Main cast Arya; Pooja Umashankar; Rajendran; Krishnamoorthy; Azhagan Thamizhmani
Genres Music, Drama, Action, Mystery
Description For astrological reasons, a father leaves his son Rudran (Arya) in Kasi. Nevertheless he brings him back to Tamil Nadu. The story takes a turn here and introduces us to the world of physically and mentally challenged beggars. A world controlled by the cruel Thandavan (Rajendran). Meanwhile, Rudran leaves his house to find his place on a small cave, and soon meets Hamsavalli, who tries her best to convince him to return home, but fails. Thandavan then takes a deal with a Malayali man of the same profession and decides to force Hamsavalli to marry an ugly, deformed man for 10-lakhs worth of money. On one incident, Hamsavalli angers the deformative, who runs away without marrying her. This angers Thandavan, who deeply wounds her. She later goes crying to Rudran to somehow free from this curse. The aghori then kills her and grants her moksha.
Maria finds herself caught between two worlds. At school this 14-year-old girl has all the typical teenage interests, but when sheâs at home with her family she follows the teachings of the Society of St. Pius XII and their traditionalist interpretation of Catholicism. Everything that Maria thinks and does must be examined before God. And since the Lord is a strict shepherd, she lives in constant fear of committing some misconduct...
A cattle herder and his family who reside in the dunes of Timbuktu find their quiet lives -- which are typically free of the Jihadists determined to control their faith -- abruptly disturbed. A look at the brief occupation of Timbuktu by militant Islamic rebels.
The story of Jerry Lee Lewis, arguably the greatest and certainly one of the wildest musicians of the 1950s. His arrogance, remarkable talent, and unconventional lifestyle often brought him into conflict with others in the industry, and even earned him the scorn and condemnation of the public.
Cult leader Warren Jeffs rises to power in the polygamist Mormon sect once headed by his late father, but some of his wives fight back to bring him to justice. Based on a true story.
A drama set in 1986 Iran and centered on a man, Sahebjam (Caviezel), whose car breaks down in a remote village and enters into a conversation with Zahra (Aghdashloo), who relays to him the story about her niece, Soraya (Marnò), whose arranged marriage to an abusive tyrant had a tragic ending.
Youssef, a blind university professor, is suddenly diagnosed with a fatal disease and must undergo treatment in France. Back home, will he find the life he had before?
The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel's most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.
The two brothers Van der Laan, of strict religion, have been running Holland's most successful software company for 10 years when suddenly their financial manager leaves the firm. The lives of the brothers and their families get turned upside down when they hire a young hot shot financial specialist, in order to pursue their goal to bring the company to the NASDAQ.
Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter Christian fundamentalists with a much more sinister agenda.
A historical analysis of how groups such as the Naziâs may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800âs through the late 20th Century at the eve of the 21st. âA society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.â
The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling information about the the all-too-memorable flick that has terrorized film audiences since 1976.
A growing number of Evangelical Christians believe there is a revival underway in America that requires Christian youth to assume leadership roles in advocating the causes of their religious movement. Jesus Camp follows children at a Christian summer camp as they hone their "prophetic gifts" and are schooled in how to "take back America for Christ." The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
What can a sexless middle aged married man, whose life now consists mainly of watching Scooby Doo cartoons with a four year old boy, possibly find to write comedy about? Formerly stand-up s youthful iconoclast, Lee now gawps blankly at News 24 as Britain burns down around him, and blinks weirdly at the vast wayside retail outlets during endless journeys to and from increasingly indistinct provincial theatres. Once he lived on the pleasure planet. Now he is trapped in Carpet Remnant World
In the Indian metropolis of Mumbai, twenty young women from across the subcontinent compete in a beauty contest for the title of Miss India. In another part of the country, young women are brought together in a camp under very different circumstances. They belong to a Hindu fundamentalist movement and are being trained to fight for their beliefs; against the westernisation of India. Documentary filmmaker Nisha Pahuja accompanies the women from these two very different worlds over several months, capturing their similarities and differences on camera. Western ideals of beauty exist in the minds of the prospective models, but they are also called into question. On the other hand, young Hindu women organise themselves in a male-dominated society, but, in secret, they share the dream of an independent life. With illuminating insights into the protagonistsâ camp and private lives, the film depicts womanhood in a country in the midst of upheaval between the traditional and the modern.
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