White Night (2009)
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Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?
Japan sinks! Proving once again that Japan will never cease to find inventive ways to destroy itself on screen, this summer's blockbuster Sinking of Japan brings apocalypse through tectonics. Based on Sakyo Komatsu's best-selling novel, Sinking of Japan was first put on the big screen in Moritani Shiro's 1973 classic. In 2006, director Higuchi Shinji remakes the disaster movie, taking the story to
An expatriate Russian dancer is on a plane forced to land on Soviet territory. He is taken to an apartment in which a black American who has married a Russian woman lives with her. He is to become a dancer for the Bolshoi again, but he wishes to escape, but can he trust the American?
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When Bussan learns he has less than a year to live, he decides to continue his life as usual. He spends his time with his friends, a band called Kisarazu Cat's Eye. Their funny adventures range from playing gigs to solving a mystery surrounding counterfeit money, but Bussan's impending death is never far away.
At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.
A loose adaptation of Dostoyevsky's novella White Nights, with the action transposed from 19th century Russia to modern-day France. One night, Jacques, a young man with artistic aspirations, sees a girl trying to commit suicide by jumping from a bridge. When he prevents her from jumping, Marthe tells him that she has become desperate waiting for her lover, who left her almost a year ago but promised to return. Jacques asks Marthe to meet him by the bridge the next night and the girl agrees. They spend the following three nights wandering through Paris, and Jacques tries in vain to cure Marthe of the memories of her elusive lover.
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Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.
In a Japanese version of "Oedipus Rex," a gay son murders his mother and sleeps with his father.
The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.
The film is told in three acts, beginning with a historical background of Japan's student movement of the 1960s and early 1970s, mostly using archive footage and a narrator. The second act follows the formation of the group to their mountain training camps in the southern Japanese Alps. It emphasizes the dogmatic (and eventually hypocritical) bullying of the group by Mori and Nagata, with 12 members being killed for infractions as small as improperly cleaning a gun, wearing make-up, and kissing. The third act shows the splitting up of the group after two members run off. It follows one group of five members to Karuizawa and a hostage-taking and police standoff known as the Asama-SansÅ incident.
The CIA hears of a KGB scheme to assassinate the Soviet General Secretary and enlists Stoner, an agent retired for 10 years, to go to Russia to investigate. He verifies the plot, but then has trouble leaving the country. In the meantime, the U.S. policy makers struggle over whether or not to inform the Soviets of the plot. Stoner's problems are complicated by the renewal of an affair with Anna, a Russian, as he tries to convince her to defect.
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Jeff Gerber, an insurance agent, lives in a typical suburban neighborhood. He is also both racist and a fitness freak. But Jeff's bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight. As Jeff tries to come to terms with this unexplained phenomenon that has befallen him, he soon becomes the victim himself when all of his friends and neighbors suddenly shun and harass him. This puts a strain on his marriage and loyal wife Althea, who begins to crack under the pressure. When all medical attempts to change his skin back to his former color fail, Jeff accepts that Kharma has caught up with him. Jeff tries to see the light of being a persecuted black man in this cruel and segregated world with the help of some of some new black friends, some of whom were people he, as a white man, taunted and harassed.
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Setsuko Hara plays Fumiko, whose unsuccessful marriage has made her become more and more cynical. When her niece, Ayako visits and complains about her own marriage, she is unsurprised. Meanwhile, a new couple, whose marriage is similarly unblissful, moves in next door. The two couples create a very awkward bond that could ruin both marriages, but everyone seems to be aware and nobody cares either way. [Cinema Talk Blog]
An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.
Nagisa Oshimaâs most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950âs and the failure of political radicalism. Taking itâs title (as a reference or homage) from Alain Resnaisâ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalaries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. âYume Pictures
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A sex-obsessed young woman, a suicidal young man she meets on the street, a gun-crazy wannabe gangsterâthese are just three of the irrational, oddball anarchists trapped in an underground hideaway in Oshimaâs devilish, absurdist portrait of what he deemed the âdeath driveâ in Japanese youth culture.
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At an event hall in Roppongi Hills, there is a charity event for landmine eradication. Kaoru does security with Security Police officers Soichiro Ogata, Eri Sasamoto, Takahumi Yamamoto and Mitsuo Ishida. Kaoru Inoue senses a threatening existence and starts to suffer a severe headache and becomes dizzy. When Kaoru was young, his parents were killed by terrorists and that incident has had an traumatic effect on Kaoru since.
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In 2010, 31,560 people ended their own lives and about 20,000 people died or went missing with the earthquake. Unemployed widower Fujio Muraiâs family tragedy contains instances of both; diagnosed with lung cancer, Fujio refuses surgery and returns home with his son Yoshio.
Teacher Akira Suzuki (Hiroki Hasegawa) breaks away from long held customs and norms at his school. He tries hard to have the ideal classroom by using his own "Suzuki method". The new semester begins. His homeroom 2-A class is about to have a student council election and preparations for a school festival. A man (Shunsuke Kazama) then takes a female student hostage ...
High school student Erika is sick and tired of her weakness. By chance, Erika begins working at a cabaret night club. She eventually becomes the top lady in the night world and is known by her nickname Kurumi. In the process, she manipulates men and makes a lot of money from them. Deep down inside though, Erika suffers from loneliness and fear. A man then appears in front of her.
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A woman bears a 13 year grudge with her father over the traditional dance he was performing that caused him to be absent from her mother's death, until they reconnect over the very same dance.
For three years after being forced from office, Nixon remained silent. But in summer 1977, the steely, cunning former commander-in-chief agreed to sit for one all-inclusive interview to confront the questions of his time in office and the Watergate scandal that ended his presidency. Nixon surprised everyone in selecting Frost as his televised confessor, intending to easily outfox the breezy British showman and secure a place in the hearts and minds of Americans. Likewise, Frost's team harboured doubts about their boss's ability to hold his own. But as the cameras rolled, a charged battle of wits resulted.
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When Alex enters the lives of the musical Tuttle family, each of the three daughters falls for him. He is charming, good looking and personable. Laurie and Alex seem made for each other and become engaged. When Barney comes into the picture to help Alex with some musical arrangements matters become complicated. He is seen as a challenge by Laurie, who can't believe anyone could be as cynical, and she is more than a match for his gloomy outlook on life.
Bobby Walker is living the proverbial American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and co-workers Phil Woodward and Gene McClary jobless, the three men are forced to re-define their lives as men, husbands and fathers.
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