatterjee), to keep her company. Amal is a writer a
Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.
A matinee idol Arindam Mukherjee (Uttam Kumar) is going by train to collect an acting award. On the train, he is confronted by a journalist Aditi (Sharmila Tagore) who somewhat unwillingly starts to take his interview. Arindam, won over by Aditi's naivete, starts to disclose his past, his fears and his secrets. On a parallel track, a number of sub-plots unfold (involving an advertising executive and his wife, a businessman and his family, a silent swami and a cranky old man) to reveal the hypocrisies and frailties of the society. The film reaches a climax when Arindam, overcome by his guilt, contemplates suicide and is dissuaded by Aditi. The next morning, Aditi who had surreptitiously taken notes of their conversation destroys them - not wanting to reveal Arindam's darkest secrets. When the train reaches its destination, Arindam alights and is surrounded by his fans and is back to his normal star self where there is no place for guilt, confessions and Aditi.
The Unvanquished is the second part of the Bangladesh Apu film series about a boy named Apu who gets a scholarship to study at a College in Calcutta. His mother is alone and torn between wanting him to be successful and not wanting him to leave her alone.
Piku is an Indian comedy-drama film directed by Shoojit Sircar. Deepika Padukone portrays the titular protagonist, a Bengali architect living in New Delhi, and Amitabh Bachchan plays her hypochondriac father. Irrfan Khan, Moushumi Chatterjee and Jishu Sengupta portray supporting roles
Life at home changes when a housewife from a middle-class, conservative family in Calcutta gets a job as a salesperson.
I Am is a 2011 Indian anthology film by Onir. It consists of four short films: "Omar", "Afia", "Abhimanyu", and "Megha". Each film shares the common theme of fear and each is also based on real life stories. The film was financed by donations from more than 400 different people around the world, many of whom donated through social networking sites like Facebook. There are four stories but the characters are interwoven with each story. "Abhimanyu" is based on child abuse, "Omar" on gay rights, "Megha" is about Kashmiri Pandits and "Afia" deals with sperm donation. I Am was released with subtitles in all regions as six different languages are spoken in the film: Hindi, English, Kannada, Marathi, Bengali and Kashmiri.
Allan (Hugh Grant) is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen (Soumitra Chatterjee) which includes his wife, Indira (Shabana Azmi) and daughter Gayatri (Supriya Pathak). Gayatri and Allan become romantically involved leading to tragedy.
A bus is setting out to Calcutta from a village in West Bengal. Meenakshi Iyer, who is from a strict orthodox Hindu background, is leaving to Chennai for her husband, with her young child, after the vacation with her parents. By chance, she gets a co-passenger who is also to Chennai, Rajah, a photographer, introduced by one of the friends of her father. During the journey they build a good relationship. But a Hindu-Muslim communal riot sets out in the meantime, in some areas they had to travel. Then she comes to face the fact that Rajah is not a Hindu but a Muslim whose real name is Jehangir. Even though she curses herself at that time while some Hindu fanatics evade their bus she saves him introducing as Mr. Iyer. But they have to reach their destination while the other passengers know Rajah as no one else but Mr. Iyer.
Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.
Snehmoy (Rahul Bose) and Miyage (Chigusa Takaku) are pen friends who exchange wedding vows through letters. Fifteen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya (Raima Sen), comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too. But Snehmoy remained loyal to his unseen Japanese wife. When Miyage was ill from cancer, he took a long leave from his school and tried his best to find a cure for the illness. Meanwhile, malaria took a toll on him and he died. Coming of Miyage in a white sari to Sunderbans after his departure was really touching.
Set against the backdrop of the turbulent period in the late 60's leading up to Bangladesh's independence from Pakistan, MATIR MOINA (The Clay Bird) tells the story of a family torn apart by religion and war. A young boy, Anu, is sent off to a strict Islamic school, or madrasa, by his deeply religious father Kazi. As the political divisions in the country intensify, an increasing split develops between moderate and extremist forces within the madrasa, mirroring a growing divide between the stubborn but confused Kazi and his increasingly independent wife. Touching upon themes of religious tolerance, cultural diversity, and the complexity of Islam, MATIR MOINA has universal relevance in a crisis-ridden world.
Bilkis Banu, lost her husband Hasan on the bloody night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But the when spies and the razakars inform on them, most of their people get arrested and Bilkis has to run for her lives, towards her village.
Based in Calcutta during its most unsettled times in the 1970s, the film deals with the inseparable life of Bikram and Bala. The story of 2 boys, boys who became refugees. Refugees who became gun couriers. Gun Couriers who became coal bandits, coal bandits who became Calcutta's Most Loved, Most Celebrated, Most Reckless, Most Fearless, Most Powerful! A story of two happy-go-lucky renegades who came to be known as...GUNDAY!
Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding....
Saketh Ram's wife is raped and killed during direct action day riots in Calcutta. He is convinced that Mahatma Gandhi is responsible for all the problems happening in the country. He sets out to kill him.
Vidya Bagchi (Vidya Balan) arrives in kolkata from London to find her missing husband Arnab Bagchi. Seven months pregnant and alone in a festive city, she begins a relentless search for her husband. With nothing to rely on except fragments from her memories about him, all clues seem to reach a dead end when everyone tries to convince Vidya that her husband does not exist. She slowly realises that nothing is what it seems. In a city soaked in lies, Vidya is determined to unravel the truth about her husband - for herself and her unborn child - even at the cost of her own life.
In this film Ghatak plays role of Nilkantha Bagchi, an alcoholic, disillusioned broken intellectual,[7] in the character's own words "a humbug". His wife leaves him because of his insufferable alcoholism. After losing his wife and forced from his home, he wanders through the countryside and meets unusual folks along the way. He meets Bongobala, who is driven away from Bangladesh and does not have any shelter in Kolkata, he gives her shelter. He meets Jagannath Bhattacharjee, a village school teacher of Sanskrit. The school got closed after political killings and Jagannath came to Kolkata in search of job. He meets Naxalites whom he describes as "frame of Bengal", but misguided, successful and unsuccessful at the same time.
When a corrupt cop takes away Narsingh's taxi license after an illegal car race, Narsingh finds himself reduced to poverty living in the outskirts of Kolkata. A practicing Sihk, he finds himself having to accept work from a dubious business man, Sukhanram, who employs Narsingh in dope smuggling. Given his reduced circumstances, Narsingh finds welcome assistance from a fellow villager, Josef, and his Christian schoolteacher sister, Neeli. Narsingh finds himself attracted to Neeli's altruism, but mistakes it for true love - when Neeli's love is for an untouchable cripple. Meanwhile, Sukhamran's prostitute, Gulabi, sees Narsingh's attempts to right the wrongs around him, and she sees through Sukhanram's duplicity when Sukhanram tries to convince Narsingh to sell his beloved taxi in exchange for a share of the profits in his next enterprise. With difficulty and the assistance of Narsingh's taxi partner Rama, Gulabi convinces Narsingh to break off the deal, but then Sukhanram takes his ...
Meghe Dhaka Tara (Cloud Capped Star, 2013) is an Indian Bengali film directed by Kamaleswar Mukherjee and made under Shree Venkatesh Films banners. The film is inspired from the life and works of Bengali film director Ritwik Ghatak. The entire film is in black and white except the last scene which has been shot in colour. In this film Saswata Chatterjee plays the character of Nilkantha Bagchi and Ananya Chatterjee plays the role of Durga, Nilkantha's wife. The film was released on 14 June 2013. Besides giving an account of Ghatak's life, the film also depicts the socio-political environment of contemporary West Bengal during the Tebhaga and Naxalite movements. Anandabazar Patrika, after a special screening of the film in November 2012, wrote in their review that this film had potential to become a "classic" film. The acting of Saswata Chatterjee as Nilkantha Bagchi was widely appreciated too.
Jhinder Bandi (Bengali: à¦à¦¿à¦¨à§à¦¦à§à¦° বনà§à¦¦à§; English:Prisoner of Jhind) is a 1961 Indian Bengali fictional historical drama thriller film directed by Tapan Sinha, starring Uttam Kumar, Soumitra Chatterjee, Arundhati Devi and Radhamohan Bhattacharya. The film was based from a novel with the same name written by Saradindu Bandyopadhyay and The Prisoner of Zenda , a 1894 novel by Anthony Hope, which was adapted to film The Prisoner of Zenda (1937). Human emotions like hate, love, jealousy and betrayal are all well dealt in the movie. For the first time Soumitra Chatterjee is seen in a villainous role. Soul touching music by Ali Akbar Khan further adds a facet to the film.
Ravi and Masha are just children when they were sold into labour by their parents. When they meet, friendship blossoms between them but when the factory manager threatens to sell Masha, possibly into sex slavery, Ravi gives up his hard earned savings to buy her freedom. They agree on a way to find each other once Ravi has earned enough money to buy his freedom but a series of misunderstandings and fear tear them apart. Though they now have their freedom in life, they have to find their way in love.
Shatranj Ke Khiladi (Hindi: शतरà¤à¤ à¤à¥ à¤à¤¿à¤²à¤¾à¤¡à¤¼à¥; The Chess Players) is a 1977 Indian film by Bengali director Satyajit Ray, based on Munshi Premchand's short story of the same name. The film is set in 1856 and shows the life and customs of 19th century India on the eve of the Indian rebellion of 1857. The focus is on events surrounding the British annexation of the Indian State of Awadh (also spelt Oudh), the politics of colonial expansion by the British East India Company and the deluded divisions of Indian monarchs.
American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family's unwillingness to let go of their traditional ways.
The Music Room is a famous Bengali film from the great Satyajit Ray from 1958 about a impoverished aristocrat and his love for music.
'Teen Kanya' is an anthology film based upon short stories by Rabindranath Tagore, as a tribute on the author's centenary. The title means "Three Daughters", and the film's original Indian release contained three stories, with three central female characters linking the stories together. 'The Postmaster' concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. 'Monihara' is a supernatural tale about a woman obsessed with the jewels her husband buys for her. 'Samapti' follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family. The international release did not include 'Monihara', and was released as 'Dui Kanya', or "Two Daughters".
J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.
Shasanka (Sreeram Lgoo) is a retired teacher who lives with his wife and two daughters. The family is thrown into an uproar after he goes out for a walk and disappears from their lives. Each member of the family reviews her final hours and days with him to try and discover what, if anything led to his disappearance. The only clue anyone is able to discover is an envelope on which is written the name of one of his former students. When they visit her, however, she is unable (or unwilling) to enlighten them. Why did he go for a walk during a heavy rainstorm? Where did he go? Bengali filmmaker Mrinal Sen isn't saying.
7G Rainbow Colony is a 2004 Tamil drama film written and directed by Selvaraghavan, starring Ravi Krishna, who debuted in this film, and Sonia Agarwal in lead roles, with music scored by Yuvan Shankar Raja and cinematography handled by Arvind Krishna. The film, released on 15 October 2004, met with critical acclaim and commercial success upon release.[1][2] Moreover, Ravi Krishna received the Filmfare Best Male Debut (South) for his acting performance, whilst Yuvan Shankar Raja was awarded the Filmfare Best Music Director Award for his highly praised musical score. The film was simultaneously released in the Telugu language as 7G Brindhavan Colony, and in Bengali Language as Prem Amar which too became very successful.
Gandu hates his life. He hates his mother. Gandu raps out his hate, anger, dirt and filth of his existence. He and his rickshawpuller friend enter the world of smack, rap, porn and horror. Reality and fiction, surreal and bizarre come together. Can Gandu survive?
Gowtam (Nani) works as a reporter for a television channel. He is nursing a heart break after his girlfriend (Kriti Karbandha) dumped him for another guy. He attends the wedding of his girlfriend where he meets the another girl Nitya (Nitya Menon) dumped by the groom (her boy friend). They hit off well and become instant friends. Nitya stays in Bangalore and Gowtam stays in Hyderabad. They keep bumping in to each other over a period of years. Though both these people like each other, the fate intervenes to separate them at crucial moments. The rest of the story is all about how this couple finally realizes that they are made for each other after few years of courtship.
Spirits get miffed when their haunted home is slated to be torn down to make way for a shopping mall.
Amitabha Roy (Soumitra Chatterjee) is a Calcutta based scriptwriter who is driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!
MOTHER TERESA, recipient of the Nobel Peace Prize, is considered one of the greatest humanitarians of modern times. Her selfless commitment changed hearts, lives and inspired millions throughout the world. THE LETTERS, as told through personal letters she wrote over the last 40 years of her life, reveal a troubled and vulnerable women who grew to feel an isolation and an abandonment by God. The story is told from the point of view of a Vatican priest charged with the task of investigating acts and events following her death. He recounts her lifeâs work, her political oppression, her religious zeal and her unbreakable spirit. Written and directed by William Riead, THE LETTERS stars the acclaimed four-time BAFTA nominated British Actress Juliet Stevenson as Mother Theresa in a transformational performance that spans over 50 years, Academy Award Nominee Max Van Sydow and Golden Globe nominee Rutger Hauer.
Guddu and Charlie are identical twins born and raised in the slums of Mumbai. They dream of leaving the squalor behind and moving into a life of prosperity and dignity. Though they look alike, the two are as different as chalk and cheese. One lisps, the other stammers. One is an honest, diligent social worker while the other hedges bets at a racecourse. The brothers want nothing to do with each other. But when Charlie gets mixed up in a deadly get-rich-quick scheme and Guddu realizes that the love of his life has unwittingly put a price on his head, their lives begin to collide. They find themselves facing rogue politicians, drug dealers and crooked cops. As they uncover a sinister plot laid out by the 'political-police-underworld' nexus, their stories finally converge to a point when they realize they only have each other.
Desamuduru (Telugu: à°¦à±à°¶à°®à±à°¦à±à°°à±) is a 2007 Telugu film, dubbed into Malayalam and Tamil as Hero: The Real Hero, and Hindi as Ek Jwalamukhi. The film has Allu Arjun and Hansika Motwani in the lead. The film was directed by Puri Jagannadh. D.V.V. Danaiah produced Desamuduru under the Universal Media banner. The movie was released on 12 January 2007 in 400 theatres
Michael (Ajay Devgan) , Arjun (Vivek Oberoi) and Lallan (Abhishek Bachchan) are three young men in Kolkata , with different ideals and objectives . Michael is an idealistic youth leader who dreams of a better India being created by the youth power . Arjun is a self-centered , opportunistic , easygoing fellow whose objective is to immigrate to a developed country and make big money . Lallan is a goon who works for Prosenjit Chatterjee (Om Puri) , an immoral politician . The lives of these three different people become intertwined following a murder attempt and an accident in broad daylight on the Hooghly bridge
The movie is based on the current socio-political conditions in the country and hardships the common man faces everyday in his struggle for an existence and how Netaji Subhash Bose would have reacted to all these if he would have been amidst us today. It reflects on the life and principles of Subhash Chandra Bose, firebrand freedom fighter. It is all about the Bengali roots that is being forgotten so easily today by Bengalees all around the globe. Hopefully this movie will re-instill the affinity and respect that Bengalis ought to have about their origin, rich heritage and culture.
Bimal is a taxi-driver in a small provincial town. He lives alone, his taxi (an old 1920 Chevrolet jalopy which he named Jagaddal) is his only companion and, although very battered, it is the apple of Bimal's eye. The film shows episodes from his life in the industrial wasteland, delivering people from one place to another.
Colonel Sahab is a doctor in a psychiatry ward and Nurse Radha (Waheeda Rahman) is heart-broken after a civilian patient, Dev Kumar (Dharmendra), whom she cared for, pouring out her love and affection, leaves the hospital, as she had been unable to keep her heart separate from her professional work and had fallen in love with her patient. Next Arun Choudury (Rajesh Khanna), a writer and poet enters as a patient, suffering acute mania after being rejected by his lover, Sulekha. After refusing to take his care, Radha relents and starts nursing him. In between while caring for Arun she reminisces her past and tells a story of how she took care of injured brave army soldiers when she was posted in Laddakh during the Sino-Indian war of 1962.
Abohomaan tells the story of Aniket, one of the finest filmmakers of Bengal in eastern India and the loves of his life. Devoted to his craft, Aniket met and fell in love with his wife Deepti, an actress, while they worked together on the set of a film. They were so in love that Deepti sacrificed her own career for her husband's and for their son Apratim, but lost a little of who she was in the process. The plot thickens when Aniket auditions a young actress, Shikha, who bares an uncanny resemblance to his wife when she was younger. Deepti enthusiastically begins to coach Shikha for her husband's film - so much so that Shikha becomes even more like the girl Deepti used to be and as a result the aging Aniket falls in love with Shikha, a woman as young as his son, despite the sadness and trouble it brings to his family.
The movie is about a poet and singer Lalon Fakir who belongs to a cult called baul and who believes and inculcates that the value of a human being is above the narrow belief of religions.
Amar, Akbar and Anthony are close friends living in Kochi. They enjoy a carefree life. Their perceptions and beliefs get shattered with an unexpected event and the resulting story forms the plot of the movie.
Indian-based traditional family of Pundit Darbar (Vikram Gokhale) gets a visit from Sameer Rafilini (Salman Khan), from Italy, who has come as a pupil to learn music and singing. Darbar and his family accept him. Sameer meets Nandini (Aishwarya Rai), Darbar's daughter, and both fall in love. But Darbar wants Nandini to wed Vanraj (Ajay Devgan), and has Sameer swear that he will leave India.
Maanav is a struggling filmmaker who will not compromise on the script he has written. His girlfriend Ruchi, a successful film editor, arranges for him to meet film producer Nitin, who is not very convinced about Maanav's script. Maanav then suggests four stories on infidelity, woven together by a common story. The film itself echoes this structure, with four stories mingling with the main narrative
Part drama, part documentary, The Road to Guantánamo focuses on the Tipton Three, a trio of British Muslims who were held in Guantanamo Bay for two years until they were released without charge.
After being abandoned for eight straight years in boarding school, Rohan returns to the small industrial town of Jamshedpur and finds himself closeted with an authoritarian father and a younger half brother who he didn't even know existed. Forced to work in his father's steel factory and study engineering against his wishes, he strives to forge his own life out of his given circumstances and pursue his dream of being a writer.
Sometime in the early years of the century, a boy, Apu, is born to a poor Brahmin family in a village in Bengal. The father, a poet and priest, cannot earn enough to keep his family going. Apu's sister, Durga, is forever stealing guavas from the neighbour's orchards. All these add to the daily struggles of the mother's life, notwithstanding her constant bickering with old aunt who lives with the family.
Devi focuses on a young woman, who is deemed a goddess when her father-in-law, a rich feudal landlord, envisions her as the Goddess Kali.
Amar Prem (Eternal Love) shows a off and on loving relationship between a small boy Nandu and a nautch girl Pushpa (Sharmila Tagore). Pushpa is seperated from her Husband and is brought to Calcutta to work as a Nautch girl. Here she meets Anand Babu and thus begins the journey of Pushpa where love enters and leaves her life in different form. Film shows the different aspects of Love, Love between a Man and a Woman, Love between a Mother and a Child.
A mysteriously linked pair of young women find their daily lives pre-empted by a strange boudoir melodrama that plays itself out in a hallucinatory parallel reality.
In a small village in Darjeeling, Sahuji (Utpal Dutt) the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram (Amjad Khan) has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.
Left in the care of an alcoholic Gangu Ganpat (Shreeram Lagoo), young Heera, who named himself after a stray dog, wrestles with life in his young age. Years later, now a young man (Amitabh Bachchan), he works for Mahendar Singh (Ranjeet) and is in love with Mohini (Zeenat Aman), who will not have anything to do with him due to his lack of ancestry. Heera is now determined to find out who his parents are, and the only one who can help him is the elusive, alcohol-induced and incoherent Gangu Ganpat.
Chander Pahar follows Shankar Choudhury (Dev), a 20 year-old that takes a job working for the Uganda Railway, and winds up quitting his job in search of diamonds and the Kenya's Mountain of the Moon. Based on the popular Bengali adventure novel of the same name.
In a mysterious forest in Thailand, many suicidal youths disappear and rescue teams can not find the way out even with compass. The ambitious reporter May is making sensationalist journalism exploring the deaths in the forest. Her boyfriend and botanist Shun Shu-hoi is developing a means of communication with plants. Meanwhile, Detective C. C. Ha is investigating the rape and death of a woman and the main suspect is Patrick Wong.
A reporter interviews fighters and promoters about Bruce Lee, intercut with footage from old Bruce Lee films and pseudo-documentary footage.
Amamiya Shu transfers to Moriwaki elementary filled with hope and ambition. But it doesn't take long before he gets picked on by the class bullies, and gets involved in a dare to play the mysterious piano in the forest. Igniting his meeting with an equally enigmatic child that goes by the name of Ichinose Kai, who seems to be the only one capable getting sound out of the thought to be broken piano. [from AnimeNewsNetwork]
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