The Hunchback of Notre-Dame (1986)
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When Quasi defies the evil Frollo and ventures out to the Festival of Fools, the cruel crowd jeers him. Rescued by fellow outcast the gypsy Esmeralda, Quasi soon finds himself battling to save the people and the city he loves.
Now that Frollo is gone, Quasimodo rings the bell with the help of his new friend and Esmeralda's and Phoebus' little son, Zephyr. But when Quasi stops by a traveling circus owned by evil magician Sarousch, he falls for Madellaine, Sarouch's assistant.
Set in the middle ages, this is the wonderful, poignant story of a deaf hunchback, "Quasimodo", and his undying but unrequited love for the beautiful Gypsy girl, "Esmeralda", with whom, it seems, everyone falls in love. Follow their escape from the besotted Captain of the Royal Guards, Frollo. A classic tale that is retold in a lighter fashion in superb animation to delight the children of the world.
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Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...
Hunchback's story revolves around a beautiful gypsy dancer, Esmeralda (Patsy Ruth Miller) and the men in the life. Esmeralda's possessive guardian is Clopin, King of the Beggars (Ernest Torrence). He is willing to barter her to advance his interests and those of his impoverished followers. She loves and is loved in turn by Phoebus de Chateaupers (Norman Kerry) a cavalier of King Louis XI (Tully Marshall). Esmeralda is also the obsessive object of Jehan (Brandon Hurst) the villainous brother of Dom Claudio (Nigel De Brulier) the cathedral's saintly Archdeacon. And she is adored by Quasimodo, the grotesque bellringer of Notre Dame for her kindness to him after an unjust flogging. During a tender moment between the dancer and the soldier, the jealous Jehan stabs Phoebus. Esmeralda is accused of the crime, tortured and sentenced to hang. Workmen from the cathedral stop laboring to enjoy her public execution, the following day, while Quasimodo watches in horror.
A musical adaptation of Victor Hugo's novel "Notre Dame de Paris" which follows the gypsy dancer Esmeralda and the three men who vie for her love: the kind hunchback Quadimodo, the twisted priest Frollo, and the unfaithful soldier Phoebus.
Based on the novel, a young gypsy becomes a Minister's obsession in 1483. Only the bell ringer and her husband and the court of miracles can save her.
Quasimodo, the hunchback bellringer of Notre Dame's cathedral meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the cathedral, and a poor street poet. But Esmeralda's in love with a handsome soldier. But when a mob mistakes her for a witch, it's up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.
This film is a very loose film adaptation of the 1831 novel The Hunchback of Notre-Dame by Victor Hugo and presumed lost: The wealthy girl Esmeralda is kidnapped by gypsies at birth and becomes, as one might assume, the darling of Paris. She is loved by the bell ringer and former hunchback Quasimodo, Frollo, the wicked surgeon who cares him, and an equally wicked Captain Phoebus.
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1939: Hollywood's Greatest Year is a once-over-lightly evocation of a slate of classic films unmatched before or since. In a year permitting 10 Best Picture nominees, the final cut included Gone with the Wind, The Wizard of Oz, Dark Victory, Goodbye, Mr. Chips, Mr. Smith Goes to Washington, Ninotchka, Of Mice and Men, Stagecoach, Wuthering Heights, Love Affair. Shut out: The Roaring '20s, The Hunchback of Notre Dame, Intermezzo, Destry Rides Again, Idiot's Delight, Young Mr. Lincoln, Gunga Din. This hour-long film finds room to acknowledge a few of these non-starters, but its brevity means a lot gets left out. This includes the absence of anything that doesn't celebrate the studio system, including the practices of the shrewd tyrants who ran them, seen in brief archival footage.
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