Hinterland (2015)
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The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small Northeast Brazil town. But when they die, they have to be judged by Christ, the Devil and the Virgin Mary, before they are admitted to paradise.
The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.
In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.
Romão, illiterate and unemployed, feels destiny drawing him on an odyssey to Rio de Janeiro in pursuit of a job and a decent life. A family of seven journeys 2,000 miles across the hinterlands of Brazil on bicycles. Along the way, the story explores the inner dynamics of a family facing a great challenge with the courage to pursue dreams.
Don Victorino Hernandez, a creole secular priest from Manila, has two passions: botany and the total conversion of the native population particularly the Agtas, who in spite of the rigorous undertakings of Spanish colonialism continue to live in the hinterlands, giving them a notorious reputation in the minds of the lowlanders as well as the colonizers.
The real story of Carlos Lamarca, a captain who, during the military dictatorship in Brazil, deserted Brazilian Army and got involved in left-wing guerilla groups, becoming one of their most prominent leaders.
In 1942, the lonely German Johann travels through the arid roads in the country of the Northeast of Brazil in his truck selling aspirins in small villages, using advertisement movies to promote the medicine. He meets the drifter Ranulpho, who intends to go to Rio de Janeiro seeking a better life, and gives a ride to the man. While traveling together, they develop a close friendship, but on 31 August 1942, Brazil declares war to Germany and Johann has to decide if he should return to his home country and fight in the war, or stay in Brazil in a concentration camp; but the option of moving to Amazonas with the migrants of the drought seems to be feasible
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Zürich in the mid 50âs: The young shy teacher Ernst Ostertag becomes a member of the gay organisation DER KREIS. There he gets to know the transvesti- te star Röbi Rapp â and immediately falls head over heels in love with him. Röbi and Ernst live through the high point and the eventual decline of the organization, which in the whole of Europe is seen as the pioneer of gay eman- cipation. Ernst finds himself torn between his bour- geois existence and his commitment to homosexuality, for Röbi it is about his first serious love relationship. A relationship which will last a lifetime. The film looks back from the present to the time when the âMotherâ of all European homosexual or- ganizations had its high point to the time it slowly fell apart. While the repression against homosexu- als became increasingly more intense in Zurich, two young and very different men fight for their love and â together with their friends â for the rights of gays.
An ex-soldier named Slobodan Antic, referred to by a friend as one of the last idealists, finds himself losing control over his own life when a man identical to him starts following him around, claiming to be a friend but behaving suspiciously. Before long his dealings with this doppelganger begin to cost him and his professional and romantic life grow more and more confused.
Moi drug Ivan Lapshin is loosely based on several literary works of his father, Iurii German, mainly on his 1938 novel Lapshin. In terms of its historical context, the film exists at the intersection between Brezhnevâs stagnation and Gorbachevâs reforms. Moi drug Ivan Lapshin was completed in the early 1980s, but was not perceived positively at its pre-screening at Lenfilm and was shelved. However, having made several changes to the film, German managed to secure its release few years later, when the political climate began to change. The film was released shortly prior to the Fifth Congress of the Union of Cinematographers, but nevertheless, is always conventionally considered a perestroika film and part of the cinematic new wave that was represented by the new films seeking to address taboo subjects and those films that were unshelved and released for public consumption after the decades of oblivion. (from http://www.obskura.co.uk/stalin-ghost-lapshin/)
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This is the first film by Hänsel based entirely on her own script and gives a wise and loving significance to the concept of personal and anecdotal. With beautiful leading roles by Canto as mother and Gourmet as her ex. Together, they drive to a ski resort to fetch their son, a ski instructor with a broken leg.
Young Danny has left his home town in the middle of nowhere (="Nirgendwo") behind and moved to Berlin to study business. The twentysomething enjoys big city life and independence. When his father dies unexpectedly, however, Danny has to return to the Bavarian hinterlands for better or worse. He reunites with friends from his youth, Kirsten, Rob and Fresi, and the eternal couple of Tom and Mischa. Moreover, Danny's feelings for his first love Susu are rekindled. Everything seems like it used to be. It soon turns out, however, that Danny's friends are all still searching and have not found their places in life yet.
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Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."
Terry Noonan returns home to New York's Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry also rekindles an old flame with Jackie's sister Kathleen. Soon, however, Terry is torn between his loyalty to his friends and his loyalties to others.
On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.
Three years after her lover, Rick Usher, and her best friend, Maddy Usher, had suddenly disappeared from her life without explanation, Jill Masters receives a phone call with news of Maddy's death. Her last wish was for Jill to attend her funeral. Conflicted, Jill returns to the house of Usher, a remote New England enclave. Her love affair with Rick is rekindled as she learns he suffers from the same malady that robbed his twin sister, Maddy, of her sharp mind before taking her life. His affliction is manifested in a rare nerve condition, which renders him hyper-sensitive. Under the watchful eye of the caretaker, Nurse Thatcher, Jill appears to be haunted by the ghost of Maddy, and the secret of the house of Usher is exposed.
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