Die Könige der Nutzholzgewinnung (2006)
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- Written by Number Two
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Well-intentioned, eternally bumbling Ernest P. Worrell accidentally releases an evil demon from its sacred tomb. As the demon flexes its power and goes on a ruinous rampage, good-guy Ernest tries to step in to save the town from mass destruction. Trouble is, a 200-year-old curse has scared Ernest stupid, and that means hilarity all around! So, kick back and let the laugh-ridden adventures begin.
Havaldar Ratan is a rookie at the local police station, and is assigned duty on foot patrol on Manoranjan Street, a notorious red-light area, on the very first day of his job. He strikes up a conversation with a good-looking young woman named Nisha, and tells her that there is a possible violation of Suppression of Immoral Trafficking Act taking place on this street. He witnesses several women soliciting men, and decides to call in the paddy wagon, and get them arrested. Alas, one of the men frequenting the prostitutes is none other than Ratan's superior officer, who immediately summons Ratan, and has him removed from service on corruption charges. Nisha takes pity on a homeless and unemployed Ratan, and asks him to live with her. He does not want her to sell her body, and so he decides to work at night, and during the day he takes on the guise of a rich Nawab and spends time with her.
A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.
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