A Gentle Breeze in the Village (2007)
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Sedam I Po is a Serbian movie. Seven stories from the hood that connects the leitmotif of the seven deadly sins, in a comic way of treating everyday life if Belgrade people, possessed by it's own small weaknesses. Tthey do not hesitate to go beyond the moral, since each of them understands morality in their own way. The story of the seven deadly sins, however, is not moralizing - it reveals that in spite of sin and errors there is a moment of purification and redemption of the hero. Their lives are not sinful in the Christian sense, their weaknesses are consequence of the times we live in. Pride, in despair, sloth, envy, anger, greed, debauchery and intemperance in eating and drinking - to include a biblical sin, but in modern times would be almost absurd in the context of a much bigger and worse problems of civilization. Therefore, the scenario calls for constant laughter - master your fears and problems, laugh at myself in it; it is a way of overcoming his own pain.
Gautam (Saif Ali Khan) is an incorrigible flirt, who runs after every girl he sees. Meera (Diana Penty) is a pretty girl with desi values and attire, who comes to London from Delhi for a fresh start. Veronica (Deepika Padukone) is the spoilt bombshell who loves partying and drinking. Though different from each other, these three are perfect friends staying under one roof until friendship becomes confusing, and love becomes complicated.
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The Seth family reside in Canada. While Mr. Seth has passed away, his mom is still alive, living with her daughter-in-law, her son, Rahul, and daughter, Twinky. Both Rahul and Twinky are of marriageable age. Rahul shocks them all when he brings home a gorgeous Kimberly, who he wants to marry, and does get reluctant blessings from his mom and grandma. Before the marriage does take place, Kimberly p
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Naive Midwestern prep student Jonathan bonds with his more worldly roommate, Skip, who takes the small-town boy under his wing. At Skip's urging, the inexperienced Jonathan is emboldened to seek out older women in the cocktail lounges of nearby Chicago, where he meets and beds the alluring Ellen, who unfortunately turns out to be Skip's mother. The division between the friends is further deepened when a cheating scandal engulfs the school.
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Two poor portable barrel piano players ramble through Greek countryside and play in fairs. They meet by chance with a rich runaway girl whose father offers a large reward to her finders.They have to choose between getting the reward or helping the girl with her renegade love affair.
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Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
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