Description Love Actually... Sucks! was inspired by real-life events, and opens with a dramatic wedding feast. It tells a variety of stories about love that has gone wrong: a brother and sister in an illicit relationship, a married painter who falls in love with his young male life model, a dance school teacher who is besotted with his senior student, and a lesbian couple, one of whom has role-play paranoia, and is caught in a complex love triangle. The film celebrates the belief that life is love.
Soloman Crow pays a visit to his god fearing, bible quoting, closeted homosexual brother and his sexually repressed wife. He enters their home with a proclamation to kick a drug habit that almost cost him his life. Broke, it doesn't take Soloman long to start conning and scheming his way around the city to feed his ravenous cravings for dope and sex. Even his brother's wife isn't immune to Soloman's mind games... If you want a hero with redeeming qualities, look somewhere else.
Six young adults struggle with their personal demons while staying at a secluded mansion during a dark and stormy night where a seemingly innocent game of 'taboo' brings out their inter-most secrets which soon leads to murder.
The actual members of the Hong Kong Baseball Team all prove themselves to be natural actors by playing themselves in this fictional youth drama set in 2004. In a city where baseball culture is non-existent, these baseball players are a minority by choice. The experience teaches them to be free-thinkers in dealing with love, friendship and their own sexuality. It also enables them to find the will to live in the face of death and the strength to conquer losing in a spectatorless sport.
The lives of three strong-willed women and a young musician cross paths in Tehranâs schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.
Openly gay banker Daniel debates whether to return to Australia or stay in Hong Kong when he meets Kafka, a straight swimming instructor. The young men fall in love, believing that their love can bridge anything, despite their difference in sexuality and Kafka's increasing drug use. Daniel does not regret his love for Kafka, who tries to love him back against his nature. But a flashback memory from Kafka's past makes it difficult for their relationship to work.
Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.
Taboo Tuesday (2004) was a PPV presented by AT&T which took place on October 19, 2004 at the Bradley Center in Milwaukee, Wisconsin. It was the first annual Taboo Tuesday event, marking the first time in which the fans were given the chance to vote on stipulations for the matches. The voting for the event started on October 18, 2004 and ended during the event. The event starred wrestlers from the Raw brand. The main event was a Steel cage match, which is fought in a cage with four sheets of mesh metal around, in, or against the edges of the wrestling ring, in which Randy Orton competed against Ric Flair. Two bouts were featured on the undercard. In respective singles matches, World Heavyweight Champion Triple H defended against challenger Shawn Michaels and Gene Snitsky fought Kane in a Weapon of Choice match.
The perversion behind imperial Rome, the epic story of Rome's mad Emporer. All the details of his cruel, bizarre reign are revealed right here: His unholy sexual passion for his sister, his marriage to Rome's most infamous prostitute, his fiendishly inventive means of disposing those who would oppose him, and more.
Taboo Tuesday (2005) was a professional wrestling PPV event produced by World Wrestling Entertainment (WWE), which took place on November 1, 2005 at the iPayOne Center in San Diego, California. It was the second annual Taboo Tuesday event in which the fans were given the chance to vote on stipulations for the matches. The voting for the event started on October 24, 2005 and ended during the event. The event starred wrestlers from the Raw brand. The main event was a Triple Threat match for the WWE Championship featuring Kurt Angle, John Cena and Shawn Michaels. Two bouts were featured on the undercard. The first was a Steel Cage match for the WWE Intercontinental Championship where Ric Flair fought Triple H. The other featured an Interpromotional tag team match where Rey Mysterio and Matt Hardy (SmackDown!) defeated Chris Masters and Snitsky (Raw).
Jake Cassevetes is a world renowned shooter just back from being embedded during the U.S. invasion of Iraq. As a well-paid stringer for the networks, Jake does not buy into the currently vogue, left-wing conspiracy theory of a corporate-controlled press. But, after discovering much of his best footage in Iraq was censored by the network, Jake is growing disillusioned with his corporate masters. When he gets an assignment to shoot on the streets of the Republican National Convention protests, he meets Seven, one of the young leaders of the masked anarchist Black Bloc. Jake quickly wins the trust of the group and is allowed to shadow them as they move through the demo. Later that night, after shooting Seven with her mask down describing the Bloc's militant objectives, the videotape is mistakenly returned to the network with the rest of his footage. When he goes to retrieve the tape, he is...
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
Helen is a nonconformist teenage girl who maintains a conflictual relationship with her parents. Hanging out most of her time with her friend Corinna, with whom she breaks one social taboo after another, she uses sex as a way to rebel and break the conventional bourgeois ethic. After an intimate shaving accident, Helen ends up in the hospital where it doesnât take long before she makes waves. But there she finds Robin, a male nurse who will sweep her off her feet...
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
It is a love story between a prostitute and an artist. It was one of the first German films to break several taboos: nudity, suicide and euthanasia. In the Germany of the '50s, this caused a lot of negative reactions by the politicians and the Roman Catholic Church. The opposition reached the degree of banning the film and scandalizing it which paradoxically made it one of the landmarks in the history of film
Based on a true story set in pre-war Japan, a man and one of his servants begin a torrid affair. Their desire becomes a sexual obsession so strong that to intensify their ardor, they forsake all, even life itself.
Happily unattached, the sexually voracious Leila satisfies her desires with a host of rapidly changing bed partners, unconcerned about the emotional consequences. But that all changes when she meets an artist looking for a deeper commitment.
Sex Madness (1938) is an exploitation film directed by Dwain Esper, along the lines of Reefer Madness, supposedly to warn teenagers and young adults of the dangers of venereal diseases, specifically syphilis. Wild parties, lesbianism, and premarital sex are some of the forms of madness portrayed. The educational aspect of the film allowed it to portray a taboo subject which was otherwise forbidden by the Production Code of 1930, and its stricter version imposed by Hollywood studios in July 1934.
The story of Karl, Christian and Leo will forever change the way you view the relationship between men and women. In a world were women have the power and all the advantages, they've learned that there is only room for one kind of man - the kind that shaves his balls. In a competition to beat Casanova, they fall victim to their own most charming and destructive in a game all men and women are doomed to lose. Pornopung is a dark and entertaining journey through the forefront of modern seduction and sexuality. It will make the most ardent feminist admit that they've won the war of the sexes.
Teenage hormones are difficult to be restrained. High school senior, Jayo is seduced into his first sexual experience by classmate Hara, who eventually kills herself when he ignores her. Since then, he immerses himself in loveless sex until he meets cheerful nurse, Namok. Meanwhile, his pal Seuin has developed a crush on his teacher, which is socially taboo. PLUM is a tender coming of age story about two teenage boys who embrace growing pains in a hard way.
Paris, today. Dorcy, a young black Christian, wants to marry Sabrina, a young North African. It what would be a simple matter if it weren't for the fact that Sabrina has 40 brothers and that this easygoing wedding has crystallized a taboo still rooted in the mentalities of the two communities: no marriages between Blacks and Arabs. Slimane, the elder brother, and guardian of traditions, will oppose this union in every way possible.
A hiliarous and sexy sendup of left wing radials who Bruce LaBruce suspects tend to have rather conservative views on sex. Gudrun, a blond-wigged subservsive who runs a terrorist cell, is convinced that her (straight) brothers can only be truely revolutionary by having sex with each other. This strategy comes seriously undone when they kidnap the gay son of an industrialist.
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to 'The Crucible'.
The story about one man - an artist and an intellectual - who was imprisoned by two brutal regimes, the Nazis and the Soviets. 'The Professor' is a man who lives by his own personal version of the Ten Commandments. After miraculously surviving imprisonment in a Nazi concentration camp through a bit of ironic fate, he writes a memoir of his life, which becomes the target of the Soviet censors. The so-called "freedom" of Communism becomes just as oppressive as the German concentration camp.
A 'chance' meeting in the street, give you the opportunity to Agata and Marc to help each other to overcome the inertia of their lives. Tired of going from bed to bed and boy to boy, Agata is confronted with the challenge of staying, not flee to problems. But Agata does not know what's wrong, feels a barrier to enjoying sex. The parents of Agata added to the situation, an extra humor and problems. Eroticism, sensuality, tension and humor, make this film a new style of film making, where bodies do not hide and the sex scenes are displayed naturally, openly.
Bourgeois convention is demolished in Luis BuÃ±uelâs surrealist gem. Featuring an elegant soiree with guests seated at toilet bowls, poker-playing monks using religious medals as chips, and police officers looking for a missing girl who is right under their noses, this perverse, playfully absurd comedy of non sequiturs deftly compiles many of the themes that preoccupied BuÃ±uel throughout his careerâfrom the hypocrisy of conventional morality to the arbitrariness of social arrangements.
Shortbus revolves around a sexually diverse ensemble of emotionally challenged characters trying desperately to connect in New York City. The characters converge in a weekly Brooklyn artistic/sexual salon loosely inspired by various underground NYC gatherings that took place in the early 2000's. The film includes a variety of explicit scenes containing non-simulated sexual intercourse with visible penetration and male ejaculation.
A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.
Summertime. A cruising spot for men, tucked away on the shores of a lake. Franck falls in love with Michel, an attractive, potent and lethally dangerous man. Franck knows this, but wants to live out his passion anyway.
A gritty Brooklyn story about union corruption, violence, taboos and social norms. The stories told are of the sailors, the prostitute, the union bosses, the hooligans and the gay community set in the early 50s.
Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but theyâre mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kongâs only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his sonâs youth guard activities and where to buy eggs after Hong Kongâs last chicken farm closes down.
Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naÃ¯ve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure.
An edgy drama about a gay teen's tumultuous decent into drugs and anonymous sex, Wrecked smashes cinematic taboos while it spins its cautionary tale. Ryan is an earnest 18-year-old trying to develop a career as an actor and getting his life on the right track. This course is quickly threatened with the sudden arrival of his sort-of ex, Daniel, who arrives at Ryan's door wanting a place to stay.
Jesus Franco's campy women's prison film is worthwhile for genre devotees primarily due to an outstanding cast. Mercedes McCambridge is unintentionally hilarious as sadistic lesbian warden Thelma Diaz, spitting tacky dialogue with exuberant venom in a performance so overbearing that it verges on classic. The plot is standard for the genre, as three women (Maria Rohm, Elisa Montes, Luciana Paluzzi) are sentenced to an island prison off the Panamanian coast, only to encounter torture, rape, and lesbianism. When sympathetic Warden Caroll (Maria Schell) replaces Diaz, the prisoners assume that conditions will improve, but their agony only worsens until they decide to escape. Rosalba Neri co-stars, and Herbert Lom runs the corrupt men's prison nearby. 99 Mujeres was heavily censored in various prints, with versions running anywhere between 70 and 108 minutes. Edits running 84, 86, and 94 minutes are most commonly available.
Anna is a young costume designer, focused on her job and wary of getting caught in romantic relationships. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Annaâs views on love and commitment. For both of them, itâs all about fun.
Surrealist poet and artist Charles Henri Fords 1971 film, Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues he grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman. Unseen for over two decades, this classic of forgotten, queer cinema belongs alongside the films of Kenneth Anger, Derek Jarman and Jean Genet. Read more about the restoration process at http://blogs.westword.com/showandtell/2014/02/a_queer_classic_restored_poetr.php
Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.
A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the seismic effect it will have on their relationship, they invite their pretty neighbor into their bed.
Wanda is a dominatrix who runs a gallery in a building on the Hamburg waterfront, where audiences pay for the privilege of watching her humiliate her slaves. She is a business woman who smashes sexual stereotypes and social taboos with icy self-possession and an enigmatic smile. As artist she specializes in the staging of elaborate BDSM fantasies and her affairs transgress the usual boundaries of personal and professional life. Along the way she leaves her German lesbian lover, a shoe fetishist, for an American "trainee," and does more than step on the toes of the male performer who has broken the rules of the master-slave relationship by falling in love with her.
Not for the easily embarrassed, âThe Story
of Richard O.â is an explicit take on sex as a
way to connect with other people. Richard
feels cornered and takes some time off from
his girlfriend in order to come to terms with
his relationship to women and to find a better
version of himself. During the last month of
summer, he goes on an erotic exploration
through the streets of Paris, where he has 13
encounters with 13 women.
Taku Shinjo spins this rural drama about ancient taboos and encroaching modernity. Takamine (Gitan Otsuru) is a big-city workaholic sent to a small remote island to seal a business deal. His predecessor almost managed to convince the island's 17 inhabitants to sell their stake and make way for a resort hotel -- that is, before he died under dubious circumstances. Takamine finds the islanders polite and kind but unwilling to discuss business; instead, they tell him to become an islander. So the city-slicker stuffed shirt loses his tie and starts to help the women plant and the men fish. He soon makes his acquaintance with Takako (Mitsuko Baisho), the widowed daughter of the island's chief. She lives alone with her crazed son who is kept Jane Eyre-style chained to a stake. One moon-lit night, their mutual attraction boils over, resulting in a naked, passionate roll on the beach.
Set in the year 2019 in Japan. In order to crack down on free expression, a new law is passed, which allows for the government to create an armed force to find and destroy objectionable printed material. Meanwhile, to oppose this oppressive crackdown, the Library Force is created. The Library force, including instructor Atsushi Dojo and Iku Kasahara, work to protect the libraries. A fierce battle then ensues between these two groups.
Frank Ripploh tries to keep his professional and personal life separate. During the day, he is a dedicated school teacher. At night and on the weekends, he is a gay man who is always on the prowl for anonymous sex often in public places. Things may change when he meets Bernd, a movie theater clerk. Bernd quickly moves into Frank's flat and the two talk of their future life together, Bernd dreaming of them living together on a farm. But Frank, despite loving Bernd, feels restless and continues his quest for anonymous gay sex.
Arul (Arul), who works in a mill, is the youngest of four brothers in a family of goldsmiths. Once, Arul's brother stole a chain due to financial circumstances. As Arul had taken the blame for it, he was labelled as a "thief" and seen as a black sheep by his father. Thus, he vows never to make a gold ornament ever again. Kanmani (Gayathri), who moves into the opposite house, begins by playing tricks on him, but eventually falls for his character. Arul doesn't believe in love, and keeps his distance from her. One day, when Arul's father scolds him in the temple,
A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of Russia's relationship with Yugoslavia, intercut with footage and interviews with Wilhelm Reich and Al Goldstein of Screw magazine. The film applies Reich's theories of Orgone energy and analogies of Stalinism as a form of Freudian sexual repression. Also known as W.R. The Mysteries of the Organism in English subtitled version. Was banned in Yugoslavia shortly after it was made.
Manu (Raffaela Anderson) has lived a difficult life. Abused and violently raped, she sets off to find herself only to meet Nadine (Karen Bach), a prostitute who has encountered one too many injustices in the world. Angry at the world, they embark on a twisted, rage-filled road trip. They choose to have sex when they please and kill when they need. Leaving a trail of mischief and dead bodies in their wake. Generating a media blitz and man hunt, soon everyone is out to capture the young fugitives.
A nearly-suicidal, young woman visits a psychotherapist. She is in love with a priest, and the diagnosis of her husband's mental illness leaves no hope. The psychotherapist, in her attempts to resolve the amassed difficulties, seemingly begins to duplicate the life stages and behavioral patterns of her patient. A script for this film is based on motifs from the best-seller, scandalous novel, Witch and Rain, by female author, Jurga Ivanauskaite. By choosing a priest as the main role for a love story, the author broke an existing societal taboo. Faith, Love and Hope form the trilogy by the authors of this screenplay. Love stands as the grandest of the three.
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