Otros días vendrán (2005)
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A Hong Kong-set mystery centered on a detective who has been framed for a series of gruesome murders.
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In July 1976, an Air France flight from Tel-Aviv to Paris via Athens was hijacked and forced to land in Entebbe, Uganda. The Jewish passengers were separated and held hostage in demand to release many terrorists held in Israeli prisons. After much debate, the Israeli government sent an elite commando unit to raid the airfield and release the hostages.
A young couple on the run take a family father as a hostage and are shocked to realize that he actually is a serial killer who just murdered the family. With the police on the outside and the killer on the inside they now have nowhere to run and nowhere to hide, all whilst trying to solve their relationship problems... This is an action packed thriller with tongue in cheek
Mr. Natwarlal is a 1979 Hindi Action comedy movie. Produced by Tony Glaad it is directed by Rakesh Kumar. Natwar is just a young boy when his beloved older brother and caretaker, police officer Gridharilal (Ajit), is framed for bribery by sinister criminal mastermind Vikram (Amjad Khan). When he grows up, Natwar (Amitabh Bachchan) creates a secret identity for himself, posing as a powerful and mysterious underworld figure named Mr. Natwarlal, determined to slowly but surely exact vengeance on Vikram. - via Wikipedia ( http://en.wikipedia.org/wiki/Mr._Natwarlal )
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The final days of Hank Williams.
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Jesse becomes reunited with Willy three years after the whale's jump to freedom as the teenager tries to rescue the killer whale and other orcas from an oil spill.
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A man robs a bank to pay for his lover's operation; it turns into a hostage situation and a media circus.
Gil Carter and Art Croft ride into a small Nevada town plagued by cattle thieves. Initially suspected of being the rustlers themselves, Carter and Croft eventually join a posse out to get the criminals, who also may be involved in a recent shooting. When the posse closes in on a group that could be the fugitives, they must decide on a course of action, with numerous lives hanging in the balance.
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Ben Quick arrives in Frenchman's Bend, MS after being kicked out of another town for allegedly burning a barn for revenge. Will Varner owns just about everything in Frenchman's Bend and he hires Ben to work in his store. Will thinks his own son, Jody, who manages the store, lacks ambition and despairs of him getting his wife, Eula, pregnant. Will thinks his daughter, Clara, a schoolteacher, will never get married. He decides that Ben Quick might make a good husband for Clara to bring some new blood into the family
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Two Virginians are heading for a new life in Texas when they witness a stagecoach being held up. They decide to rob the robbers and make off with the loot. To escape a posse, they split up and don't see each other again for a long time. When they do meet up again, they find themselves on different sides of the law. This leads to the increasing estrangement of the two men, who once thought of themselves as brothers.
Jody convinces his parents to allow him to adopt a young deer, but what will happen if the deer misbehaves?
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A small town troublemaker (Alessandro Nivola), directionless and alienated, ends up spending a night in a jail cell, where he and the police chief (William Sadler) engage in a battle of wills and wit.
An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he's taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.
A Japanese Yakuza gangsterâs deadly existence in his homeland gets him exiled to Los Angeles, California where he is taken in by his little brother and his brotherâs gang. This is the first English film by Takeshi Kitano.
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
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