Johan (2005)
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Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are happily married - unlike their friends Katarina and Peter who openly fight, especially when under the influence of alcohol - but there is a certain detached aloofness in the way they treat each other. In the next ten years, as they contemplate or embark upon divorce and/or known extramarital affairs, they come to differing understandings at each phase of their relationship of what they truly mean to each other. Regardless of if it's love or hate - between which there is a fine line - they also come to certain understandings of how they can best relate to each other, whether that be as husband and wife, friends, lovers or none of the above.
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ret är 1956. På en liten gård i Sverige bor bonden Olof. Till sin hjälp har han Erik, en 27-årig sjöman som skryter om att han haft hundratals kvinnor. En dag sätter Olof in en annons i dagstidningen: "Ensam lantbrukare, 39 år, egen bil, söker ung kvinna som hushållerska. Fotografi önskas." Resultatet blir 34-åriga Ellen från storstaden, som tar över såväl hushållet som Olofs hjärta. Under sommarens gång, från sådd till skörd, skildras deras förhållande och dess konsekvenser.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
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Johan details the director's quest for an actor to play his titular lover, the real deal having been incarcerated just prior to shooting on charges of petty theft.
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Vusi Madlazi returns to the South African village he left as a young boy to bury his father. He meets up with his brother Ernest, who tells him their other brother Stephen couldn't be contacted. Vusi goes to Johannesburg to find him, but at first can only find his neighbor/girlfriend, Karin, a stripper. Vusi proceeds to learn how conditions have changed since the end of apartheid, not always for the better for black men.
Twenty-five films from twenty-five European countries by twenty-five European directors.
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