Ed Sheeran - Jumpers for Goalposts (2015)
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Singer-songwriter Paul Simon had been on the cutting-edge of pop music throughout most of the 1960s and the '70s, first as half of the seminal folk-rock duo Simon & Garfunkel, and then as a well-received solo artist. But the rise of 1980s rock and new wave saw a decline in Simon's commercial success, and the singer responded by experimenting with different musical styles--most notably, world beat--that culminated in his adventurous 1986 masterpiece GRACELAND. The album's fusion of American folk-rock songwriting and buoyant South African rhythms not only broke new ground in pop music, but became Simon's biggest-selling solo record. This episode of the CLASSIC ALBUMS series examines the making of Simon's groundbreaking work through interviews, behind-the-scenes footage, music videos, and live performances of album tracks such as "Boy in the Bubble," "Diamonds on the Soles of Her Shoes," "You Can Call Me Al," and "Under African Skies."
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In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.
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In the mid-1990's, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomena, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
The band Morphine blazed like a comet across the global music scene in the 1990s with its innovative âLow Rockâ sound. Fronted by two-string bassist/vocalist/songwriter Mark Sandman, the trio rose from local Boston clubs to indie and major label record deals, international touring, and wide critical acclaim until their tragic and untimely demise in 1999. In âMorphine: Journey of Dreams,â the groupâs surviving members and associates tell their story intercut with passages from saxophonist Dana Colleyâs vivid tour journals. Rare live performances from throughout their career woven into the story display why their unique and mesmeric sound continues to resonate with music lovers today. This artfully- delivered documentary doesnât just get behind but rather inside the music and the soul of the group to honor Morphineâs notable artistic achievements and the creative bond the musicians shared. (LVFF)
From the rain of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the music performer, from a prayer circle with the dancers before each performance to bed games with the dance troupe afterwards.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew", a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys and Bing Crosby.
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
A documentary about the Slovenian rock band Big Foot Mama.
Award-winning musician Björk and legendary broadcaster and naturalist Sir David Attenborough have admired each other's work for years but this is the first time they have discussed their mutual love of music and the natural world on screen. In this remarkable documentary, Björk explores our unique relationship with music and discovers how technology might transform the way we engage with it in the future.
No Distance Left to Run is a documentary film about the British rock band Blur, released in cinemas on 19 January 2010. Following the band during their 2009 reunion and tour, the film also includes unseen archive footage and interviews. It was released on DVD on 15 February 2010 region free and the recording of the 2009 Hyde Park concert is included on a second disc. It aired on BBC2 on 14 March 2010. It is the band's second documentary video, following Starshaped seventeen years before in 1993.
A Film Journey to the Soul of India documents the life of sitar master Ravi Shankar in the late 1960s and early 1970s, following him on his return to India to revisit his guru, Bengali multi-instrumentalist and composer, Baba Ustad Allauddin Khan. It further explores Shankar's life as a musician and teacher in the United States and Europe, initiating those in the West to the exceptional world that is Indian classical music and culture. Through rare and candid footage shot in both India and the United States, Raga sheds light on Shankar's influences and collaborations, from Allauddin Khan to his famed dancer brother Uday Shankar, to his associations with Western musicians Yehudi Menuhin and George Harrison. Fully narrated by Shankar himself, the film reveals music as the soul of India and of Shankar's life.
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
Of Time and The City is both a love song and a eulogy to the directors birthplace of Liverpool. It is also a response to memory, reflection and the experience of losing a sense of place as the skyline changes and time takes it toll. The visual content of âOf Time and the Cityâ consists largely of archival clips of Liverpool from the 1940s to the â60s, their nostalgic charm darkened by accompanying music and by the counterpoint of Mr. Daviesâs dry, at times dyspeptic voice-over narration. His voice thickens with emotion as he recalls the delights of juvenile moviegoing or the ritual of a holiday trip to New Brighton, and hardens with contempt when he turns his gaze on the hoopla surrounding Queen Elizabethâs coronation in 1953.
Socalled, aka Josh Dolgin, is the most supreme klezmer hip-hop funk artist in the world. A pianist, singer, rapper, accordion player, and magician, he's a demented Renaissance man and a multi-cultural mixmaster. THE SOCALLED MOVIE is a kaleidoscopic portrait which compiles 18 short films that display his electrifying craft and deep-rooted sense of history. Combining traditional Yiddish songs with funk, rap and everything in between, his tunes are densely layered tapestries of dizzying complexity. His encounters with legendary trombonist Fred Wesley (a key member of James Brown's bands) and klezmer hero David Krakauer are revelatory meetings of the mind, while his re-discovery of pianist Irving Fields turns the elder statesman into a YouTube phenomenon. With offbeat wit, intimacy and virtuoso performances, THE SOCALLED MOVIE is an enthralling documentary that shows how music can break down the boundaries that divide our world.
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