A World War II Hollywood propaganda film detailing the dark underside of Nazism and the Third Reich set between two brothers, Kurt and Erik Franken, whom are SS officers in the Nazi party. Kurt learns and exposes the evils of the system to Erik and tries to convince him of the immoral stance that marches under the symbol of the swastika.
Hitler: The Last Ten Days takes us into the depths of der Furherâs Berlin bunker during his final days. Based on the book by Gerhard Boldt, it provides a bleak look at the goings-on within, and without.
In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.
Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive people in Nazi Germany at that time. However, (almost) nobody listens to him, so the catastrophe goes on...
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s-1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Slovak musicologist Agata Schindlerová, now settled in Dresden, has spent years mapping out the forgotten destinies of Jewish musicians whose lives were irrevocably marked by the advance of nazism. Scenes from the lives of several of them are portrayed in the film In Silence (ballet dancer Alice Flachová, pianist and conductor Karol Ebert, composer, conductor and director of the Dresden Theatre Arthur Chitz, pianist Edith Kraus, and the vocal ensemble Comedian Harmonists), which draws a sharp contrast between the protagonistsâ carefree existence working and making music during the pre-war era and the subsequent severe upheaval in their lives brought on by the proliferation of nazism.
Renowned journalist Torgny Segerstedt declares war against Hitler as he criticizes Swedish politicians who tried to look away from the tyranny of the Nazis with the good excuse of âneutralismâ. His only weapon is his pen and his life is full of gossip such as an affair with his bossâ wife, a love scandal with a secretary younger than his daughter, and the suicide of his wife. However, he continues to fight a one man battle against Hitler and the Nazi regime until his death, throwing the question âCan one person really change history?â to the audience.
Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.
A love story offering an intimate look inside the marriage of Winston and Clementine Churchill during a particularly troubled, though little-known, moment in their lives.
True story of Germany's most famous anti-Nazi heroine brought to thrilling, dramatic life. Sophie Scholl stars Julia Jentsch in a luminous performance as the fearless activist of the underground student resistance group, The White Rose. Armed with long-buried historical records of her incarceration, director Marc Rothemund expertly re-creates the last six days of Sophie Scholl's life.
Veteran French director Agnes Varda's Le Petit Amour is based on a short story by actress/songstress Jane Birkin. Birkin herself plays the main character, a loving but lonely 40-year-old divorcee. Her life is brightened a bit by the presence of a handsome 15-year-old, played by Mathieu Demy. Their romance forms the basis of this "petit" Varda effort, which is also known as Kung Fu Master (now you'll have to see it for yourself!). Shortly after the release of Le Petit Amour, Agnes Varda directed a documentary centering upon Jane Birkin, Jane B par Agnes V.
A love story centered on the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who is dying of tuberculosis.
Viennese surgeon Dr. Braun and his daughter Leni come to a small town in North Dakota as refugees from Hitler. When the winds of the Dust Bowl threaten the town, John Phillips leads the townsfolk in moving to greener pastures in Oregon. He falls for Leni, but she is betrothed to the man who helped her and her father escape from the Third Reich. She must make a decision between the two men.
In 1931 budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. Whilst working as an English teacher his housemates include bewigged old queen Gerald Hamilton and would-be actress Jean Ross, who sings tunelessly in a seedy cabaret club. They and others he meets get put into his stories. After a fling with sexy rent boy Caspar he falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt. With Fascism rapidly rising Christopher returns to London with Heinz but is unable to prevent his return to Germany when his visa expires. Years later Christopher, now a successful writer, returns to Berlin for a final meeting with Heinz, now married with children.
As the Second World War breaks out, German freighter captain Karl Ehrlich is about to leave Sydney, Australia with his vessel, the Ergenstrasse. Ehrlich, an anti-Nazi but proud German, hopes to outrun or out-maneuver the British warship pursuing him. Aboard his vessel is Elsa Keller, a woman Ehrlich has been ordered to return to Germany safely along with whatever secrets she carries. When Ehrlich's fiercely Nazi chief officer Kirchner commits an atrocity, the British pursuit becomes deadly.
German expatriate Fritz Kortner plays the largest role, as an anti-Nazi schoolmaster who helps a downed American flyer (John Archer) reached Allied lines with vital war information. As usual, the Nazis are incredibly stupid and lead-footed, enabling the flyer to accomplish his mission.
In this drama, an American art student is trapped amidst the political turmoil of war-torn Europe while visiting Paris and staying at the fabulous Ritz hotel. Rather than cope constructively with it all, the fellow opts to ignore it and continue living the high-life for as long as possible.
The year is 1945 and the "last of the Jews" are being "evacuated" from Berlin. They are locked in cattle cars with no food and little water. During the trip several of the characters are drawn out and vignettes of their lives are highlighted to restore some humanity to their animal existence aboard the train. The suffering and agony is palpable. Some parts can be watched in double speed as they are just just filler. If you exclude the final theatrical device thrown in at the end, the movie is worth watching for it's historical relevance.
A dying German magnate invites his youngest son and daughter-in-law home to discuss the future of the family's shipbuilding empire. There, the daughter-in-law stumbles upon a secret of the family's Nazi past.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
Derek Vineyard is paroled after serving 3 years in prison for killing two thugs who tried to break into/steal his truck. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
The rise of national socialism in Germany should not be regarded as a conspiracy of madmen. Millions of "good" people found themselves in a society spiralling into terrible chaos. A film about then, which illuminates the terrors of now.
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Neighborhood boy Todd Bowden (Renfro) discovers that an old man living on his block named Arthur Denker (Mackellan) is nazi war criminal. Bowden confronts Denker and offers him a deal: Bowden will not go to the authorities if Denker tells him stories of the concentration camps in WWII. Denker agrees and Bowden starts visiting him regularly. The more stories Bowden hears, the more it affects him.
JULIA covers the 1930s when Lillian attained fame with the production of her play "The Childrens' Hour" on Broadway. It centers on Lillian's relationship with her friend, Julia. It's a relationship that goes beyond mere acquaintance and one for which the word "love" seems appropriate. While Julia attends the University in Vienna, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiel Hammett. After becoming a celebrated playwright, Lillian is invited to a writers conference in Russia. Julia, having taken up the battle against fascism, enlists Lillian en route to smuggle money through Nazi Germany which will assist in the Anti-Fascist cause. During a brief meeting with Julia on this trip, Lillian learns that Julia has had a child which is called Lilly.
JUMP is a psychological drama revealing for the first time the extraordinary circumstances behind the unjust murder trial of the young Jew, Philippe Halsman, who would later become the most sought after celebrity portrait photographer of his generation.
Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group's ideology. But Marisa's convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group?
An interracial couple is attacked and the woman is gang-raped in a random attack. This prompts the woman to commit suicide and the man decides to seek revenge from the inside by joining the gang. However, once inside he learns of the reasons (poverty, social rejection) for their existence and starts developing a kinship until he is asked to kill someone to prove his loyalty.
An African-American prison psychiatrist (Sidney Poitier) finds the boundaries of his professionalism sorely tested when he must counsel a disturbed inmate (Bobby Darin) with bigoted Nazi tendencies.
Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins' merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
Kurt and Sara Müller and their three children left Germany many years ago and finally arrive to her mother's house in Washington DC. Kurt are working for the anti-nazi resistance in Germany. The Romanian count Brankovic who also lives there tries to blackmail him.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Although he's credited only for story, the dialogue has Fuller's headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, "The power of the press is the freedom to tell the truth--it is not the freedom to twist the truth," he's a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper's redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism--and its condemnation of media organizations "playing on the prejudices of stupid people" has acquired fresh relevance. Otto Kruger and Victor Jory ("a little Himmler") supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Hamburg, Germany 1934: An executioner is needed. Teetjen (Erwin Geschonneck) makes the biggest mistake of his life. Because his butcher shop is facing bankruptcy, he agrees to execute a group of political prisoners for the Nazis. Once this becomes known, Teetjenâs life falls apart.
Yves Montand is Robert Colomb, a famous TV newscaster, married to Catherine (Annie Girardot), but continually unfaithful to her. Then he meets, and becomes fascinated with Candice (Candice Bergen). He takes her along on an assignment in Kenya and later establishes an "arrangement" with her in Amsterdam. He is then assigned to Vietnam, tells Candice their affair is over and discovers that is more than acceptable to her as she as tired of him. Returning from a Vietnamese prison, he decides to return to Catherine, but discovers she has made a new life for herself.
In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime. The transition from democracy to dictatorship is thus dramatized through the lives of the family which also owns a powerful German industrial firm. Through such characters as a German Baron, a child molester, a Nazi Storm Trooper, an innocent man framed for murder, and a Captain in the German SS, "Damned" thus shows how so called "German Upper Class Nobility" first resented Adolf Hitler, then accepted him, and at last embraced him.
In late 1930s Ferrara, Italy, the Finzi-Continis are a leading family: wealthy, aristocratic, and urbane; they are also Jewish. Their adult children, Micol and Alberto, gather a diverse circle of friends for tennis and parties at their villa with its lovely grounds, and try to keep the rest of the world at bay. But tensions between them all grow as anti-Semitism rises in Fascist Italy, and even the Finzi-Continis will have to confront the Holocaust.
Professor Nishiyama, after studying and interpreting the prophecies of Nostradamus, realizes that the end of the world is at hand. Unfortunately, nobody listens to him until it is too late. As the effects of mankind's tampering of the earth - radioactive smog clouds, hideously mutated animals, destruction of the ozone layer - rage out of control, the world leaders hurtle blindly toward the final confrontation.
A Nazi doctor who had a fetish for young boys feels guilt after torturing and murdering his latest victim, and throws himself off a roof. Some years later, the doctor, confined to an iron lung, accepts as his nurse a boy who secretly witnessed that killing.
The supremely world-weary Lemmy Caution, last seen in Godard's "Alphaville" (France/1965), has several strange encounters while trying to make his way from the former East Germany to "the west."
An evening at an Italian restaurant. Hosted by tolerant and relaxed Flora, various parties of middle-class people come in -- large and small, young and old, regulars and tourists, married and single -- to dine, converse, argue, celebrate, make confessions; to overhear other people's discussions, to interrupt them, to sing, listen to music, and enjoy life. The camera, just like the people, moves constantly from table to table, into the kitchen and the back room to observe the staff's petty jealousies and frustrations -- until two hours later it's time for everybody to go home.
It is the real story of Giorgio Perlasca (Luca Zingaretti). During the 1920s he was an Italian Fascist supporter, fighting in Africa an in the Spanish civil war where he deserved a safe conduct for Spanish embassies. After some years, disillusioned by fascism, he is a fresh supplier for the Italian army. In the war years he is in Budapest for his business. He lives an easy life there, well introduced into the Hungarian high society, without any problem coming from the war situation. When the Nazi occupied Hungary, in 1944, instead to leave (Italy had already surrendered to the Allies) he escaped to the Spanish embassy in Budapest using his old safe conduct and becoming a Spanish citizen, changing name into Jorge Perlasca. He starts working as a diplomat here. When Sanz Briz (Geza Tordy), the Spanish consul, is removed, Perlasca immediately substitutes him, like if he was officially appointed from Spanish authorities... Written by 1felco
Dear Enemy tells the true story of the directorâs grandfather who became friends with a German officer during the WWII German occupation of Albania while hiding a partisan, an Italian soldier and a Jewish watchmaker in his cellar.
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