Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière's theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.
Seventeen-year-old Emma is invited to filmmaker Paulâs house after sending him the outline of a film. Ostensibly there to work on the outline with him she spends her time flirting with Paul, his wife, and his daughter.
Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.
A father and his son who lived seperated for some time meet each other one day and try to talk their problems over and understand their diametrical differences.
An actress, who goes all over rural France with her monologe "Sex and Crime", meets and falls in love with a man, since that moment starts helping him in his plays.
Young man shows his millionaire grandfather a film based on Molière's Tartuffe, in order to expose the old man's hypocritical governess who covets his own inheritance.
Louis XIV, the French sun-king has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer
Scripted by Ingmar Bergman, this very personal film is about a destructive affair which wrecks the marriage of an actress (Marianne) and musician (Markus). Wanting to continue the affair, Marianne moves in with her lover. But she is tormented by Markus' decision not to let her have custody of their daughter. Finally Markus announces he may have a solution to the stalemate, but this leads to deception, lies and ultimately, tragedy.
Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
Nearing the end of her treatment for breast cancer, Lily focuses on life with newfound clarity, reevaluating her relationship with an older man and her feelings about her long-absent father.
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The filmâs central story ends up being the love story that develops between architecture, artistic inspiration and feelings.
While the last remnants of the Empire are extinguishing and King Philip II (1559-1598) is dying in the shadow of lost splendor, a man, defying the divine and human justice, turns his passions into fate and his will into law. His fame is as great as his pride. His conviction, eternal. His name, a legend: Don Juan. Free adaptation of "Don Juan" by Moliere.
Ever since Goethe wrote his romantic novel The Sorrows of Young Werther, the name Werther has been synonymous with the mystery and even the romance of suicide among the young. In this thoughtful movie, Ismaël (Ismal Jole), a young thirteen-year old boy, is taken aback by the suicide of his best friend. Not only did he not have any idea that this dramatic act was a possibility, neither did his other friends. Perhaps it had something to do with his having an unrequited love for a beautiful young neighbor, an attraction Ismaël also feels. Perhaps it had something to do with drugs, or a problem with a universally disliked teacher. Throughout most of the film, the young survivors discuss their departed classmate.
Wanting a closer connection with his older brother, freshman Ted Wheeler seeks initiation into a group called "The Kings". But, as the corruption of The Kings is revealed, Ted must expose the ugly truth about the brother he once idolized.
It is a day like any other. Men and women make their way across Paris via the new tramway, silent in their thoughts but willing to tell us their stories. A young man who is taking flowers to the grave of his former lover, a victim of AIDS, reflects on their last moments together. Another young man is so obsessed with finding a woman with perfect feet that he ends up marrying one with an unpleasant face. David, a school teacher, begins an amorous liaison with a an unemployed younger man, Marco, whilst Pierre, a security guard, is all too ready to give up his days of solitude when he meets the right woman. Around them, society seems to be crumbling, the spread of AIDS reflecting a far deeper malaise in a world that has lost its wayâ¦
Many noble families are locked in a chateau due to the French Revolution. The infamous Marquis de Sade is there and is generally shunned by the others. A teen-aged girl befriends him behind her parents back and learns about him and life in general. He initiates her into sexual exploration and leads her to become an independent, sexually-liberated woman.
James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.
Ãtienne Meunier (Benoît Magimel) is a young executive who has everything going for him. His career is skyrocketing and he is about to become #1 at work, he is married to a picture-perfect wife, has a dream home and money. To top it off, he's charming, healthy and everyone likes him and seems to consider him "a great guy". But beneath the surface, not everything is perfect. Meunier feels some pressure at work, knowing others eye his future position and he and his wife have been unable to have children so far. One day, Meunier bumps into a childhood friend, Patrick Chambon (François-Xavier Demaison) and the two resume their friendship, despite Chambon having struggled as a petty criminal.
This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.
The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.
Hidalgo, en su celda del Hospital Militar de Chihuahua, recuerda algunos pasajes de su vida, principalmente su estancia como párroco en San Felipe Torres Mochas; donde se relacionó con las clases bajas y nació la idea emancipadora, tradujo y montó al Tartufo de Molière, se enamoró de Josefa Quintana y se alejó por algún tiempo de la vida eclesiástica.
Romantic comedy about an ambitious teaching student, busy preparing for her final exams, whose studies are interrupted by a passionate affair with a jazz musician.
Twenty-one-year-old Valentine (Sophie Marceau) works part time as a teacher while she prepares for her all-important final exams. She meets Edouard (Vincent Lindon), a jazz musician who hopes to someday be a composer. Despite the fact that the two have different schedules and career agendas, they engage in a passionate affair. Valentine compares her relationship with Edouard to the dry dissertation of Moliere's The Misanthrope during her oral exams at the Sorbonne. aka - 'You Call It Love'.
Richard Dacier owns a tour agency specialized on organizing safaris for European tourists eager to confront the African wild life. Actually, he took the job after his father and never went into the savanna by himself. As he owes big money to some mobster, he is compelled to convey a fake tourist, with a suspicious suitcase, toward Mozambic. To avoid suspicion from the authorities, he is supposed to tour a group of tourists as usual. The only problem - he is completely unexperienced as a guide!
Vincent, a wealthy real estate agent, is invited to dinner by his sister Elizabeth and her husband Peter, both professors in Paris. Claude, a childhood friend and trombonist in a symphony orchestra, is also present. Vincent brings news from the prenatal examination of his and his wife Anna's unborn son. The name chosen by the soon-to-be parents strongly offends the others for many reasons. The dispute between the guests quickly escalates and before long the resurgence of old grudges and hidden secrets is unavoidable ...
Two 19th-century opportunists (Simon Pegg, Andy Serkis) become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist (Tom Wilkinson).
Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.
Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost.
Doctor Kruger dreams to insert âthe suicide in modernityâ. He offers to his patients the service of a private clinic where one can die in all peace, champagne glass to the hand. But in the private clinic of âideal deathâ, nothing occurs as envisaged.
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