Dirty Dali: A Private View (2007)
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Retrace Salvador DalÃâs obsession for science, which lasted his entire life. This can be seen in his paintings, which reflect every major discovery of the 20th Century. Even his signature is directly influenced by a scientific image.
Documentary about the film maker Luis Bunuel. Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions.
About the young life and loves of artist Salvador DalÃ, filmmaker Luis Buñuel and writer Federico GarcÃa Lorca.
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Surrealist poet and artist Charles Henri Fords 1971 film, Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues he grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman. Unseen for over two decades, this classic of forgotten, queer cinema belongs alongside the films of Kenneth Anger, Derek Jarman and Jean Genet. Read more about the restoration process at http://blogs.westword.com/showandtell/2014/02/a_queer_classic_restored_poetr.php
Striving to be independent, the blind but determined Don Baker (Edward Albert) moves away from his overprotective mother (Eileen Heckart, who won an Oscar). After settling into his new San Francisco digs, Don meets kooky neighbor Jill Tanner (Goldie Hawn). Don's quick wit and good looks disarm the free-spirited Jill, and before long they're more than just friends. Will Mrs. Baker's incessant meddling destroy Don and Jill's budding relationship?
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general. In one notable scene, the young girl passionately fellates the toe of a religious statue.
The film opens on a shot of the "Los Angeles City Limits" sign. It then cuts to Fred Halsted taking a walk in the forest and coming upon a man sunning himself in the nude. They briefly talk and end up having passionate sex in the wilderness only to be interrupted by bulldozers destroying the wildlife area in order to build a new suburb. The film suddenly switches to inner city Los Angeles as Halsted and a man from Texas discuss in voice over the problems with modern society and the dishonesty of most people.
Benito González is a flamboyant engineer in Melilla, with a brash and pushy personality. His dream is to build the tallest building ever in the region. After his girlfriend leaves him, he devotes himself entirely to his ambitions, deciding to let nothing get in his way. He marries the daughter of a billionaire, intending to use her father's money to realise his project. Benito waltzes his way through a career of excess, fetishes and deceptions, but the personal conflicts he unleashes ultimately send his life spiraling down to disaster.
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