Description Michael Mayerâs production of Verdiâs masterpiece opened, with Michele Mariotti conducting Diana Damrau, Piotr Beczala, and Željko LuÄiÄ in the leading roles.
Rigoletto is a jester in the court of the Duke of Mantua. He has a hunch-back and he's rather unattractive, but he's good at his job of humiliating the courtiers for the amusement of the Duke. The courtiers, of course, are not amused. The Duke is a ladies man who feels his life would be meaningless if he couldn't chase every skirt he sees. In fact, we learn as the opera begins that he's recently been noticing a young lady every Sunday on her way to church, and he's vowed to have his way with her. What nobody realizes is that the girl is the jester's beloved daughter, Gilda, and that Gilda has seen the Duke every Sunday and is smitten with him. Suddenly Count Monterone appears at court, furious that the Duke has seduced his daughter. Rigoletto ridicules Monterone, the Duke laughs, and Monterone casts an awful curse on both of them. Later, the courtiers discover that Rigoletto is secretly living with Gilda...
The 1996 production of the original French version of Verdi's five-act opera, Don Carlos, which reveals the care with which Verdi matched his music to the words. Cast Pappano, Alagna, Hampson, Theatre du Chatelet (1996) Original French Version.
Wolfgang Sawallisch conducts this acclaimed staging of Paul Hindemith's ambitious opera of the goldsmith Cardillac, whom fortune seems to favor and then abandon, featuring Donald McIntyre and Maria de Francesca-Cavazza in the starring roles. Filmed in 1985 at the Bavarian State Opera and directed by the legendary Jean-Pierre Ponnelle, the production captures every nuance of Hindemith's powerful tale of love, suspicion and betrayal. Opera Performance, recorded at 16-25 September 1985 at the National Theater in Munich.
Giuseppe Verdi's operatic adaptation of William Shakespeare's heartbreaking drama -- the last tragic opera the composer ever wrote -- plays out at the spectacular Arena di Verona, graced with the vocal talents of the world's very best. Russian tenor Vladimir Atlantov takes the title role, soprano Kiri Te Kanawa sings the part of Desdemona, and Italian baritone Piero Cappuccilli brings the wicked Iago to life.
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
The Franco Zeffirelli production of Puccini's "Turandot", recorded live at the Metropolitan Opera in April, 1987. Ãva Marton stars as Turandot, with Plácido Domingo as Calaf, Leona Mitchell as Liù, Paul Plishka as Timur, and Hugues Cuenod as L'Imperatore Altoum. James Levine conducts.
La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.
David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.
The directorial debut of Dustin Hoffman, Quartet is a high-drama comedy about temperamental divas and old grudges, passion and pride, romance and Rigoletto.
"Rigoletto" retold at Christmas time in Manhattan's corporate world. Rick, an executive at Image, is a jerk to a woman applying for a job. That evening, he's out for drinks with his much younger boss, Duke, and the same women is their waitress. Rick's continued rudeness leads to her getting fired. She puts a curse on him. A potential rift with Duke quickly surfaces; Rick is approached by the hail-
The emotion and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples face difficulties while trying to move their love experiences clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music.
Mario Lanza movie (also known as Arrivederci Roma) made in 1958. After having a fight with his girl friend, Marc (Lanza) follows her to Rome to try and win her back. On the train he meets a girl who is on her way to stay with her uncle. He gives her a lift to her uncle's, but they discover he has gone to South America. So as she has nowhere else to go, she stays with Marc and his cousin, which inevitably leads to romance.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
The President's daughter, unable to experience life like a normal 18 year-old, escapes from her entourage of Secret Service agents while traveling in Europe. She falls in love with a handsome British stranger, who also happens to be working undercover for her father.
Drama set in an Italian prisoner of war camp during World War 2, where a group of British soldiers find their plans for escape thwarted by a mysterious traitor in their midst.
A bomber has planted 7 bombs on a transatlantic cruise ship. While a crack bomb squad team try to defuse the bombs the police attempt to track down the mad bomber.
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Nando Moriconi is a young Italian living in the early '50s Roma. He is completely crazy for everything that comes from the States. He tries to speak American-English (the most funny ever), to wear like he thinks Americans do, to walk like John Wayne (!), trying to eat cornflakes with ketchup... His life is a complete parody of the real American way of life, which he couldn't ever get. Nando's, not so secret, dream is to go to the USA. To get it he goes to the Coliseum and threats to suicide if American Embassy don't give him the visa. But at this point Nando is very well known as a 'crazy-for-USA' boy and the troubles he provoked in the past, couldn't help him.
The captain of a ship in port has been entrusted with a secret government mission. He gives leave to the crew, but orders them to report back each morning. As the days go by, and the sailing date still remains a secret, the crew are thrown into a state of increasing uncertainty. The film concentrates on two crew members whose experiences are coloured by the omnipresent reality of the ship which is about to depart.
Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.
A young British woman, tricked into believing she was used during a whirlwind romance, marries a gentle widowed Italian opera star, whose songs she and her first love shared.
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