Kalbe vuran düsman (1964)
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Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to "Come back to me". Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s, Elise McKenna. Becoming more and more obsessed with her, he manages, by self hypnosis, to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their "time" difference? And can Richard remain in a time that is not his?
When implanted in a person's wrist, a TiMER counts down to the day the wearer finds true love. But Oona O'Leary faces the rare dilemma of a blank TiMER. Her soul mate - whoever and wherever he is - has yet to have a TiMER implanted. Staring down the barrel of thirty and tired of waiting for her would-be life partner to get off the dime, Oona breaks her own rules and falls for Mikey, a charming and inappropriately young supermarket clerk with a countdown of four months.
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Lon Chaney is carnival knife thrower Alonzo the Armless and Joan Crawford is the scantily clad carnival girl he hopes to marry.
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In a 17th-century Danish village, an old woman is accused of witchcraft. In the shadow of her flight, capture, confession, and burning at the stake, the young wife of the town's aging pastor falls in love with the pastor's son. Her confession of this illicit affair to her husband brings on her husband's death. At the funeral the pastor's mother denounces the young widow as a witch. Will the widow's lover come to her defense, or has the day of wrath returned?
Today is Mo-rae and Sang-inâs one-year wedding anniversary. After a busy morning preparing for the celebration, Mo-rae goes to an art gallery to find a gift for Sang-in. At the gallery, she meets a complete stranger and the two unexpectedly have sex. Mo-rae returns home feeling anxious and guilty about the incident and cannot help but confess it to Sang-in. That night, a visitor arrives at their house; Du-rae, who came from Paris to help Sang-in with his new business. To Mo-raeâs shock, he is the man from the gallery. He temporarily lives with the couple in their house and a risky love triangle begins.
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Accomplished British screenwriter Christopher Hampton directs the political drama Imagining Argentina, based on the novel by Lawrence Thornton. Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda (Antonio Banderas) and his wife Cecilia (Emma Thompson). Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody. Soon Carlos develops the supernatural ability to see into the future and he imagines his wife meeting an awful fate during an escape attempt. To make matters worse, their teenage daughter Teresa (Leticia Dolera) is also kidnapped. Imagining Argentina was nominated for the Golden Lion at the 2003 Venice Film Festival. SCREENED/AWARDED AT: Venice Film Festival (ref. Amazon)
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