Main cast Henry "Big Bank Hank" Jackson; Guy "Master Gee" O'Brien; Michael "Wonder Mike" Wright
Genres Documentary
Description Thirty years after recording "Rapper's Delight," Master Gee & Wonder Mike come back to reclaim their identities and rightful place in Hip Hop history.
SOMETHING FROM NOTHING: THE ART OF RAP is a feature length performance documentary about the runaway juggernaut that is Rap music. At the wheel of this unstoppable beast is the film's director and interviewer Ice-T. Taking us on a deeply personal journey Ice-T uncovers how this music of the street has grown to dominate the world. Along the way Ice-T meets a whole spectrum of Hip-Hop talent, from founders, to new faces, to the global superstars like Eminem, Dr Dre, Snoop Dogg and Kanye West. He exposes the roots and history of Rap and then, through meeting many of its most famous protagonists, studies the living mechanism of the music to reveal 'The Art Of Rap'. This extraordinary film features unique performances from the entire cast, without resorting to archive material, to build a fresh and surprising take on the phenomenon that is Rap.
Having forged a 20-year run as one of the most innovative and influential hip hop bands of all time, the Queens NY collective known as 'A Tribe Called Quest' have kept a generation hungry for more of their groundbreaking music since their much publicized breakup in 1998. Michael Rapaport documents the inner workings and behind the scenes drama that follows the band to this day. He explores what's next for, what many claim, are the pioneers of alternative rap.
Chronicling the controversial career of bad boys N.W.H. (Niggaz With Hats), this uproarious 'mockumentary' lampoons all of hardcore rap's hot-button issues. This underground laugh riot recounts the rise, fall and resurrection of a clueless bunch of would-be rappers, Ice Cold, Tone-Def & Tasty Taste performing as N.W.H.
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
Socalled, aka Josh Dolgin, is the most supreme klezmer hip-hop funk artist in the world. A pianist, singer, rapper, accordion player, and magician, he's a demented Renaissance man and a multi-cultural mixmaster. THE SOCALLED MOVIE is a kaleidoscopic portrait which compiles 18 short films that display his electrifying craft and deep-rooted sense of history. Combining traditional Yiddish songs with funk, rap and everything in between, his tunes are densely layered tapestries of dizzying complexity. His encounters with legendary trombonist Fred Wesley (a key member of James Brown's bands) and klezmer hero David Krakauer are revelatory meetings of the mind, while his re-discovery of pianist Irving Fields turns the elder statesman into a YouTube phenomenon. With offbeat wit, intimacy and virtuoso performances, THE SOCALLED MOVIE is an enthralling documentary that shows how music can break down the boundaries that divide our world.
In 1989, a collective of young artists gathered at a non-descript health food store in gang-infested South Central Los Angeles. Their mandate? To explore the musical boundaries of hip hop and reject gangster rap. THIS IS THE LIFE chronicles the rise and fall of this "family" of African-American street poets, while examining their obstacles to commercial success. They all took different paths but remain connected by the music they made, the alternative hip hop movement they developed, and their worldwide influence on the art form.
Some call it tagging, some call it writing, still others call it bombing--it's all graffiti. Whether it's art or not is another matter, but it's undeniably illegal. Tony Silver and Henry Chalfant's historic PBS documentary Style Wars tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.
Artifact is a 2012 American documentary film directed by Jared Leto under the pseudonym of Bartholomew Cubbins, a recurring character in the Dr. Seuss universe. The film is a documentary about the making of the 30 Seconds to Mars album This Is War and the band's battle against record label EMI. Included in Artifact are several interviews, including the one with neurophysicist Daniel Levitin, author of the popular science book This Is Your Brain On Music. The film won the BlackBerry People's Choice Documentary Award at the 2012 Toronto International Film Festival.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
Two of the most notorious unsolved cases in the history of American crime â the murders of renowned rap stars Tupac Shakur and Biggie Smalls â have been the subject of exhaustive investigations, relentless speculation, and a web of conspiracy theories and dark secrets. Now, for the first time, the true story behind these sensational cases is laid bare in "Murder Rap: Inside the Biggie and Tupac Murders". Using information sourced from hundreds of police case files, taped confessions never shown before, and interviews with the lead detective and witnesses, this is the riveting account of the task force that finally exposed the shocking truth behind the deaths of these two rap music icons.
Beat This: A Hip-Hop History is a 1984 BBC documentary film about hip-hop culture, directed by Dick Fontaine. The cast includes Afrika Bambaataa, DJ Kool Herc â the film includes footage from Herc's original dance parties â The Cold Crush Brothers, Jazzy Jay, Brim Fuentes, and The Dynamic Rockers. It is narrated by Imhotep Gary Byrd. Originally part of the Arena television series, it was among the first crop of documentaries about hip-hop.
THE RECORD MAN is a uniquely American story of how a group of musical underdogs with raw talent and diverse backgrounds, led by the indefatigable determination of one man, Henry Stone, exported the music of Miami to the world. Before there was a âmusic businessâ there was Henry Stone, âThe Record Manâ. From distributing records out of his '48 Packard to establishing TK Records as the largest independent label of the 1970s, Henry had an ear for hits. His funky eight-track studio and chart topping family of artists including KC and the Sunshine Band, led to the original Miami Sound and birth of Disco. When his empire collapsed on a baseball field in Chicago in 1979, Henry didnât miss a beat launching Miami Freestyle. Turning personal tragedy into an opportunity to empower others, through Henry Stone we witness the dramatic arc of the record business from inception through the digital age. With photographs unearthed after 40 years, THE RECORD MAN captures a forgotten musical history.
By night Recife looks like an attractive city. The documentary "The Little Prince's Rap Against the Wicked Souls" begins with a montage sequence of Recife at night. However, by day, we soon learn, Recife is crime ridden. At one point one of the subjects of the film tells us that it is statistically the fourth worst city in the world to live in. The film focuses on two young male inhabitants of Recife who have both reacted strongly to their situation. One has become a drummer in a rap/rock band. The other has killed forty-four people and is now in jail. Both use the term "Wicked Souls" to describe their enemies. Little Prince's Rap Against the Wicked Souls is a fascinating study of how people view the world they live in, and how they react to it.
A documentary about the culture of hip-hop. Through interviews with some of hip-hops biggest names, the film makers attempt to find out why it has become so popular.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock 'n' roller, Rodriguez. The film won Best Documentary at the 85th Academy Awards.
This bi-coastal simulcast concert brought together some of the most influential artists in rap for a one-time-only show of rhyming might. "Rap Mania: A Salute to the 15th Anniversary of Hip Hop" took place VIA SATELLITE at the Apollo Theater in New York City and The Palace Theater in Hollywood, and featured sets from many performers.
The history of Sound City and their huge recording device; exploring how digital change has allowed 'people that have no place' in music to become stars. It follows former Nirvana drummer and Foo Fighter David Grohl as he attempts to resurrect the studio back to former glories.
Presented by actor, DJ, MC and lifelong hip hop fan Idris Elba (The Wire, Luther) and featuring stars from both sides of the Atlantic (Snoop Dogg, Mark Ronson, Nas, Rakim, Debbie Harry, Jessie J, Chipmunk, Tinchy Stryder and N Dubz, to name just a few), How Hip Hop Changed the World counts down the defining moments of a culture that exploded out of the wastelands of 1970s New York and went on to become one of the most dominant global economic, political and social forces of our time. From the birth of turntabalism to the UK grime artists who are now conquering the world, this two-hour special reveals everything you need to know about hip hop.
Bob Marley's universal appeal, impact on music history and role as a social and political prophet is both unique and unparalleled. Directed by Academy Award-winning director Kevin Macdonald (The Last King of Scotland), MARLEY is the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom. Made with the support of the Marley family, the film features rare footage, incredible performances and revelatory interviews with the people that knew him best.
WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.
In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
Hear My Train A Cominâ unveils previously unseen performance footage and home movies taken by Hendrix and drummer Mitch Mitchell while sourcing an extensive archive of photographs, drawings, family letters and more to provide new insight into the musicianâs personality and genius. The two-hour film uses Hendrixâs own words to tell his story, illustrated through archival interviews and illuminated with commentary from family, well-known friends and musicians including Paul McCartney, band members Noel Redding, Mitch Mitchell, Billy Cox, long-time sound engineer Eddie Kramer; Steve Winwood, Vernon Reid, Billy Gibbons, Dweezil Zappa and Dave Mason.
Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster.
From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.
Documentary looking back at the West Coast group who invented gangster rap. The original lineup of N.W.A consisted of Dr Dre, Ice Cube and Eazy-E, all of whom went on to be successful in their own right. The documentary looks at how the group influenced the world of rap music as well as the controversial life and death of Eazy-E and the career developments of Ice Cube and Dr Dre.
If ever there was an album worthy of inclusion in Eagle Visionâs Classic Albums series it is Queenâs breakout release A Night At The Opera. Released in 1975, this was not only the bandâs first platinum album, but also the one that catapulted them into the spotlight as one of the biggest rock acts in the world. Now for the first time, fans are offered an in-depth look at one of rock musicâs seminal records with the Classic Albums DVD Queen â The Making Of A Night At The Opera.
In 1991, music manager Shep Gordon held Mike Myers over a barrel a few weeks before shooting Wayneâs World regarding an Alice Cooper song Myers wanted to use in the film. They have been close friends ever since. Twenty-two years later, the story of Gordonâs legendary life in the über-fast lane is now told in Myersâ directorial debut. And this time itâs Myers who has Gordon over a barrel. Shep Gordon: capitalist, protector, hedonist, pioneer, showman, shaman⦠Supermensch!
No Distance Left to Run is a documentary film about the British rock band Blur, released in cinemas on 19 January 2010. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews. It was released on DVD on 15 February 2010 region free and the recording of the 2009 Hyde Park concert is included on a second disc. It aired on BBC2 on 14 March 2010. It is the band's second documentary video, following Starshaped seventeen years before in 1993.
Wish You Were Here, released in September 1975, was the follow up album to the globally successful The Dark Side Of The Moon and is cited by many fans, as well as band members Richard Wright and David Gilmour, as their favorite Pink Floyd album. On release it went straight to Number One in both the UK and the US and topped the charts in many other countries around the world. This program tells the story of the making of this landmark release through new interviews with Roger Waters, David Gilmour and Nick Mason and archive interviews with the late Richard Wright. Also featured are sleeve designer Storm Thorgerson, guest vocalist Roy Harper, front cover burning man Ronnie Rondell and others involved in the creation of the album. In addition, original recording engineer Brian Humphries revisits the master tapes at Abbey Road Studios to illustrate aspects of the songs construction.
Alison Ellwoodâs intimate, meticulously crafted patchwork of rare archival material, concert footage, and unseen home movies explores the evolution and enduring popularity of one of Americaâs truly defining bands.
1992 documentary film starring rap group N.W.A. It featured groups behind the scenes of their music videos, concert performances, interviews and at parties, as well as three music videos from the groups album, Niggaz4Life, "Alwayz Into Somethin'", "Appetite for Destruction" and "Approach to Danger".
In 1964, when the New York Mets were regarded as little more than a punch line in major league baseball, the team moved into a brand new ballpark, Shea Stadium, which was to become their home for the next forty-four years. Shea Stadium was closed (in part to create more parking space for a new stadium, Citi Field), and on July 16 and 18, 2008, Billy Joel headlined the final concerts held at the stadium. Filmmaker Paul Crowder and a camera crew were on hand for Joel's shows, and the documentary THE LAST PLAY AT SHEA chronicles his historic two-night stand, as well as exploring Joel's career, his ties to working-class New York, and how his life and career paralleled the growth of suburban Long Island and the beloved ballpark.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of âthe hardest working man in show business,â from his first hit, âPlease, Please, Please,â in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Lufthansa Captain Juergen Raps greets all viewers interested in experiencing an entire flight in the cockpit. Since 9/11, PilotsEYE.tv is the only possibility to enjoy this experience. The authorities... With all the exhilarating and wonderful moments such as the preparations for takeoff on runway 26R at Munich Airport. After a perfect westerly takeoff, the plane banks right heading north, which - as chance would have it - takes us directly over Captain Raps' home town. Susanne Parusel - on her maiden flight as Senior First Officer - enthuses about being a pilot. Laid-back, humorous, but always in full control, she assists the Captain in his every duty. English subtitles are provided for all parts of the german conversation.
An up-close and personal examination of the life, music and career of the legendary entertainer. Told in his own words from hours of archived interviews, along with commentary from those closest to him, the documentary weaves the music and images from Sinatraâs life together with rarely seen footage of his famous 1971 âRetirement Concertâ in Los Angeles. The filmâs narrative is shaped by Sinatraâs song choices for that concert, which Gibney interprets as the singerâs personal guide through his own life.
New York, 1986: a city of big dreams and equally big problems. Like New York itself, hip-hop music encompassed both of these human conditions. But hip-hop and its cultural birthplace shared other important characteristics, too: the desire to always be original, a hustle-to-survive ambition, and â if the stars aligned â the ability to come out on top, no matter what the odds. Big Fun in the Big Town is about hip-hop when artistry in the game was still at its center. When skills, not hype, got you your first record deal. When Run-DMC took the reins from Doug E Fresh and Grandmaster Flash, paving the way for hundreds of other hitmakers to follow. When a chart-topping LL Cool J still lived with his Grandmother. When the Latin Quarter was the club to be at on any weekend night. And when artists from all backgrounds could taste their own pop chart dreams, just beyond their reach but still seemingly attainable.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
FOO FIGHTERS BACK AND FORTH chronicles the 16 year history of the Foo Fighters: from the band's very first songs created as cassette demos Dave Grohl recorded during his tenure as Nirvana's drummer, through its ascent to their Grammy-winning, multi-platinum, arena and stadium headlining status as one of the biggest rock bands on the planet.
Beef II (released on DVD in August 2004) is a sequel to the 2003 documentary Beef, which continued to document the history of rivalries in hip-hop and rap music. Like its prequel, the film was executive produced by Quincy Jones III (QD3), written by Peter Alton and Peter Spirer (who also directed), and was this time narrated by actor Keith David.
"The MC: Why We Do It" takes a look inside the world of Hip Hop and MCs to explore the issues and concerns that define todays most popular music form. The MC started out as a mere introducer of musical acts, but when DJs began spinning tracks at block parties in the Bronx in the late 1970s, the MC began to rap along to the beats, emerging as the focal point of a new music form. The film not only explores the origins of MC'ing, but the environmental, spiritual and moral aspects to this art form. As Hip Hop turns 25 years old, MC's consider the past, present and future of their music, giving a unique insight into what drives these artists to continue spitting rhymes. Written by Iain Kennedy
Lisa 'Left Eye' Lopes was the hip-hop voice of TLC, the best selling female R&B group of all time. On March 30th, 2002, Lisa decided to document her life. She filmed at a mysterious spiritual retreat deep in the jungles of Honduras, but 26 days later, after a tragic accident, she was dead and her unedited tapes were left behind. Last Days of Left Eye is the re-imagining of the film Lisa never got to complete. Revealing private moments from Lisa's journals and home movies, along with highlights from her celebrated career, this film is an intimate journey into the soul of a talented and still provocative young artist. Directed by Lauren Lazin, Academy Award nominated director of Tupac: Resurrection (2005, Best Documentary Feature), Last Days of Left Eye has screened to sold-out audiences at film festivals around the world.
It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.
This documentary feature takes an in-depth look at the rapid rise and dramatic fall of New York Governor Eliot Spitzer. Nicknamed "The Sheriff of Wall Street," when he was NY's Attorney General, Eliot Spitzer prosecuted crimes by Americaâs largest financial institutions and some of the most powerful executives in the country. After his election as Governor, with the largest margin in the state's history, many believed Spitzer was on his way to becoming the nation's first Jewish President. Then, shockingly, Spitzerâs meteoric rise turned into a precipitous fall when the New York Times revealed that Spitzer - the paragon of rectitude - had been caught seeing prostitutes.
Like a warped fun-house mirror, the song-poem industry has run parallel to the mainstream music business for close to a century; it's estimated that over 200,000 song-poems have been recorded since 1900. The genre's durability can be traced to three of our deepest American desires - to be in show business, to get rich quick, and to share and express our deepest feelings. We meet several of the "songwriters" - from an elderly woman to a young African-American man to a small-town Iowan with big-time dreams - each of whom has been in the "business" for awhile, churning out odd compositions that cover the waterfront of American obsessions, from Jesus to genitalia, from politics to Elvis. We also meet the producers (often known as song-sharks) who hold out the tantalizing promise of fame to their eager customers, and the has-been musicians who sit in studios, day after day and year after year...
The human beat box is one of the key elements in the development of Hip Hop culture, alongside Dj-ing, Graffiti, Breakdancing, and MC-ing. Unfortunately, its contribution has been largely overlooked, as has the fun, expressive, human, and spontaneous dimension of Hip Hop that it represents. Over 30 practitioners of this art form discuss their techniques and the evolution of their craft, through interviews, live performances, archival footage, and animation.
In this crazy, chaotic gospel of chance, aspiring filmmakers Chris Stamp and Kit Lambert set out to search for a subject for their underground movie, leading them to discover, mentor, and manage the iconic band known as The Who and create rock 'n' roll history.
In the mid-1990's, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomena, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
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