The Trap (2015)
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In Manhattan, the aspirant writer Jabez Stone is a complete loser: he is not able to sell his novels, he lives in a lousy apartment and he does not have success with women. When one of his friends Julius Jenson sells his novel for US$ 190,000.00 to an editor, Jabez fells envy and promises to sell his soul to the devil for success and accidentally kills a woman with his typing machine. The Devil knocks on his door, fixes the situation and seals a contract with Jabez. His low quality novels have bad reviews but become best-sellers; Jabez enriches; has success with women, but has no time for his friends. Jabez meets with the publisher Daniel Webster who offers him a chance to break the contract with the devil.
'I hate luv storys' is the maxim Jay lives by. But as an assistant director to Veer, the most famous romantic filmmaker of Indian Film Industry, Jay has little option but to live with larger than life, glossy, cinematic love on an everyday basis. Things only get worse when he is made to work under the new production designer on the film⦠Simran, with whom he shares the strangest first encounter! Simran loves luv storys; So much so that even her life has begun to resemble one. With her ideal job and the perfect boyfriend, Raj, she lives a blissful, dreamy life; One that is rudely interrupted by Jay's cynicism. The turmoil's of Jay and Simran's life, is ironically interweaved with the Luv Story that they are working onâ¦
Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.
A love-lorn script writer grows increasingly desperate in his quest to adapt the book 'The Orchid Thief'.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
Dixon 'Dix' Steele, a down-on-his-luck screenwriter needs to adapt a trashy novel. At a night club, the hat-check girl, Mildred Atkinson is engrossed reading it. Too tired to read the novel, he asks Mildred to go home with him, to explain the plot. Later that night, Mildred is murdered and Steele is a prime suspect, his record of violence when angry goes against him.
Director F.W. Murnau (John Malkovich) makes a Faustian pact with a vampire (Willem Dafoe) to get him to star in his 1922 film "Nosferatu."
Near a gray and unnamed city is the Zone, an alien place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A Stalker, one of only a handful who have the mental gifts (and who risk imprisonment) to lead people into the Zone is tasked with reaching the Room, said to be a place where one's secret hopes come true. His clients are a burned out popular writer, cynical, and questioning his talent; and a quiet scientist more concerned about his knapsack than the journey. In the deserted Zone, the approach to the Room must be indirect. As they draw near, the rules seem to change and the stalker faces a crisis. The film is loosely based on the novel "Roadside Picnic" by Boris and Arkady Strugatsky
A fur trapper takes a mute girl as his unwilling wife to live with him in his remote cabin in the woods.
George Clooney plays the dry cynical character of Ryan Bingham, an executive who specializes in "downsizing". Ryan lives out of his suitcase, traveling the country for the sole purpose terminating unwanted employees day after day. Just as Ryan is about to reach his life-long goal of the ten million mile frequent flyer mark some major changes come his way. Changes that threaten to crack the cold heartless exterior that is Ryan Bingham.
Hobos encounter a sadistic railway conductor that will not let anyone "ride the rails" for free.
The Grand Budapest Hotel tells of a legendary concierge at a famous European hotel between the wars and his friendship with a young employee who becomes his trusted protégé. The story involves the theft and recovery of a priceless Renaissance painting, the battle for an enormous family fortune and the slow and then sudden upheavals that transformed Europe during the first half of the 20th century.
One of the world's most acclaimed comedies, MASH focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould. Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifestyle as an antidote to the tragedies of their Mobile Army Surgical Hospital, and in the process infuriate Army bureaucrats. Robert Duvall, Gary Burghoff and Sally Kellerman co-star as a sanctimonious Major, an other-worldly Corporal, and a self-righteous yet lusty nurse.
Set in a seaside resort in the Caucasus, the story centers on n'er do well, Laevsky (Andrew Scott) and his illicit relationship with his mistress Nadya (Fiona Glascott). Laevsky has convinced Nadya to leave her husband for him, but now wants to abandon her.
A country doctor (Franchot Tone) loves but cannot have a professor's wife (Clarence Derwent) in Chekhov's play set in czarist Russia.
The Nazis, exasperated at the number of escapes from their prison camps by a relatively small number of Allied prisoners, relocates them to a high-security "escape-proof" camp to sit out the remainder of the war. Undaunted, the prisoners plan one of the most ambitious escape attempts of World War II. Based on a true story.
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Linda Darnell plays a beautiful Russian peasant in this moody Sirk melodrama, based on Chekhov's "The Shooting Party." Trying to pull herself out of serf-ish poverty, she works her charms on an engaged aristocrat (George Sanders) with tragic results.
Film adaptation of Anton Chekhov's story of life in rural Russia during the latter part of the 19th century.
An uninterrupted rehersal of Chekhov's "Uncle Vanya" played out by a company of actors. The setting is their run down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
An aristocrat falls for a young woman who brings him ruin. Based on Chekhov's story.
At an all girl school, a group of girls annually stages a play. This year they pick Anton Chekhov's "The Cherry Orchard." After vigorous rehearsals the play faces cancellation because one student gets caught smoking after school.
The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.
The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Via the New York Times: "...a severely obscure meditation on pre-revolutionary Russia in the form of an encounter between a ghost from the past and the ghost's present-day guardian. In fact, the two characters seem to be the shade of Anton Chekhov and the young man who tends a Chekhov museum in the Crimea, though that is never made explicit."
Set in 1890s North Wales over a long, hot August weekend, the Victorian calm of a household is suddenly upset with the arrival of a London couple who impose their city ways and thoughts on the more rurally based family. An adaptation of Anton Chekhov's play, "Uncle Vanya."
Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and buys one of the dogs - almost dead already - for $200 against the owner's will. When the owner Hasel complains to Mountie Sergeant Millen, he refuses to take action. But then the loathing breeder and his friends accuse Johnson of murder. So Millen, although sympathetic, has to try to take him under arrest - but Johnson defends his freedom in every way possible.
Paul Giamatti stars as himself, agonizing over his interpretation of "Uncle Vanya." Paralyzed by anxiety, he stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. Giamatti enlists their service -- only to discover that his soul is the shape and size of a chickpea.
Adaptation of Chekhov's "Uncle Vanya" set in rural Australia in the 1920s. Jack Dickens and his niece Sally run the family farm to support brother-in-law Alexander as a (supposedly brilliant) literary critic in London. Action begins when Alexander returns with his beautiful young wife Deborah, revealing himself as an arrogant failure and wanting to sell the farm out from under Jack. Blakemore introduces themes about Australia's separation from England, as well as expanding the pacifist and ecological philosophies espoused by the local Doctor Max Askey.
To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.
Ten years after the war, West Germany's market economy is booming. Into an unnamed city that's rife with corruption comes a new building commissioner, Herr von Bohm, committed to progress but also upright. He's smitten by Marie-Louise, a single mother who's his landlady's daughter. Von Bohm does not realize she is also Lola, a singer at a bordello and the mistress of Schuckert, a local builder whose profits depend on von Bohm's projects. When von Bohm discovers Marie-Louise's real vocation and looks closely at Schuckert's work, will this social satire play out as a remake of "Blue Angel," a visit of Chekhov to West Germany, or an update of Jean Renoir's "Rules of the Game"?
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition and in a strange country, their experience begins to mirror the Vietnam experience.
A grandfather and his grandson go to a fair to sell a horse. A ranger and his vicious partner, Matijevic, follow them as they return home in order to rob them. The confrontation takes place in the forest.
Romanian director Lucian Pintilie directed this Yugoslav film based on Chekhov's famous story. A doctor from provincial town in Tsardom of Russia meets his former student in Ward 6, where the story takes place. Impressed by his rebellious spirit and clever remarks, he tends to spend more time with him while also indulging in meditation, only to be ridiculed by his fellow colleagues.
Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.
Moi drug Ivan Lapshin is loosely based on several literary works of his father, Iurii German, mainly on his 1938 novel Lapshin. In terms of its historical context, the film exists at the intersection between Brezhnevâs stagnation and Gorbachevâs reforms. Moi drug Ivan Lapshin was completed in the early 1980s, but was not perceived positively at its pre-screening at Lenfilm and was shelved. However, having made several changes to the film, German managed to secure its release few years later, when the political climate began to change. The film was released shortly prior to the Fifth Congress of the Union of Cinematographers, but nevertheless, is always conventionally considered a perestroika film and part of the cinematic new wave that was represented by the new films seeking to address taboo subjects and those films that were unshelved and released for public consumption after the decades of oblivion. (from http://www.obskura.co.uk/stalin-ghost-lapshin/)
Chekhov in contemporary Argentina. Mecha and Gregorio are at their rundown country place near La Ciénaga with their teen children. It's hot. The adults drink constantly; Mecha cuts herself, engendering a trip to the hospital and a visit from her son José. A cousin, Tali, brings her children. The kids are on their own, sunbathing by the filthy pool, dancing in town, running in the hills with shotguns, driving cars without licenses. One of the teen girls loves Isabel, a family servant constantly accused of stealing. Mother and son, son and sisters, teen and Isabel are in each other's beds and bathrooms with a creepy intimacy. With no adults paying attention, who's at risk?
A quirk in time and space gives a failed filmmaker the chance to reshape his destiny when he visits his peculiar alma mater.
Based on a short story "Ward No. 6" by Anton Chekhov.
A drama based on a classic short story by Anton Chekhov.
A story based on love between Anton Chekhov and a young writer Lidiya Avilova.
There's drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They donât mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
Rita, a hairdresser with a sharp wit, is married to Denny, and at 26 doesn't want a baby. She wants to discover herself -son she joins the Open University. Dr. Frank Bryant Is a disillusioned university professor of literature. His marriage has failed, his girlfriend is having an affair with his best friend and he can't get through the day without downing a bottle or two of whisky. He refers to himself as an appalling teacher of appalling students. What Frank needs is a challenge ... along comes Rita. In this hilarious and often moving drama, the story tells how two people find a now lease of life through each other.
A group of POWs in a German prison camp during World War II play the German National Soccer Team in this powerful film depicting the role of prisoners during wartime.
A self-pitying but popular playwright drives to Vladimir to relax with a doting female student and another writer. He's convinced his writing is of no lasting value, but he still has an ego, about his work and his masculine appeal. He's drawn to a museum guide he sees on his first afternoon.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
With his marriage to Audrey almost at an end, Ben begins a torrid affair with Mercedes, a young French student in his writing class. The affair soon spins out of control, their emotions and Ben and Audrey's family hanging in the balance.
After her stay-at-home husband leaves her, a workaholic lawyer finds that she is not completely up to the tasks of caring for her young son, ailing father and household all by herself.
A Yugoslav stage actor marries an American girl in Belgrade and has a child with her, when his career downhill out of political reasons he develops a drinking habit, his wife leaves him and takes their daughter to U.S.A.
FIX takes you from Beverly Hills to Watts, and places in between, in one day, as documentary filmmakers Bella and Milo race to get Milo's brother Leo from jail to rehab before 8pm, or Leo goes to prison for three years.
The ups and downs of three generations in an acting family.
On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. Sheâs Anna Sergeyovna, trapped in a loveless marriage to a lackey. Heâs unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing itâs good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?
Max Walker is a suicidal man who selects an aspiring young filmmaker to record the end of his life. On the agenda for his last day on Earth: telling off his old boss, confessing some of his deepest secrets, and maybe even finding redemption.
Things take an interesting turn for Tanya and her mother when her father arrives with his foster son Kolya and new wife. This film is about Kolya and Tanya's bright, pure and bitter first love.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress.
Shortcut Safari' is about adventures of a group of 7 urban children, between ages 10 to 14 years, who get stuck in a deep, dense forest while returning from a day long trip organised by the Nature Club of their School.
An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takersâcompulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.
Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.
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