Main cast Mona Dotcom; Lawrence Lessig; Glenn Greenwald; Gabriella Coleman; Jimmy Wales
Genres Documentary
Description The larger-than-life story of Kim Dotcom, the "most wanted man online", is extraordinary enough, but the battle between Dotcom and the US Government and entertainment industry â being fought in New Zealand â is one that goes to the heart of ownership, privacy and piracy in the digital age.
Have you ever read the Terms and Conditions and Privacy Policies connected to every website you visit, phone call you make, or app you use? Of course you havenât. But those agreements allow corporations to do things with your personal information you could never even imagine. This film explores the intent hidden within these ridiculous agreements, and reveals what corporations and governments are legally taking from you and the outrageous consequences that result from clicking âI accept.â
Get up close and personal with 16 of the most successful women in the adult film industry as they shed their clothes for an intimate photo shoot with director Deborah Anderson. As questions are asked, personal stories about their lives are revealed, from why they chose the business of sex to how they got into it in the first place. These porn stars have always been discreet about their private lives in the past, yet Anderson has a way of opening up a dialog allowing them to share more than just their naked skin on screen. Their true inner vulnerability is touching, yet the characters they have created are confident and intoxicating. Once you hear their stories, you'll never look at them in the same way again.
This documentary about Henri-Georges Clouzotâs unfinished 1964 psycho-thriller LâEnfer is as tantalizing as it is frustrating. Despite remaining one of the most masterful of French directors, Cluozot inexplicably seems to have lost control on the big-budget production of LâEnfer. The long-lost raw footage is intriguing and dazzling, infused with swirling lights and blue-lipped, cigarette-puffing fantasy temptresses. Although directors Serge Bromberg and Ruxandra Mederea have managed to speak to numerous members of the original crew, this behind-the-scenes investigation has so little to say about the reasons behind Clouzotâs failure to complete the film. In spite of this, the undiminished power of Clouzotâs extraordinary images makes the documentary a fascinating watch.
Taking Liberties Since 1997is a documentary film about the erosion of civil liberties in the United Kingdom and increase of surveillance under the government of Tony Blair. It was released in the UK on 8th June 2007. The director, Chris Atkins, said on 1 May that he wanted to expose "the Orwellian state" that now threatened Britain as a result of Mr Blair's policies.
Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.
A Good American tells the story of the best code-breaker the USA ever had and how he and a small team within NSA created a surveillance tool that could pick up any electronic signal on earth, filter it for targets and render results in real-time while keeping the privacy as demanded by the US constitution.
This dryly funny mockumentary about the lost work of a pioneering New Zealand film genius is probably one of the best examples of the faux-documentary genre. In fact, it was so successful that when it originally aired on New Zealand television, hundreds of viewers bought the premise hook, line, and sinker. If you didn't know any better yourself, it's entirely possible you might be duped into believing the extremely tall tale of one Colin MacKenzie, an ambitious filmmaker who made the world's first talking movie (years before The Jazz Singer), invented color film, and created a huge biblical epic that would put Cecil B. DeMille and D.W. Griffith to shame. Filmmaker Peter Jackson (Heavenly Creatures) shrewdly inserts himself into the film via his documentation of the "discovery" of McKenzie's lost epic, which for years was preserved in a garden shed.
20 years after Calvin and Hobbes stopped appearing in daily newspapers, filmmaker Joel Allen Schroeder has set out to explore the reasons behind the comic strip's loyal and devoted following.
J'accuse is an 'essay-istic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its 34 painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into 17th century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate beings. However, reality was different.
Invisible Empire is all conspiracy and no theory â proving beyond doubt how the elite have openly conspired to insidiously rule the globe via the engines of the CFR, the United Nations, the Trilateral Commission, and the Bilderberg group, which were born out of the historical Round Table groups first set up by Cecil Rhodes. The film traces the lineage of the evolution of global governance from Samuel Zane Battenâs 1919 manifesto New World Order, through to Hitlerâs vision of a 1000 year Reich, to the modern incarnation of the conspiracy which has its roots in the evil deeds of people like George H. W. Bush, David Rockefeller and Henry Kissinger.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
Chronicles the six-decade career of the U.S. film industry's most diverse, dogged and resourceful low-budget producer-director-entrepeneur, painting the soft-spoken Roger Corman as an indie cinema trailbrazer as well as an extraordinary conduit for new talent.
A 3D feature film about Sir Edmund Hillary's monumental and historical ascent of Mt. Everest in 1953 - an event that stunned the world and defined a nation.
DRUGLAWED is the explosive documentary exposing how New Zealand has been co-opted by the US into fighting the failed War On Drugs. Filmed in six countries over four years, this is the documentary that finally clears the smoke around the international prohibition of cannabis. Over the last 100 years the US government has forced its drug control policies on almost every country on earth. 40 years since Richard Nixon declared the War On Drugs in 1972, 22 million Americans have been arrested for marijuana. Only one country in the world has higher arrest and conviction rates: New Zealand. DRUGLAWED examines how New Zealand fell in lockstep with US policies, and shows how smaller countries can break out.
Filling the giant screen with stunning time-lapse vistas of Antarctica, and detailing year-round life at McMurdo and Scott Base, Anthony Powellâs documentary is a potent hymn to the icy continent and the heavens above.
A behind-the-scenes documentary about the Clinton for President campaign, focusing on the adventures of spin doctors James Carville and George Stephanopoulos.
Julian Assange. Bradley Manning. Collateral murder. Cablegate. WikiLeaks. These people and terms have exploded into public consciousness by fundamentally changing the way democratic societies deal with privacy, secrecy, and the right to information, perhaps for generations to come. We Steal Secrets: The Story of WikiLeaks is an extensive examination of all things related to WikiLeaks and the larger global debate over access to information.
A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata â a paranoid hacker libertarian â get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywoodâs most hated pirates go through on a personal level.
Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. Trumbo was one of several writers, directors, and actors who invoked the First Amendment in refusing to answer questions under oath. They were blacklisted and imprisoned. We follow Trumbo to prison, to exile in Mexico with his family, to poverty, to the public shunning of his children, to his writing under others' names, and to an eventual but incomplete vindication. Actors read his letters; his children and friends remember and comment. Archive photos, newsreels and interviews add texture. Written by
Deep Web gives the inside story of one of the the most important and riveting digital crime sagas of the century -- the arrest of Ross William Ulbricht, the convicted 30-year-old entrepreneur accused to be 'Dread Pirate Roberts,' creator and operator of online black market Silk Road. The film explores how the brightest minds and thought leaders behind the Deep Web are now caught in the crosshairs of the battle for control of a future inextricably linked to technology, with our digital rights hanging in the balance.
What "That's Entertainment" did for movie musicals, "The Celluloid Closet" does for Hollywood homosexuality, as this exuberant, eye-opening movie serves up a dazzling hundred-year history of the role of gay men and lesbians have had on the silver screen. Lily Tomlin narrates as Oscar-winning moviemaker Rob Epstein (The Times of Harvey Milk and Common Threads: Stories from the Quilt) and Jeffrey Friedman assemble fabulous footage from 120 films showing the changing face of cinema sexuality, from cruel stereotypes to covert love to the activist triumphs of the 1990s. Tom Hanks, Susan Sarandon, Whoopi Goldberg, Tony Curtis, Harvey Fierstein and Gore Vidal are just a few of the many actors, writers and commentators who provide funny and insightful anecdotes.
This is a documentary about an honest search for the truth about the Federal Reserve Bank and the legality of the Internal Revenue System. Through extensive interviews with recognised experts and authority, the director shows an astonishing revelation of how the Federal Government and the Bankers have fooled the American public by taking thier wages and putting it in the pockets of the super-rich.
Two decades on from Cinema of Unease, Tim Wongâs ambitious film essay contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in New Zealand. Narrated by Eleanor Catton.
Profile of Kenneth Anger, looking at the uproar his books on Hollywood scandals caused and journeying through the darker side of Hollywood's history, including film clips, and Anger playing a guide with comedian Mike McShane playing the God of Hollywood. It also includes a look at some of Anger's own work.
DEFCON is the world's largest hacking conference, held in Las Vegas, Nevada. In 2012 it was held for the 20th time. The conference has strict no-filming policies, but for DEFCON 20, a documentary crew was allowed full access to the event. The film follows the four days of the conference, the events and people (attendees and staff), and covers history and philosophy behind DEFCON's success and unique experience.
One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.
The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.
In the early-morning hours of July 23, 2007, in Cheshire, Conn., ex-convicts Steven Hayes and Joshua Komisarjevsky broke into the family home of Dr. William Petit, his wife, Jennifer Hawke-Petit, and their daughters, Michaela, 11, and Hayley, 17. Dr. Petit was beaten and tied to a pole in the basement. The three women were bound in their bedrooms while the men ransacked the house. The brutal ordeal continued throughout the morning, ending with rape, arson and a horrific triple homicide.
I'm from Hollywood is about the adventures of late performance artist Andy Kaufman in the world of professional wrestling. This film includes interviews with Taxi co-stars Marilu Henner and Tony Danza and interviews with comedian Robin Williams, wrestler Jerry Lawler, wrestling commentator Lance Russell, and Kaufman's best friend, Bob Zmuda. Other people seen in the film include TV host David Letterman and Jimmy Hart of Continental Wrestling Association. The film's title refers to a phrase spoken by Kaufman to the Memphis wrestling audience.
Dan Ackroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.
The world knows Paul Newman as an Academy Award winning actor with a fifty-plus year career as one of the most prolific and revered actors in American Cinema. He was also well known for his philanthropy; Newman's Own has given more than four hundred and thirty million dollars to charities around the world. Yet few know the gasoline-fueled passion that became so important in this complex, multifaceted man's makeup. Newmanâs deep-seated passion for racing was so intense it nearly sidelined his acting career. His racing career spanned thirty-five years; Newman won four national championships as a driver and eight championships as an owner. Not bad for a guy who didn't even start racing until he was forty-seven years old.
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
Once upon a time... consumer goods were built to last. Then, in the 1920âs, a group of businessmen realized that the longer their product lasted, the less money they made, thus Planned Obsolescence was born, and manufacturers have been engineering products to fail ever since.
Combining investigative research and rare archive footage with analysis by those working on ways to save both the economy and the environment, this documentary charts the creation of âengineering to failâ, its rise to prominence and its recent fall from grace.
Letâs Make Money is an Austrian documentary by Erwin Wagenhofer released in the year 2008. It is about aspects of the development of the world wide financial system.
Cinema's prodigal daughter Jennifer Lynch braves the unmapped territory of Bollywood-Hollywood movie making, where chaos is the process and filmmaking doubles as a crash course in acceptance and self-realization.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Since the assassination of Dr. George Tiller in Kansas in 2009, only four doctors in the United States continue to perform third-trimester abortions. These physicians, all colleagues of Dr. Tiller, sacrifice their safety and personal lives in the name of their fierce, unwavering conviction to help women.
Really strange documentary of Wheeler Dixon production quality on the Tunguska Event and the possibility of it happening again causing an apocalypse (basically a meteor scare film) sprinkled with UFO conspiracy kooks, and other 'professionals', riddled with stock footage of all kinds, freaky moog music and sound fx, a Dr. Who rip-off end theme, Victor Buono as Homer the Archivist, a philosophical history recorder in a space ship with a HAL 9000 type talking computer named Ino, there's also another space ship with Egyptian looking aliens girls with pasties and see-thru blouses.
Amanda (Marlee Maitlin) is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, Amanda slowly comprehends the various inspirations and begins to see the world in a new way.
In the spirit of the old west variety shows, Vaughn played host to the ensemble of comedians and performed improvisational sketches with surprise celebrity and musical guests. The film chronicles the journey of Vaughn and the comedians as travel over 6,000 miles and perform 30 shows in 30 consecutive nights in cities across the nation.
The Punk Syndrome is a film about Finlandâs most kick-ass punk rock band, Pertti Kurikan Nimipäivät. The band members, Pertti, Kari, Toni and Sami, are mentally handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour. They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then itâs time to make up and go talk to people in the audience and tell them how great their band is.
Directors Nina Kusturica and Eva Testor followed Michael Haneke for a period of two and a half years. They accompanied him to film premieres and public appearances, radio interviews and photo shoots; they observed him as he scouted locations, directed actors on the set, and made final cuts in the editing room. In between, on long train and car rides, Haneke spoke candidly about his childhood, his transition to filmmaking, and his views on cinema, discussing films that inspired him and his own work (he counts The Seventh Continent and 71 Fragments of a Chronology of Chance among his favorites). What emerges in this insightful documentary is a portrait of a dedicated filmmaker, a charming yet elusive figure in thrall to cinema and the constant perfection of his craft.
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
Spooked is a contemporary conspiracy thriller arising from the mysterious death of Kevin Jones, who thought he was just buying second-hand computers, until he looked at the data left on the discs. Was kevin murdered or did he simply get drunk and crash his car? Investigating journalist Mort Whitman says he will find out, even if it kills him. The film is based on material from the book 'The Paradise Conspiracy' by Ian Wishart.
The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle -- a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Jimmy Durante is jungle star Schnarzan the Conqueror, but the public is tiring of his fake lions. So when Baron Munchausen comes to town with real man-eating lions, Durante throws a big party with so that he might use the lions in his next movie. His film rival sneaks into the party to buy the lions before Durante.
"Let Me Borrow Your Wife". This is a light comedy from Edith Carlmar, Norways first woman director. It takes place in a company that sells baby toys. It is time to fill a leading position, and it is known the owner of the company only places married men on leading positions. This leads a young bachelor to "borrow" his best friends wife to have a chance at the position. This leads to a lot of comic misunderstandings, not the least because the owner of the company himself falls for the new young wife.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
A documentary about conspiracy theories takes a horrific turn after the filmmakers uncover an ancient and dangerous secret society.
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