Psychiatrist experiments LSD on 4 volunteers, to investigate Coffin Joe's influence over them. Each patient presents a different reaction, involving sex, perversion and sadism.
An ambitious female attorney wallows in excess and meaningless sex with both male and female partners, while dealing with her personal life problems including helping her kleptomaniac sister.
Sveto mesto (A Holy Place, 1990) is based on a literary classic, Nikolai Gogol's 1835 short story, 'Viy'. However, Kadijevic uses it only as a starting point for his own explorations into the dark side of eroticism. Gogol's story deals with Toma, a reluctant theology student who is forced to read the Psalms over an (un)dead girl for three nights in a row. All the while supernatural forces are trying to grab him from the Holy Circle drawn on the church floor. Kadijevic adapts and enriches 'Viy' by inventing a new backstory for the witch-girl and her father. The dead girl, Catherine (unwittingly killed in the prologue, while in the shape of a hag), is referred to as a 'saint' and her father is a harsh and unpleasant man. Kadijevic departs further from the original story, and introduces an excess of perversity and horror more reminiscent of the Anglo-American gothic than the milder Slavic attempts in a similar mode.
Aditya (Vivek Oberoi), a young middle class boy, meets Suhani (Rani Mukerji), a medical student and falls head over heels for her. He pursues her relentlessly in the local trains of Mumbai. Suhani, brushes off Aditya's overtures, because she wants to become a successful doctor and do her parents proud. However, Aditya's persistence pays off and she finally accepts. But opposition from her parents forces the couple to part ways. The separation is unbearable and they get married in secret. Once they are married, is where the real story begins. The bliss ends and reality sets in with misunderstandings and quarrels in tow. Where do the newlyweds go from here? Will Aditya and Suhani understand the true meaning of being a "Saathiya"?
In a quiet Ontario town, a small Bed and Breakfast dwells with a perverse secret. David Beck, a closet sociopath, but seemingly normal man, runs the B & B with his wife Samantha, a fiery woman with masochistic tendencies. The harmony of the house is disrupted when a young girl's body is found on the edge of town and veteran police Detective Anthony Dolan suspects David of the murder.
Conceived from transgression and purged into a world he was not meant to know, Jerome exacts meaning to his otherwise questionable existence. Birth of Separation is a visceral portrait of the reclamation of one man's perverse lineage.
Justine is a nubile young virgin cast out of a French orphanage and thrust into a depraved world of prostitution, predatory lesbians, a fugitive murderess, bondage, branding, and one supremely sadistic monk. It's a twisted tale of strange desires, perverse pleasures and the ultimate corruption of innocence as told by the Marquis de Sade.
Detective Raymond Pope is a detective of questionable morals, searching for his missing wife. His investigation leads him to the wealthy estate of the enigmatic Elizabeth Kane and her young maid Irina. Under Elizabeth's fascinating looks and aristocratic manners hides a terrifying secret,shared by her companion Irina. As Detective Pope finds himself perversely drawn to the powerful Elizabeth, bodies begin to surface, his inquiries only deepening the mystery surrounding Elizabeth's past. Pope's obsession grows so intense that he completely fails to anticipate Elizabeth's reaction to his intrusion into her dark world, a fatal mistake that might cost him his life and the lives of those close to him.
Follow filmmaker Walter Todd over 36 deadly hours as he exploits his closest friends and family during a New Year's Eve party, exposing their darkest secrets and sexual perversions. The Exhibitionists is a pulpy exploration of the tipping point between documentary and pornography.
Two symbiotic sociopaths play obscurely deviant mind games with each other while engaging in perversely brutal acts of violence against victims apparently chosen at random
The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
A film about decadence, perversion and violent end in the upper class. A rich man, Girl Licia fooled by his hireling to boyfriend to Asian Paradise around on Bordel whereupon he secretly photographing her so he can blackmail her father. Father solve it all by locking up his daughter on the metal hospital, which means that she is crazy for real.
A feverishly perverse 1969 film noir oddity starring female impersonator Akihiro Maruyama. When wealthy Kyohei hires singer "Black Rose" to perform in his exclusive men's club, he gets more than he bargains for when she attracts scores of homicidal past lovers. The film takes a bizarre twist when Kyohei's son falls victim to the femme fatale's unique charm.
Eugenie, an innocent young woman taken to an island paradise where she initiated into a world of pleasure and pain controlled by the sinister Dolmance. But when she surrenders to her own forbidden fantasies, Eugenie becomes trapped in a frenzy of drugs, sadomasochism and murder. Can a frightened girl in the grip of carnal perversion find sanctuary in the orgies of the depraved?
Alain Revent, a seductive and refined man, derives a peculiar satisfaction from debasing his wives. The first, driven to the brink of despair, throws herself out of a window. Enlisting the help of an equally perverse casual acquaintance, Dino, the "handsome brute" proceeds to emotionally torture his second wife, Nathalie. The sadistic plan is picked up on by Officer Leroy who suspects the truth. Will he be able to snatch the unfortunate woman from the evil Alain's clutches?
A degenerate gambler, unable to come up with the cash necessary for a high stakes gin rummy game, bets his nubile daughter. And loses. His daughter immediately becomes the delectable property of a hot-to-trot sex fiend and the film promptly becomes a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, and more.
Stanley Kubrickâs onetime right-hand man directs this perverse, sui generis take on the Sleeping Beauty story which made a splash at Cannes and had an undeniable influence on Kubrickâs Eyes Wide Shut. A jazz musician (Zalman King) falls in love with a comatose woman at a carny sideshow and takes her to his mansion to join his cabinet of sexual curiosities.
Bourgeois convention is demolished in Luis Buñuelâs surrealist gem. Featuring an elegant soiree with guests seated at toilet bowls, poker-playing monks using religious medals as chips, and police officers looking for a missing girl who is right under their noses, this perverse, playfully absurd comedy of non sequiturs deftly compiles many of the themes that preoccupied Buñuel throughout his careerâfrom the hypocrisy of conventional morality to the arbitrariness of social arrangements.
A wife charges her husband with sexual battery. He escapes from the police and goes into hiding. Three years pass, she divorces him and tries to put the pieces of her life back in order when suddenly he returns. Obsessed with rage and hatred, he kidnaps her and brings her to a house in remote wooded area. There he disciplines her vehemently, subjecting her to increasingly shocking forms of sexual torture, tetherings, suspensions and humiliations. Astonishingly, through the rage and lust, the pair develop a relationship that pushes the boundaries of lurid passions and perverse obsessions
Glembays of Zagreb are the rich family cursed with tragedies and hounted by sinister past. Leone Glembay, rebelious son of family patriarch, is getting disgusted with hipocrisy, perversion and crime that runs in the family.
Jackie, a pretty young lesbian, moves in with Olivia, an older and experienced lesbian. Their landlord, a leering voyeuristic psychopath, demands that they pay their back rent or he'll throw them out. In order to forestall eviction, Olivia convinces the naive young Jackie to help put on a "show" for the landlord, but as his fantasies about the two of them get more perverse, Jackie begins to fear that their lives may be in danger.
The fateful reunion of four brothers quickly dissolves into a night of drinking, deceit, perversions, and death. They don't realize until it is too late that the party they are having is, in fact, a wake.
Carrie is an attractive high school history teacher who one day decides to help a troubled student, taking an special interest for him, unaware of the ruthless and perverse scheme masterminded for her.
Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality. The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.
Ryan McNamara has been beaten, abused, witnessed slaughter, and been subjected to sexual torture. But that's nothing compared to what Ryan is about to do.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Among his most deliciously perverse films, Godâs Comedy centers around the outlandish presence of Monteiro, once again as João de Deus, now employed as the eccentric manager of the Paradise ice cream parlor and inventor of its renown and guarded ambrosia. A collector of female pubic hair - including a precious strand from Queen Victoria - Monteiro's Joao de Deus embodies the cryptically entomological eroticism that lies at the tremulous heart of his late films. The meticulous staging of Godâs Comedy underscores Monteiroâs heightened sensitivity to the occult eroticism of everyday rituals, rendering the serving and stirring of the ice cream as sacred and hauntingly sensuous ceremonies.
A fourteen-year-old girl isplaced in an institution for mentally ill instead of a foster-home due to an official mistake. Here she gets a most cruel treatment which is governed by high-handedness of the spineless and perverse nurses. The girl attempts a desperate escape.
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power so affects her that begins to find herself sexually attracted to her stepfather. He notices this, and eventually brings her into his dark world of sexual perversion and murder.
'Heaven is Now' is a colorful, psychological thriller that journeys into the enigmatic realm of Mira's unconscious as she becomes entangled in a devastating love affair with Penny, the pink-haired, perverse girl-next-door. Her haunting encounters with a woman named Claudia drive Mira into a world of drugs, crime and otherworldly circumstances. Mira's sense of reality blurs further into her dreamworld, as she gets trapped in her inner extremes of both heaven and hell.
Henry Hobson owns and tyrannically runs a successful Victorian boot makerâs shop in Salford, England. A stingy widower with a weakness for overindulging in the local Moonraker Public House, he exploits his three daughters as cheap labour. When he declares that there will be âno marriagesâ to avoid the expense of marriage settlements at £500 each, his eldest daughter Maggie rebels.
Awkward, shy and delightfully funny, Polly Vandersma (Sheila McCarthy) is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later.
Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job...
In 1904 a Russian woman named Sabina Spielrein arrives at Carl Jung's clinic, seeking treatment for hysteria. Jung is eager to test Sigmund Freud's theories on Sabina and, in fact, successfully treats her. Two years later Jung and Sabina meet Freud in person, and Jung takes over the treatment of Otto Gross, whose influence leads Jung to begin an affair with Sabina, contributing to a rift with Freud.
Disgrace is the story of a South African professor of English who loses everything: his reputation, his job, his peace of mind, his good looks, his dreams of artistic success, and finally even his ability to protect his cherished daughter. After having an affair with a student, he moves to the Eastern Cape, where he gets caught up in a mess of post-apartheid politics.
Endless Orgy for the Goddess of Perversion is a documentary that immerses you into the campy world of the grindhouse film era with dozens of sexy strange and humorous clips taken from rare trailers and outrageous feature films. Expert testimony from a dozen 'professors' and those who contributed to that era is the hilarious glue that fuses it all together.Grindhouse refers to the operations of a 24 hour theater that grinds out films around the clock. The term grind comes from the cranking sound that the old projectors made. Others say it refers to the early grindhouse films that showed girls stripping and grinding in back street 1930's burlesque theaters.The grindhouse films were hyped as the scourge to decency attracting sexually oppressed and frustrated urbanites to seedy theaters that featured these movies all night long. These films thumbed their nose at the morality of puritan ethics that millions abided by but secretly hated. Grindhouse Film Era! Sexy Outrageous Campy!
The travelling sideshow 'Lady Divine's Cavalcade of Perversions' is actually a front for a group of psychotic kidnappers, with Lady Divine herself the most vicious and depraved of all - but her life changes after she gets raped by a fifteen-foot lobster...
When Jenna asks her four hot girlfriends to help convert an old mansion into a Halloween Haunt, they decide to party instead! Things get steamy between the girls, until they accidentally unleash the half-pint, horrible Killer Eye, a perverse party crasher from beyond. Bent on having his way, the Killer Eye will stop at nothing until he gets exactly what he wants.
A story about a madman with a movie camera. He's a narcissist, nihilist, sexual sadist and killer of innocent women. His name is Charlie and WILD IN BLUE is his world: a place of evil, violence and perversion where only his camera tells the truth. He set out to make an honest film for you - no lies whatsoever - and after the madness and all the hate, you will love him.
An erotic horror movie dedicated to Joe D Amato, Hyde's Secret Nightmare combines the two genres and mixes them in equal parts. Cross-cut erotic and horror scenes are kept together by a thread of dramatic force bordering on obsession, paranoia, phobia, perversion, and lack of self-acceptance. Everything unfolds in an extreme world where sex seems the only way to attain a state of well-being.
A modern reimagining of the classic romantic comedy, this contemporary version closely follows new love for two couples as they journey from the bar to the bedroom and are eventually put to the test in the real world.
Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream of transient workers who populate the airport's soulless hub. When Lena, a young Polish office cleaner, is befriended by Birdie, she gets drawn into a nightmarish world of torture, murder and perversity.
At a gathering of would-be society debauchees, the Baron Plessis de Regard and the attractive young Nathalie hatch their individual plans to use sex to respectively ruin and punish their selected enemies. The Baron's plan is to scupper the political ambitions of right-wing parliamentary candidate Colonel Montvilliers by setting him up with a female companion and publicly exposing his new-found vices. Nathalie's quest is of a more personal nature, to destroy her estranged father Charles Leroy-Merville by corrupting his innocent 17-year-old daughter Sophie, a task she intends to achieve by securing employ as the girl's summer tutor.
Documentary, shot in 2001 and 2002 in the Jardim Gramacho shanty town (more properly a refuse dump) on the outskirts of Rio de Janeiro, mixes almost unbearable intensity with a remarkable, almost transcendent, poetic vision. âMy depression is immense. It has no cure!â rails Estamira, the 64-year-old resident around whom the film is based, screaming at her 10-year-old grandson, âFuck off with your God!â As capable of mystic insight and psychotic rage as she is of poetic descriptions of her, her familyâs and her neighboursâ plight, Estamira comes close to a force of nature, a survivor against impossible odds. Prado lets his subjects speak for themselves; and itâs a terrible truth they utter. A remarkable and shocking film.
Adam Goldberg delivers "an uproarious study in transatlantic culture panic" as Jack, an anxious, hypochondriac-prone New Yorker vacationing throughout Europe with his breezy, free-spirited Parisian girlfriend, Marion. But when they make a two-day stop in Marion's hometown, the couple's romantic trip takes a turn as Jack is exposed to Marion's sexually perverse and emotionally unstable family.
Homicide cop Rita Cates takes a murder case where the victim is a Las Vegas stripper. The investigation immediately takes a perverse turn when she discovers the prime suspect: a psychotic ex-cop with whom she once had a torrid affair. That initial affair drove Cates' husband to suicide, but it doesn't stop her from picking up where she left off. In the heat of passion, she jeopardizes the case, her career and her life.
10 years ago the perverse Dr. Russell couldn't resist the beauty of a young patient in his mental clinic and raped her one night. When she plunged herself from the roof shortly after, he described it as consequence of her heavy depressions. Now the same urge overcomes him with his new patient Sandy. He doesn't know that she's the daughter of his previous victim and that she's come for revenge.
MINTY is a youthful, raven haired, punk rock, feminist, female super heroine, that gets her super powers from eating chocolate (which is a good source of antioxidants). One day Minty's agent, BIG BOSS, an older and honorable gentlemen, is taken hostage by DOCTOR BRAIN BENDER, the evil neuro-scientist. Minty then fights her way up various perverse floors of Doctor Brain Bender's paranormal building to rescue Big Boss. Several unusual villains stand in her way: CAPTAIN CAPABILITY, a freak of nature; SENSATIONAL NINJA, an effeminate assassin; RAT MONSTER, a depressed mutant; BRUCE ZEE, a psycho martial artist; MOLLY LEVIATHAN, a sensual super vixen; ZEN COWBOY, a blindfolded gunslinger; and DOUBLE DELICIOUS, an intellectual lesbian vampire. Throughout this wild odyssey, Minty educates her adversaries on the fascinating world of natural science and then uses her beauty, her brains, and pure brutality to demonstrate the biological theory of the survival of the fittest
Paul Harris works at a small research facility on the outskirts of Boston. After a weekend tryst with a co-worker leaves him wanting more, his unreciprocated desires gradually mold into an acute infatuation. When Danielle takes interest in a new scientist at the laboratory, Paul's suppressed resentments and perverse delusions finally become unhinged, triggering a horrific course of events that mercilessly engulf a tortured past and fugitive present.
Down a seedy city street in her neighborhood, young Enola Penny is obsessed with what appears to be a long abandoned theatre. One night, she sees that the front door is slightly ajar and impulsively decides to sneak inside. But there in the dark, decrepit auditorium, a show unlike any other unfolds before her eyes. Its host is an eerie human puppet named Peg Poett who will introduce Penny to six tales of the bizarre: A couple traveling in a remote part of the French Pyrenees cross paths with a lustful witch; A paranoid lover faces the wrath of a partner who has been pushed to her limit; The Freudian dreams of an unfaithful husband blur the lines between fantasy and reality; The horrors of the real world are interpreted through the mind of a child; A woman addicted to other people's memories gets her fix through the vitreous fluid of her victims' eyeballs; And a perverse obsession with sweets turns sour for a couple in too deep.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they're each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o'clock. Splick's most recent TV show, centered around his character's perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother's apartment in New York. Frustrated by a barrage of comments about the "good," "funny," movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
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