Sunday (2014)
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A look at modern-day life in China's capital centered on a ménage-a-quatre involving a young woman, her boss, her husband and her boss's wife. Massage girl Pingguo (Apple) (The stunning Fan Bingbing) lives in a cramped apartment with her bad-tempered window cleaner husband Kun (Tong Dawei), barely eking by on their miniscule pay. When Pingguo gets raped by her boss Lin (Tony Leung) one afternoon, Kun, who is washing the windows of the building, witnesses the act. The enraged Kun tries to get even first by (unsuccessfully) blackmailing Lin, then by sleeping with Lin's wife (Elaine Kam). The relationships get even more tangled when Pingguo discovers she's pregnant. With the paternity of the baby up in the air, Kun, who is eager for money, strikes a deal with Lin, who is eager for a son.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the big earthquake.
Four sisters in New Zealand fall for four U.S. soldiers en route to the Pacific theater in WWII.
This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful actress. Oliver/Matthew is either a homeless man or a famous film director or both. Madeleine hails him on the street as the latter, launching a bizarre chain of events that includes a conversation in a diner, a very unromantic sexual encounter, the arrival of Madeleine's odd husband and unsuspecting daughter, and a child's birthday party. The film also compassionately tracks the daily rounds of Oliver/Matthew's fellow denizens of the homeless shelter, some of whom will be recognizable to New York audiences.
Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser.
Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.
Alyssa Milano, who also serves as producer, stars as Jane Claremont, who, as a young girl, would accompany her mother Vivian (Stockard Channing) to Tiffanyâs in New York every Sunday and bring along her imaginary friend, Michael. Now, 20 years later, Jane is a successful businesswoman, set to marry Hugh (Ivan Sergei), her handsome fiancé, until Michael (Eric Winter) suddenly reappears.
Never on Sunday is a 1960 Greek black-and-white film which tells the story of Ilya, a prostitute who lives in the port of Piraeus in Greece, and Homer, an American tourist from Middletown, Connecticut â a classical scholar enamored with all things Greek. Ilya is a character close to the "hooker with a heart of gold" cliché. Homer feels Ilya's life style typifies the degradation of Greek classical culture and attempts to steer her onto the path of morality. It constitutes a variation of the Pygmalion story. The film stars Melina Mercouri and Jules Dassin, and it gently submerges the viewer into Greek culture, including dance, music, and language (through the use of subtitles). The signature song and the bouzouki theme of the movie became hits of the 1960s and brought the composer, Manos Hadjidakis, an Academy Award.
In Buenos Aires of the 1840s, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime. Based on a true story.
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.
Secrets, rumors and betrayals surround the upcoming marriage between a young dissolute man and virtuous woman of the French aristocracy.
A lonely, down-on-her-luck waitress meets a handsome, quirky jewelry store clerk and thinks that maybe, finally, she's met Mr. Right. The more Molly (Alexis Bledel) gets to know Gus (Zachary Levi), the more she's intrigued by him. But she's also mystified. Gus is absent-minded, preoccupied. Is he hiding something? The short answer is: yes. He's reluctant to share with her that since suffering a brain aneurysm, he's totally lost his short-term memory. Every day is a brand new day, his life starts anew. Every day he sees Molly he struggles to remember who she is and what she represents. Every day, he has to fall in love with her all over again.
Ma Galestrum (Connie Gilchrist) is a boardinghouse owner whose tenants are a group of aspiring boxers. When her young niece, Judy (Jean Rogers), comes to stay for a visit, college dropout Ken Burke (William Lundigan) and Swedish janitor Ole (Dan Dailey Jr.) immediately fall for her charms. Ken considers going back to college for Judy, but his fight promoter is less than thrilled with this idea. Meanwhile, Ole is determined to meet Ken in the ring to vie for Judy's heart.
Connie Doyle is eighteen and pregnant her boyfriend has kicked her out. She accidentaly ends up on a train where she meets Hugh Winterbourne and his wife Patricia who is pregnant. The train wrecks and she wakes up in the hosptial to find out that it's been assumed that she's Patricia. Hugh's mother takes her in and she falls in love with Hugh's brother Bill. Just when she thinks everything is going her way, her ex-boyfriend shows up.
The happy lives of three best friends from school are brutally upended when Hei (Ivy Chen) breaks up with her fiancé (Wallace Chung). High flyer Kimmy (Fiona Sit) and director May (Yang Zishan) close ranks to help a devastated Hei move on, but she clings to her old feelings despite meeting a highly eligible prospect (Shawn Yue). Whilst May considers leaving the film set to travel the world with a free spirited musician (Vanness Wu); rivalry over the same guy threatens to tear Kimmy and May apart. An unexpected, shocking incident provides a climactic test. Can the girls keep their friendship together?
This simple romantic tragedy begins in 1957. Guy Foucher, a 20-year-old French auto mechanic, has fallen in love with 17-year-old Geneviève Emery, an employee in her widowed mother's chic but financially embattled umbrella shop. On the evening before Guy is to leave for a two-year tour of combat in Algeria, he and Geneviève make love. She becomes pregnant and must choose between waiting for Guy's return or accepting an offer of marriage from a wealthy diamond merchant.
Before crossing paths with Peyton, falling for a woman was an unimaginable situation for Elena, a straight wife and mother. The friendship between Peyton, an out lesbian writer, and Elena, the wife of an anti-gay paster who has never experienced true love, transforms swiftly from a one-sided crush into a torrid extramarital affair. Despite their attraction, Peyton, jaded in a number of ways, has strong reservations about becoming involved with a married straight woman; Elena, recognizing that she is caught in a loveless marriage, can barely begin to rationalize the nature and magnitude of her desires. As their relationship evolves, Elena confronts the choice of leaving her husband or ending her involvement with Peyton to save her unraveling and unrewarding marriage and return to a drab and automated life. Above all, Elena faces the looming challenge of convincing Peyton that the two women have a bright future together despite their unfavorable circumstances
A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly they reveal themselves to each other, finding that each is a widow/widower. Each is slow to reveal anything personal so that each revelation is hidden by a misperception. They become friends, then close friends, and then she reveals that she can't have a lover because, for her, her husband's memory is still too strong. Much of the film is told wordlessly in action, or through hearing one of their thoughts as they go about their day.
Wah and Kinki both working at the same department of a computer company. Both of them are not getting on very well initially, but friendship develops when they get to know each other after a while. When Wah starts to realize his emergent fondness for Kinki, his ex-girlfriend reappears and plans to gain back his affection. In addition, he notices that his ex-girlfriend arranges a guy to pair up with Kinki. At the same time, his supervisor would like to lay him off at work.
Victor Bukowski is an out-of-work actor with problems. He's got a lousy agent, he has a habit of falling out with directors and he's still in love with his ex-girlfriend. However, Victor is about to embark on an unexpected emotional journey which will make him confront his future and his past mistakes.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
Suspecting that the cecassion of the tides may indicate an impending earthquake, Seismologist Alice arrives in her hometown of Baie-Comeau, Quebec to commence her investigation. Soon confronted by numerous figures from her past, the unusual weather and inexplicable behavior of the citizens lead Alice to believe that something beyond her comprehension is occurring to her old hometown...
The film tells the story of a retired and widowed Chinese master chef Chu (Si Hung Lung) and his family living in modern day Taipei, Taiwan. At the start of the film, he lives with his three attractive daughters, all of whom are unattached. As the film progresses, each of the daughters encounters new men in their lives. When these new relationships blossom, the stereotypes are broken and the living situation within the family changes.. The film features several scenes displaying the techniques and artistry of gourmet Chinese cooking. Since the family members have difficulty expressing their love for each other, the intricate preparation of banquet quality dishes for their Sunday dinners is the surrogate for their familial feelings.
Julio Salas dies after a long illness, but it is Sunday and due to financial difficulties, his family is forced to contract the services of a modest funeral home, whose owner having taken charge of the corpse, sells it to the University. The nephew learns of the deal and demands that his uncle s body end up in the cremation oven, falling in love with the funeral owner s daughter in the process. This story about a corpse that cannot find peace, is handled in accordance with the canons of black comedy over which the director displays a skillful mastery, provoking, with the aid of some excellent actors, grotesquely hilarious situations.
After being separated for years, former lovers Macy (Sandra Ng) and Anita (Vivian Chow) are reunited at a pregnancy seminar. After sharing the accidental circumstances that led to their respective pregnancies, the two fall back in love. However, to add to the trouble caused by the fathers of their babies (Eddie Cheung and William Chan), Anita also finds herself the victim of gender discrimination at work due to her pregnancy. Will Macy and Anita make it through the obstacles in the way of their reunion, and what roles will the two to-be-fathers end up playing in the women's lives?
An Indian aristocrat Rama Safti (Tyrone Power) returns from medical training in the U.S. to give his life to the poor folk of Ranchipur. Lady Edwina (Myrna Loy) and her drunken artist ex-lover Ransome (George Brent) get in the way, but everyone shapes up when faced by plague, earthquakes and flooding.
A fidgety, wisecracking video store clerk develops a fixation on a particularly reclusive customer, a frequent visitor to the pornography section of Cinefile, the video store where he works in Los Angeles. After multiple failures to impress her during their brief daily transactions, he finds her street address in the store's database, drives to her apartment building and initiates an unconventional campaign to win her affections.
Raj and Priya Malhotra have been married for several years, and live a wealthy and fairly harmonious lifestyle. They have one problem though, Priya cannot conceive. When efforts to adopt a child fail, they decide to use Raj's sperm on another woman, who is willing to carry their child. They pick Madhubala, a fairly decent, middle-class young woman, who is in need of money. The process is set under way, and Madhu soon gets pregnant. Raj and Priya manage to convince their respective families that Priya is expecting, but the true challenge they must face when certain Hindu prayers and rituals are performed on the mother-to-be. Will they come clean and tell their family about Madhu?
The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, escaping to the dangerous streets of London. Further misfortunes drive her to accept a job as a prostitute from the conniving Mrs. Allworthy. It is there that Moll first meets Hibble, who is working as Allworthy's servant but takes a special interest in the young woman's well-being. With his help, she retains hope for the future, ultimately falling in love with an unconventional artist who promises the possibility of romantic happiness.
Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.
Vishu and Ramu are a pair of Indian twins living in America with their father, Rajamani. When Madhumita (Aishwarya Rai) and her brother come to America to get medical treatment for their ailing grandmother, Vishu and Ramu end up meeting them at the airport. Vishu falls in love with Madhumita, and the couple has everyone's blessing, except for Rajamani, who is estranged from his own twin brother. He only wants his sons to marry twin sisters, so Madhumita pretends to have a twin in order to please him. As Madhumita puts on a charade by creating Vaishnavi, all goes well, until Ramu falls in love with Vaishnavi. Now the truth must come out, before Madhumita has to marry both of Rajamani's twin sons.
Hanna and Simon are in a 20 year marriage with an unexisting relationship. By chance, they both meet and start separate affairs with Adam. Adam has no idea that his two lovers are married, until they are all found out when Hanna becomes pregnant, with the natural doubts stemming from their situation.
A rural tragedy in a beautiful scenario.
Over the course of several years, we follow the passionate and intricate love story of a couple with a child.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.
India. The spoilt and stubborn Edwina Esketh, comes to a small town with her husband. She falls in love with an indian doctor, Dr. Safti. She also meets an old friend of hers, the alcoholic Tom Ransome. An awful earthquake is followed by days of rain.
Buddy Visalo (Michael Rispoli) is a factory worker, a frustrated crooner who once had a shot at the big time. Buddy's dreams of greatness have been reduced to an endless series of failed moneymaking schemes. His latest is buying a two-family house for him and his wife, Estelle (Katherine Narducci) and converting the ground floor into a neighborhood bar where he can perform. The wrench in the works is that he also inherits the upstairs tenants, Mary,a pregnant Irish girl fresh off the boat (Kelly Macdonald) and her abusive, alcoholic husband, Jim (Kevin Conway). As Buddy's gang of Italians tries to handle the situation, the girl goes into labor, and a baby is born, forcing them all to confront the limits of their tolerance and compassion.
Kenya McQueen, a corporate lawyer finds love in the most unexpected place when she agrees to go on a blind date with Brian Kelly, a sexy and free-spirited landscaper.
Autumn in New York follows the sexual exploits of Will Keane - New York restaurateur, infamous verging-on-50 playboy, master of the no-commitment seduction - until he runs into an unexpected dead end when he meets Charlotte Fielding. Charlotte is half Will's age and twice his match, a 21 year-old free spirit yearning to get out and taste the excitement of adult life.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
A man in search of his past, and a woman who lives in the moment, are brought together when they pursue the origins of a stray parrot in this comedic and romantic drama.
Berenice (Navarro) is a woman with a mysterious past. A scar crosses her face and nightmares of fire and horses fill her lonely nights. She maybe killed her husband but nobody can be sure. In the present, Berenice lives with her godmother (Roldán) a money lender so fragile that she's always resting in her bed. The two women live in an almost perpetual seclusion, except on Sundays when they go to the church and to the movies. One day, the godmother's doctor dies and she asks Berenice to go to his velatory. There they meet Rodrigo (Armendáriz Jr.) the doctor's son, a handsome and free-spirited young man for whom Berenice falls in love.
Today is Mo-rae and Sang-inâs one-year wedding anniversary. After a busy morning preparing for the celebration, Mo-rae goes to an art gallery to find a gift for Sang-in. At the gallery, she meets a complete stranger and the two unexpectedly have sex. Mo-rae returns home feeling anxious and guilty about the incident and cannot help but confess it to Sang-in. That night, a visitor arrives at their house; Du-rae, who came from Paris to help Sang-in with his new business. To Mo-raeâs shock, he is the man from the gallery. He temporarily lives with the couple in their house and a risky love triangle begins.
A young pickpocket in the New York subways, living a fast, free, lifestyle is confronted by a woman whom he had a one night affair with, she informs him that she is now pregnant with his child, he must now choose between continuing the lifestyle he lead or take responsibility for his actions.
A small group of friends experience relationships which grow and stumble, involving everything from straight, gay, lesbian, and bisexual relationships. The speed with which these relationships last leads to the Goldfish memory effect, the belief that a Goldfish only has a 3 second memory is a metaphor for the transient nature of the characters relationships.
Self-absorbed Dr. Lee Johnson enlists with the Army medical corps during World War II, more out of a feeling that it's "the thing to do" rather than deep-seated patriotism. On his first day, he's put into place by 'Snapshot', a sassy and attractive nurse. Their initial antagonism blossoms into romance. Lee then finds himself torn with guilt over being unfaithful to his wife, Penny, who's waiting for him back home.
Things have been tough lately for Amelia. Her best friend moved out of the apartment, her cat got cancer, and now her best friend, Laura, is getting married. She copes with things, from the help of Andrew, Frank, Laura, and a brief romance with Bill "The Ugly Guy" Written by Rose Hilburn
(William H. Macy) works at a Las Vegas casino, where he uses his innate ability to bring about misfortune in those around him to jinx gamblers into losing. His imposing boss, Shelly Kaplow (Alec Baldwin), is happy with the arrangement. But Bernie finds unexpected happiness when he begins dating attractive waitress Natalie Belisario (Maria Bello).
A traveling architect meets an old friend from his student years; the pair realize their connection has always been a romantic one.
A struggling actor comes from Delhi to Bombay and enters the Hindi film industry. This gives the audience an in sight into what sometimes happens when making a movie and what happens in the industry and more when it involves the opposite sex and when you are working together. Zoya Akhtar, sister to Farhan Akhtar and daughter of Javed Akhtar, has done a superb job in her directorial debut in showin
A chic jewel thief in England falls in love with one of her marks.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
A young woman pretends to be pregnant in order to avoid being fired from her job. When that gets her a bunch of special treatment by everyone involved in her life, she tries to keep up the lie for nine months.
Middle-aged dentist Biff Grimes reminisces about his unrequited love for beautiful Virginia Brush and her husband Hugo, his ex-friend, who betrayed him.
The story of Angela -an ambitious, image-conscious businesswoman working for over-demanding boss Mary. When Angela becomes unexpectedly pregnant at the peak of her career, her life with her divorce attorney husband, Curtis, is turned upside-down.
The third film version of James Hagan's play, this time with songs added, starring Dennis Morgan as a dentist who marries patient and loyal Dorothy Malone despite his constant infatuation with sexy flirt Janis Paige. Filmed previously in 1933 ("One Sunday Afternoon") and 1941 ("The Strawberry Blonde").
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?
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