Memories on Stone (2014)
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A recently orphaned young Kurdish-French woman travels to Iraqi Kurdistan to find her mother's village, likely destroyed during the Anfal genocide. On her journey she meets two American film students who are traveling to remote villages screening Charlie Chaplin films. They decide to help her search, an undertaking that brings them to the war-weary Mount Qandil, dubbed by the locals the Kurdish Bermuda Triangle, along the Iraqi-Turkish-Iranian borders.
A sergeant must deal with his desires to save the lives of young soldiers being sent to Vietnam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old army buddy.
Exactly 100 years after the Armenian Genocide, a theatre director stages a play to bring the ghosts of the past back to life.
For Shirin, being part of a perfect Persian family isnât easy. Acceptance eludes her from all sides: her family doesnât know sheâs bisexual, and her ex-girlfriend, Maxine , canât understand why she doesnât tell them. Even the six-year-old boys in her moviemaking class are too ADD to focus on her for more than a second. Following a family announcement of her brotherâs betrothal to a parentally approved Iranian prize catch, Shirin embarks on a private rebellion involving a series of pansexual escapades, while trying to decipher what went wrong with Maxine.
In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Bringing his unique sense of humor to this bizarre and original piece of moviemaking, Tom Waits takes the audience through a musical journey with his jazzy, quirky, bluesy tunes presented as you would never, ever, ever expect.
Mamo, an old and legendary Kurdish musician living in Iran, plans to give one final concert in Iraqi Kurdistan. After seven months of trying to get a permit and rounding up his ten sons, he sets out for the long and troublesome journey in a derelict bus, denying a recurring vision of his own death at half moon. Halfway the party halts at a small village to pick up female singer Hesho, which will only add to the difficulty of the undertaking, as it is forbidden for Iranian women to sing in public, let alone in the company of men. But Mamo is determined to carry through, if not for the gullible antics of the bus driver.
Debra Winger, Oris Erhuero and Idris Elba star in this drama framed by the Rwandan genocide.
Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.
Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!
Locked up in prison and awaiting execution, bored young vagabonds Bernardino (Ninetto Davoli) and Mammone (Franco Citti) pass their time competing in a vulgar storytelling competition, relating indecent accounts about castration, unsavory testicles and an atypical threesome. Not intended for the faint of heart, this audacious piece of moviemaking focuses on tales of jealousy, murder and uncontrollable desires.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
Baran, a war hero, becomes sheriff of the capital and refuses to bow down to a tribal chief.
Canadian Lt. General Romeo Dallaire was the military commander of the UN mission in Rwanda and this movie is personal and, all too true, story of his time there during the genocide of 1994. It is not quite as moving as the earlier Hotel Rwanda and is less geared to drama and emotional manipulation, but it is still grim and upsetting.
The story is about a photojournalist (Farrell) who returns from a dangerous assignment, only to find his friend and colleague missing. So his girlfriend (Vega) is charged in finding clues to the mystery.
In 1915 a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night he learns that his twin daughters may be alive, and goes on a quest to find them.
In Letter to the King we meet a group of refugees, all with their own agendas, on an excursion to Oslo. A young man about to be deported visits his former employers to collect his off-the-books salary, a martial arts expert is looking for work, a young woman is haunted by the past and out for vengeance and an old man named Mirza is busy writing a letter to the king to get his final wish granted. An altogether urgent and nuanced portrait of a motley group of individuals, too often regarded as a homogeneous group.
Author P.L. Travers travels from London to Hollywood as Walt Disney Pictures adapts her novel Mary Poppins for the big screen.
An Iranian man drives his truck in search of someone who will quietly bury him under a cherry tree after he commits suicide.
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it's all he can do to maintain his integrity in the midst of filmmaking chaos.
When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.
A variety of characters, some close relatives, others distant strangers, are each affected by the making of a film about the Armenian Genocide of 1915.
World War II is raging, and an American general has been captured and is being held hostage in the Schloss Adler, a Bavarian castle that's nearly impossible to breach. It's up to a group of skilled Allied soldiers to liberate the general before it's too late.
The Limey follows Wilson (Terence Stamp), a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine (Peter Fonda) and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
This consists of four short films by different directors. Rosselini's 'Chastity' ('Illibatezza') deals with an attractive air hostess who receives the unwelcome attentions of a middle aged American. Godard's 'New World' ('Il Nuovo Mondo') illustrates a post-apocalypse world the same as the pre-apocalyptic one but for an enigmatic change in attitude in most people, including the central character's girlfriend. In Pasolini's 'Curd Cheese' ('La Ricotta'), a lavish film about the life of Jesus Christ is being made in a poor area. The impoverished people subject themselves to various indignities in the name of moviemaking in order to win a little food. The central character is hoisted up on a cross for filming, and dies there. Finally comes Gregoretti's 'Free Range Chicken' ('Il Pollo Ruspante') in which a family of the materialist culture inadvertantly illustrate the cynical, metallic voiced doctrine of a top sales theorist.
Centers on a group of weary Middle Eastern refugees who have made their way to Turkey to apply for European visas.
The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.
The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.
Film offers a new take on the Rwandan genocide, through the first person experience of one woman as the horror descends.
After their parents are murdered, two young Kurdish children are forced to live on the street
We meet ornithologist Anna in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anna manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor â Crystal Globe, KVIFF 2005), but after his death in 2014 she eventually finished this challenging picture alone.
Acclaimed Kurdish filmmaker Bahman Ghobadi (A Time for Drunken Horses) directs Monica Bellucci and Iranian superstar Behrouz Vossoughi in this haunting, dreamlike love story that spans three decades. (TIFF)
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
Turtles can fly tells the story of a group of young children near the Turkey-Iran border. They clean up mines and wait for the Saddam regime to fall.
An American woman, trapped in Islamic Iran by her brutish husband, must find a way to escape with her daughter as well.
A young Tutsi woman and a young Hutu man fall in love amid chaos; a soldier struggles to foster a greater good while absent from her family; and a priest grapples with his faith in the face of unspeakable horror.
When the initial Cylon attack against the Twelve Colonies fails to achieve complete extermination of human life as planned, twin Number Ones (Cavils) embedded on Galactica and Caprica must improvise to destroy the human survivors.
Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks he his an important greek politician who disappeared misteriously a few years ago. Back in Athens, he asks this politician's former wife to come and identify him. A slow and dry meditation about inhumanity of borders.
Amu is the story of Kaju, a twenty-one-year-old Indian American woman who returns to India to visit her family and discover the place where she was born. The film takes a dark turn as Kaju stumbles against secrets and lies from her past. A horrifying genocide that took place twenty years ago turns out to hold the key to her mysterious origins.
In Lapa, Rio de Janeiro, the idle aspirant writer Zeca has been living with Arts Professor Júlia for five years. He is stuck on page 50 of his novel for a long time and Zeca claims lack of inspiration to conclude the plot. He leads a comfortable life from inheritance left by his mother and administrated by his father Humberto. When Zeca sees Júlia alone with her best friend Carol in his flat, he believes that they are having a love affair and becomes obsessed with Carol, following her. Júlia travels to São Paulo with work giving Zeca the perfect opportunity to have an affair with Carol. So begins his complicated life: while Júlia works and studies for her doctorate, Zeca has sex with Carol during the days and with Júlia during the nights. Zeca plots a scheme to stay with either Carol or Júlia but his plan does not go as he hoped.
A man whose brain becomes magnetized unintentionally destroys every tape in his friend's video store. In order to satisfy the store's most loyal renter, an aging woman with signs of dementia, the two men set out to remake the lost films.
Writer/director Eric Schaeffer (If Lucy Fell) and Amanda De Cadenet (Four Rooms) steam up the screen with this humorous, provocative and sexy tale of lust and desire that "examines the surprisingly tender sides of erotic craving" (MovieMaker). For Michael Shiver (Schaeffer), life as an easy-going cab driver in New York suddenly changes when he picks up supermodel Sarah Easton (De Cadenet) and falls head over heels in love. But Sarah has more than just passion on her mind ? she also has a husband and a glamorous lifestyle that she can't seem to leave behind. Torn between her feelings for Michael and the security of her marriage, Sarah is forced to make a realistic decision about the sacrifices that must be made to be truly and totally in love.
This fiction-documentary hybrid uses a sensational real-life eventâthe arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbafâas the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
Filmmaking partners Rupert Kathner and Alma Brooks are determined to get their films made by almost any means necessary. Set in the 1930s, this docudrama relates the moviemakers struggles to jump-start Australia's film industry.
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.
An official is sent from his home in Tehran to hear the final appeal of a woman sentenced to death, a political prisoner. The official's wife of nearly 20 years, Fereshteh Samimi, writes him a letter to read when he reaches the hotel - the story of her student days during the revolution of 1978. We see the story in flashbacks as he reads: she leaves her province on scholarship, joins a Communist youth group, avoids arrest, and comes under the sway of a suave older man, Roozbeh Javid, a literary-magazine editor. As she tells her husband about the hidden half of her life, Fereshteh asks that he listen to the woman facing execution, a woman and therefore one of Iran's hidden half.
The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.
Mexican revolutionary Pancho Villa is double-crossed in an arms deal planned by his comrade Scotty. Villa and Scotty plot a raid on a U.S. cavalry fort in retaliation.
A pseudo documentary study of an archetypal German who tries to model his world according to his ideas of law and (sexual) order.
The Chosen follows the story of two teenage boys determined to remain friends despite the deep differences between their two families. Set in New York during the 1940s, this provocative film follows the son of an orthodox rabbi and the son of a secular father, raised to question everything around him, including his religion. A moving coming of age story.
Fictional account of what might have happened if Hitler had won the war. It is now the 1960s and Germany's war crimes have so far been kept a secret. Hitler wants to talk peace with the US president. An American journalist and a German homicide cop stumble into a plot to destroy all evidence of the genocide.
The movie opens with a fictionalized depiction of a real-life incident: the arrest on July 4, 2003 of 11 Turkish special forces soldiers and 13 civilians by U.S. forces of the 173rd Airborne commanded by Colonel William C. Mayville in the northern Iraqi Kurdish town of Sulaymaniyah. The Turkish soldiers suppose that this is an ordinary visit from their NATO allies. But this time is different.
Based on the popular Manga/Animated Film Series, Sanctuary: The Movie is the live action version of Sanctuary telling the story of two boys who survived the Khmer genocide in Cambodia and now try to create their own sanctuary in Japan. Asami is going into politics to become a national leader, seeking to create a new and better Japan, whereas Hojo wants to improve Japan by "infiltrating" and changing the other side of Japanese society, the Yakuza, becoming one of their bosses and most influencial members. Together, they are working their way up, each if them in his very own way, just to fulfill their dream: creating their very own sanctuary in a world that has gone mad.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O'Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
The stories of three men working at the Bosphorus Bridge in Istanbul are told by the original characters, in this mosaic depicting real persons exposing their lives and aspirations.
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