Main cast Celeste Casciaro; Laura Licchetta; Anna Boccadamo; Barbara De Matteis; Gustavo Caputo
Genres Drama
Description Salento in southern Italy. A small family-run textile factory is forced to close and three generations of women must now struggle to keep the wolf from the door. In order to settle their debts their home is sold. Now that her brother has emigrated, it falls to energetic Adele to find a way out of their crisis.
Reportedly the first film to come out of East Germany to deal openly with gay issues. Philipp, a closeted teacher is dating a female collegue to keep up appearances. One night, by 'accident' he stumbles into a gay bar, meets and promptly falls in love with a young man. Transformed by this love he is no longer afraid to face up to who he is.
Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.
Professor Sinigaglia (Marcello Mastroianni) is the title character in this darkly comedic Italian drama about mistreated factory workers in the city of Turin. Toiling away in appalling conditions in a textile mill, these employees have no one to stand up for them until Sinigaglia puts his academic career on the line by helping them to start a strike. Although the teacher comes under scrutiny by unsympathetic authorities, he maintains his dedication to the workers' cause.
The Polish film based on the book of the same name by Wladyslaw Reymont. Taking place in the nineteenth century town of Åódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion shown through the eyes of one Polish town.
This deceptively simple tale of a bored English couple (George Sanders and Ingrid Bergman) travelling to Italy to find a buyer for a house inherited from an uncle is transformed by Roberto Rossellini into a passionate story of cruelty and cynicism as their marriage disintegrates around them.
Set in the present-day southern United States, The Yellow Handkerchief stars William Hurt as Brett Hanson, an ex-convict who embarks on a road trip. Hanson hitches a ride with two troubled teens, Martine (Kristen Stewart) and Gordy (Eddie Redmayne) traversing post-Hurricane Katrina Louisiana in an attempt to reach his ex-wife and long-lost love, May (Maria Bello). Along the way, the three reflect on their existence, struggle for acceptance, and find their way not only through Louisiana, but through life.
The story is located in Los Angeles in the sixties. An energetic widow, Frances Lacey, with her six children try to make a dream of theirs come true: to have a home of their own. Therefore they leave Los Angeles and head for the countryside, while facing all kinds of difficulties during their journey.
After a successful bank robbery, Micky hopes to take back his girlfriend Mary who has been taken from him. On the way to Paris he meets Leon, a neurotic dreamer whom he considers an idiot. Leon can hardly understand what Micky is up to but he follows him everywhere and soon falls in love with Mary.
Based on the eponymous book by Boris Vasilyev, the film is set in Karelia (North-West of Russia, near Finland) in 1941 during WWII. In a beautiful and quiet wilderness far from the front-line there is an anti-aircraft artillery point, where corporal Vaskov is stationed with a group of many young women in training.
Physical attractions appear to be the obvious explanation for two people to become a pair. But are they really the reflection of something sublime, everlasting or dare we say, spiritual? Do relationships start in the bedroom or in the heart? In this male love story, the bliss described by Joseph Campbell and sages throughout the millennia is a practical option for finding happiness. As the camera delves into the characterâs minds and actions we find fulfillment on both a physical and spiritual level.
Lisbon today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world. A restless film based in fragments of The Book of Disquiet, by Portuguese writer Fernando Pessoa. âSão Paulo International Film Festival
Aditya (Vivek Oberoi), a young middle class boy, meets Suhani (Rani Mukerji), a medical student and falls head over heels for her. He pursues her relentlessly in the local trains of Mumbai. Suhani, brushes off Aditya's overtures, because she wants to become a successful doctor and do her parents proud. However, Aditya's persistence pays off and she finally accepts. But opposition from her parents forces the couple to part ways. The separation is unbearable and they get married in secret. Once they are married, is where the real story begins. The bliss ends and reality sets in with misunderstandings and quarrels in tow. Where do the newlyweds go from here? Will Aditya and Suhani understand the true meaning of being a "Saathiya"?
Phillipe and Esther live an apparently idyllic life with their daughter, Elise. In an attempt to preserve this bliss, Phillipe decides that he and Esther should each have affairs, being sure to tell each other openly about them. The plan backfires with tragic results as Phillipe becomes engulfed in jealously.
Aaron and Giselle are an ambitious couple, but their hard work isnât enough to provide for the comfortable life they desire. The marriage of their well-to-do bosom buddies, Bullet and Jasmine, also goes from bliss to bleak. Their situation heads further south when Bullet ends up in bed with a distraught and inebriated Giselle! Many confrontations later, Jasmine is seen sharing late-night trysts with Aaron while their repentant spouses patiently wait for them at home! With friends like these, who needs enemies?
The chief spokesperson and lobbyist Nick Naylor is the Vice-President of the Academy of Tobacco Studies. He is talented in speaking and spins argument to defend the cigarette industry in the most difficult situations. His best friends are Polly Bailey that works in the Moderation Council in alcohol business, and Bobby Jay Bliss of the gun business own advisory group SAFETY. They frequently meet each other in a bar and they self-entitle the Mod Squad a.k.a. Merchants of Death, disputing which industry has killed more people. Nick's greatest enemy is Vermont's Senator Ortolan Finistirre, who defends in the Senate the use a skull and crossed bones in the cigarette packs. Nick's son Joey Naylor lives with his mother, and has the chance to know his father in a business trip. When the ambitious reporter Heather Holloway betrays Nick disclosing confidences he had in bed with her, his life turns upside-down. But Nick is good in what he does for the mortgage.
Docu-drama based on the life of Ted Bundy, a serial killer who killed at least 19 young women during the 1970's (though some sources say as many as 30 to 35 were murdered). Set from his college student years, to his first victims, his capture, escape from prison (twice), his final killing spree to his trial, conviction and execution.
In Yugoslavia's Livada prison in 1970, inmates led by Keber convince reluctant authorities to let them watch the televised Olympic final basketball game between the home country and the U.S., but taunting guards interrupt the viewing and prod the prisoners to the point of a riot. After a period of a kind of blissful anarchy where the inmates taste freedom, Keber enlists the house "intellectual" Mrak to devise a system of prisoner self-government aimed at forcing reforms on the state.
In this sequel to the 1980 classic, two children are stranded on a beautiful island in the South Pacific. With no adults to guide them, the two make a simple life together and eventually become tanned teenagers in love.
'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film⦠Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working onâ¦
Paolo has been reasonably happy for the past 10 years; he has a job at the university and has Sena as a lover all these years. When she suddenly decides to leave the relationship, it comes as a shock to him, and he desperately wants to know the reason. After a series of reconciliations and separations, he finally finds out and briefly has another apparently blissful relationship with Silva.
A Danish film produced in the Dogma style by Thomas Vinterberg that portrays a family having a party for their father when one son makes a toast speech that tells the truth about the murder of their eldest sister possibly involving the father.
The story is loosely based on a 17th century erotic Chinese story named The Carnal Prayer Mat and follows a young scholar named Yangsheng who gets married to the beautiful daughter of a local merchant. When their sex life proves unsatisfactory, Yangsheng leaves home and journeys to the Pavilion of Ultimate Bliss.
Maya is the perfect mother. Her life revolves around her three childerens, Aleya ( Aachal Munjal ), Ankush ( Nominath Ginsberg ), and Anjali ( Diya Sonecha ). Who thinks nothing much then the world of her. Despite being divorced from her husband, Aman ( Arjun Rampal ). Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit. However, when Aman introduces his girlfriend, Shreya ( Kareena Kapoor ) a career oriented woman, who has a lot to learn about children's, to the family, the situation immediately takes an unexpected turn. When an incident changes their lives drastically, bringing the two women under the same roof, they find themselves putting to test an unusual situation; can two mothers make a home?
Brooklyn mobster and prolific hit man Jimmy Conlon, once known as The Gravedigger, has seen better days. Longtime best friend of a mob boss, Jimmy, now 55, is haunted by the sins of his pastâas well as a dogged police detective whoâs been one step behind Jimmy for 30 years. But when Jimmyâs estranged son becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. Now, with nowhere safe to turn, Jimmy has just one night to figure out exactly where his loyalties lie and to see if he can finally make things right.
A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.
The story spans the years from 1945 to 1955 and chronicles the fictional Italian-American Corleone crime family. When organized crime family patriarch Vito Corleone barely survives an attempt on his life, his youngest son, Michael, steps in to take care of the would-be killers, launching a campaign of bloody revenge.
Upon being informed that he is fatally ill with cancer, Max, who works at a used car store, steals money which his boss has gained through illegal means. When fleeing from the scene of the crime Max crashes his car. He is pulled unconscious from the destroyed vehicle by a homely young woman, Emma, who lives alone on a farm where Max decides to stay in order to hide from the police and his boss.
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.
A rebellious youth, sentenced to a boy's reformatory for robbing a bakery, rises through the ranks of the institution through his prowess as a long distance runner. During his solitary runs, reveries of his life and times before his incarceration lead him to re-evaluate his privileged status as the Governor's prize runner.
When a tragedy shatters her plans for domestic bliss, a seemingly typical Southern newlywed gradually transforms into a spiritual seeker, quietly threatening the closest relationships around her.
FBI agent Frank Castle had it all: a loving family, a great life, and an adventurous job. But when all he held dear is taken away by a ruthless crime lord, Castle returns from the dead as "The Punisher," serving as judge, jury and executioner.
The siblings of the Fitzgerald family must decide if the dad who abandoned them 20 years ago can come home for Christmas. Can the big Irish clan get past their grievances to be a family again?
David (Qiao Zhuang) and Mona (Yu Qian) are a spoiled brother-and-sister duo who carelessly use the family fortune to while away their time. David's friend Hanming (Yang Fan) introduces him to the lovely Danfeng (Jenny Wu), and despite Hanming's quiet infatuation with her, David moves in quickly. David and Danfeng get married, but lasting bliss is not in the cards. Mona develops a serious case of jealousy against Danfeng for snatching her brother AND being the object of Hanming's affection. Her barbed tongue and feminine wiles prove powerful enough to sow seeds of discord among the quartet of friends and lovers. Can this wicked web of love, lust and jealousy end happily for anyone?
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Kishanlal marries the beautiful Lachchi, but the day after the wedding, he leaves on business for five years. When Kishanlal reappears only a few days later, Lachchi is delighted, but this new Kishanlal is in fact a spirit who has taken the form of Lachchi's husband, after having seen her by chance and fallen in love with her. Four years later, the real Kishanlal returns and the townsfolk must determine who is who.
A middle-aged London factory worker (Blethyn) is shocked when the mixed-race daughter she gave up at birth decides to track her down. At first she denies she is her mother. All family members become emotional, as everyone's secrets are exposed.
Young Augusten Burroughs absorbs experiences that could make for a shocking memoir: the son of an alcoholic father and an unstable mother, he's handed off to his mother's therapist, Dr. Finch, and spends his adolescent years as a member of Finch's bizarre extended family.
The Czech Republic Director Jan Sverák tells in this Oscar winning film the story of the disillusioned Prague man named Cellisten Louka, who after a fictitious marriage with a Russian emigrant must suddenly take responsibility for her son. However itâs not long before the communication barrier is broken between the two new family members.
The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.
A musical romantic movie exploring the journey that ensues when the blue blooded boy Inder, "Who wanted to love no one" crosses paths with Saru, "Whom no one wanted to love". All their lives they were waiting to meet, but they just didn't know it . A musical tale of love , longing and loss. Sanam Teri Kasam - A Love story sealed with a Curse.
In the middle of the 19th century, Kristina and Karl-Oskar live in a small rural village in Smaaland (southern Sweden). They get married and try to make a living on a small spot of land. However, the small size of their land, the infertile soil, and some bad harvests makes it tough. One of their children even starve to death. Thus, they decide to emigrate to the U.S. They meet a group of farmers with their families planing the emigration under the leadership of a banned priest. They sell everything and embark for the U.S. The journey on the sailing ship is long and tedious. Some of the emigrants will never reach the New World.
Vijay Chatterjee is a lonely widower and a successful restaurateur in Montreal. His thoroughly Westernized son Ashish works at his father's eatery but is more interested in the rock band that he started with his friend Michael. One day, Vijay meets the elegant, strikingly beautiful Maarya, who recently emigrated from Calcutta. He immediately hires her for his restaurant and introduces her to Ashish, thinking that she would make the perfect wife. Though Maarya soon realizes that the young Chatterjee has a closer relationship to Michael than she originally thought, she plays along, keeping the secret from Ashish's dad so that she can remain in the country. When the elder Chatterjee starts to pursue Maarya and her jealous knife-wielding brother arrives on the scene, this volatile situation turns downright explosive.
The story is about an elderly Chinese tai chi chuan teacher and grandfather who emigrates from Beijing to live with his son, American daughter-in-law, and grandson in a New York City suburb. The grandfather is increasingly distanced from the family as a "fish out of water" in Western culture.
When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.
The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.
From the late 50s and into the 70s, more than 90,000 of the Koreans resident in Japan emigrated to North Korea, a country that promised them affluence, justice and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonhoâs younger sister Rie is at the centre of the film and is not hard to recognise as the directorâs alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life: at just six years of age, she had to experience how her three older brothers left the family forever, headed for Pyongyang.
The year is 1991, and Spud Milton's long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.
The film talks about a family that weathers all sorts of disasters and keeps going in spite of it all. It is noted for its wonderful assortment of oddball characters.
Sokol is a middle-aged Kosovar Albanian who, together with his family, emigrates from Kosovo to Turkey, and faces the foreign and unknown world. After some time he becomes homesick, eventually leaving his last will he gave to his son that when he dies, his bones will be returned to his native country. He dies near of a cliff at the Black Sea coast. In his native village, the news that Sokol has been returned from emigration are being spread.
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