Second Hand Wedding (2008)
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Shruti (Anushka Sharma) and Bittoo (Ranveer Singh) are two 20-something years olds who have just graduated from Delhi University. Apart from this the two are very different from each other. Shruti, who is from a middle-class household, is very driven, ambitious and focused, while Bittoo is a slacker who is mostly interested in having fun with his friends. A chance meeting leads them to reluctantly start a business venture as Wedding Planners together, with one strict rule: not to mix business with pleasure. Through their business they experience the ups and downs of the lavish world of the glamour and glitz of Delhi weddings, something that will test their friendship over time and eventually make them discover one another. What will be the ending of this sweet story!
Muffin's wedding to Dino Corelli is to be a big affair. Except the ageing priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
Two distant cousins meet at a wedding banquet for an elderly couple. Over time, a close friendship develops between them, but their spouses begin to think that they are more than just friends.
Four sisters try to stop the wedding of their younger brother and in doing so, all discover resentments among each other.
Based in Delhi's Chandni Chowk, orphaned Sidhu is adopted by the owner of Bajrang Bali Parathas, known simply as Dada. Years later Sidhu has grown up and is an expert at slicing vegetables.
As the Best Exotic Marigold Hotel has only a single remaining vacancy - posing a rooming predicament for two fresh arrivals - Sonny pursues his expansionist dream of opening a second hotel.
First of all, the title does not refer to someone sentenced to jail. It is a movie about 6 lifetime friends who are all hitting the big `3-0' together during the same year. Each one looks inside themselves to see where has my life gone and what am I going to do with my future. Actually, what I saw was a black Seinfeld comedy. Tracy Morgan, who is one of the main characters, is a struggling comedian just like Jerry Seinfeld. He gives his opinion of what women want in a man in one of his comedy routines. Melissa De Sousa is looking for a man before time runs out. She is just like Elaine in Seinfeld. I don't remember the big problem with turning thirty, however, all the characters in this movie can show you what they are, such as not having fame, riches, a husband, a thin body, and staying young. Their life stories are probably repeated many times around the world.
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Four Weddings And A Funeral is a British comedy about a British Man named Charles and an American Woman named Carrie who go through numerous weddings before they determine if they are right for one another.
This is a story about a romantic journey of a culturally opposite couple - Krish Malhotra and Ananya Swaminathan. They meet at the IIM-Ahmedabad College and during the program they fall in love. Complications arise after the program comes to an end and they decide to get married. Krish and Ananya belong to two different states of India. Krish, a North Indian Punjabi boy from Delhi, and Ananya, a Tamilian Brahmin from Chennai. They take a conscious decision; they won't get married until their parents agree. Everything goes downhill when the parents meet. There is a cultural clash and the parents oppose the wedding. To convert their love story into a love marriage, the couple faces a tough battle in front of them. For it is easy to fight and rebel, but much harder to convince. Will Krish and Ananya's love for each other sustain the battles? Will they manage to convince their parents and make it to their wedding? The film thus is a humorous take on inter community marriages in India.
From an exciting Indian wedding comes a relationship from two different times not only showing the modern but also the traditional. Different characters and stories interact with each other in director Mira Nair film where he used an Indian-American production to illustrate these themes modern day Indians are very familiar with.
Dus Tola is a 2010 Hindi comedy and drama film, remade from the Hit Malayalam film of the 80's Ponmuttayidunna Tharavu, directed by Ajoy Varma and starring Manoj Bajpai in the lead role. Dus Tola was released on 22 October 2010. Distributed in the U.S. and co-produced by Warner Bros., it is the forth Bollywood movie made and distributed in partnership with a major Hollywood studio, following Sony's Saawariya (2007) and Walt Disney Pictures' animated feature Roadside Romeo (2008) and Warner Bros. Pictures' Chandni Chowk To China (2009). It is the second Hindi film under the banner of Warner Bros. Pictures
A comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players. Dealers, collectors, artists, wannabees vie with each other in a world in which success and downfall rest on a thin edge.
When implanted in a person's wrist, a TiMER counts down to the day the wearer finds true love. But Oona O'Leary faces the rare dilemma of a blank TiMER. Her soul mate - whoever and wherever he is - has yet to have a TiMER implanted. Staring down the barrel of thirty and tired of waiting for her would-be life partner to get off the dime, Oona breaks her own rules and falls for Mikey, a charming and inappropriately young supermarket clerk with a countdown of four months.
With just weeks before their royal wedding, Paige and Edvard find their relationship and the Danish monarchy in jeopardy when an old law is brought to light, stating that an unmarried heir to the throne may marry only a woman of noble blood or else he must relinquish his crown.
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Mike Vecchio and Susan Henderson are preparing for their upcoming wedding. However, they seem to be the only two people at the wedding that are happy. Mike's brother Richie and his wife Joan are going through a divorce, which is upsetting his overly devout Catholic mother Beatrice. Also, Susan's father is carrying on an affair and her sex starved older sister Wilma is going through her troubles with her husband Johnny. All this is going on while Mike's best friend Jerry is trying to bed the maid of honor, Susan's cousin Brenda.
The night after another unsatisfactory New Year party, Tim's father (Bill Nighy) tells his son that the men in his family have always had the ability to travel through time. Tim can't change history, but he can change what happens and has happened in his own life---so he decides to make his world a better place...by getting a girlfriend. Sadly, that turns out not to be as easy as you might think.
Jennifer and Vince, virtual strangers, find themselves strapped for cash and decide to stage a fake engagement and wedding just for the gifts
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Set in the 1930's this intricate caper deals with an ambitious small-time crook and a veteran con man who seek revenge on a vicious crime lord who murdered one of their gang.
Awkward, shy and delightfully funny, Polly Vandersma (Sheila McCarthy) is an "organizationally impaired" temporary assistant who finally gets her first permanent job at the age of 31. While she works for the curator of an art gallery, Polly narrates her own story, sharing the comical and bittersweet pretensions of the art world. At the same time, she reveals a special part of her own private world, taking the viewer to enchanted places in this quiet assault on the notion of authority everywhere.
Recently graduated from high school, 17-year-old Shiro (Yagira Yuya) decides to put off college and work at a gas station instead. Shy and introspective, Shiro understands he is at a turning point of his life, but is unsure of what lies ahead. Though his parents disapprove of his decision, he has the support of his flower child grandmother (Natsuki Mari) who declares that a gas station is a romantic place for life's drifters. Surely enough, soon a new co-worker, college student Noriko (Erika Sawajiri), drifts into Shiro's life. He falls headfirst into a bittersweet first love that ushers him into the world of adulthood.
Barb has the perfect life, or so she's been told. Somewhere down the road, she's gained a husband, kids and a career, but lost her freedom and passion for life. In an attempt to recapture the innocence of her carefree days, Barb calls her high school pals Patti, Karen and Liz together for a weekend reunion. Loosening up with a few bottles of wine, each shares their secrets and dreams. But they soon discover that they share much more - burden, responsibility and a deep dissatisfaction for where their decisions have taken them. The best friends reach out to one another for collective wisdom and guidance. But, is it enough to save these four friends and set them back on their chosen paths? A Touch of Grey is a bittersweet comedy. A poignant, soul-searching journey that explores the question, can we have it all and still be truly happy?
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The film centers on three brothers who, upon learning they only have a few days left to live, set off to reverse a lifetime of mistakes. Hopper and Simmons are playing the brothers' father and uncle, respectively, while Caan is one of the brothers. Helfer is Caan's girlfriend, a woman with a dangerous past.
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Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
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