Hands of a Mother (2016)
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Gandu hates his life. He hates his mother. Gandu raps out his hate, anger, dirt and filth of his existence. He and his rickshawpuller friend enter the world of smack, rap, porn and horror. Reality and fiction, surreal and bizarre come together. Can Gandu survive?
Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family, and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains
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After his family is evicted from their home, proud and desperate construction worker Dennis Nash tries to win his home back by striking a deal with the devil and working for Rick Carver, the corrupt real estate broker who evicted him.
PÃÅ¡e se 13. stoletÃ. Královstvà Äeskému a markrabstvà moravskému vládne PÅemysl Otakar II. Na zásnuby, které majà usmÃÅit znesváÅené rody pánů z Dubé a z Vartemberka, vysÃlá král svého zástupce v severnÃch Äechách, správce královského hradu BezdÄzu, OldÅicha z Chlumu (Karel Roden). Cestou na hrad najdou OldÅich a jeho pomocnÃci (Jan Dolanský, David Matásek) stopy po loupežné vraždÄ neznámého kupce. Na vartemberském panstvà se OldÅich setkává s Ludmilou (Klára Issová), dcerou Markvarta z Vartemberka, kterou zná od jejÃho dÄtstvÃ. Ludmila se mu svÄÅÃ, že se nechce vdát za BeneÅ¡e z Dubé (David PrachaÅ), pÅestože jejich svatba je podmÃnkou kÅehkého mÃru mezi obÄma rody. BÄhem slavnostnà hostiny, poÅádané na OldÅichovu poÄest, je zavraždÄn purkrabà (MiloÅ¡ Vávra). PodezÅenà padne na loutnistu (SaÅ¡a RaÅ¡ilov), jehož snoubenku se purkrabà pokusil zneužÃt.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebelsâarmed only with their lyrics, swagger, bravado and raw talentâstood up to the authorities that meant to keep them down and formed the worldâs most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.L.
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A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past, and a fat gun dealer with pet rats, each gets in his way.
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.
La Belle Bête is a powerful study of the conflict between beauty and ugliness, hate and love. The story revolves around three main characters. At the center, Patrice, a beautiful but mindless youth stands gazing at his image in the water. Around him move his ugly sister Isabelle-Marie, and his frivolous mother Louise, the first lost in love and hate for her brother's beauty, the second seeing it as an adornment for herself. Into this small, obsessed universe come a blind boy and an elegant fop from the outside world. At once, the pattern breaks and events move forward into a terrifying denouement.
In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more. To compensate for her absence, he tends to identify her with the Virgin Mary. One day, the local lord, in search of a child to raise, decides to adopt Marcellino and to bring him up in his castle. He dresses him in rich attire and gives him a strict education. But Marcellino feels miserable there and eventually runs away.Back in his dear convent, he gleefully resumes his former life. He still misses his mother but his life changes when he finds a crucifix in the attic. A wonderful friendship between Jesus and him is born.
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Jack is a young boy of 5 years old who has lived all his life in one room. He believes everything within it are the only real things in the world. But what will happen when his Ma suddenly tells him that there are other things outside of Room?
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Jane Morgan gives birth to her baby at the hospital. When she wakes up the next morning, the hospital tells her, that her son died at birth. However from ultrasound reading she had before, she knew she was having a girl. Now the hospital is stone-walling her, saying she is just in denial, due to her loss. Now she is trying to fight the system, to find evidence of the apparent mistake by the hospital. Only it wasn't the hospital's mistake. Nurse Rita Donohue is the one who made the switch. She faked a pregnancy to hang on to her roving boyfriend. But she grabbed the wrong baby, her boyfriend wants a son, so now she's faking a second pregnancy, and making plans to get another baby.
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About a notorious Connecticut convicted rapist.
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Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Albert grew up on an isolated mountain farm in the middle of nowhere in the Alps. Although heâs already in his 30s, his omnipresent mother Marianne still pulls the strings in his life. Not intentionally and only because of his motherâs pressure, Albert went to live in the nearby valley to make his living in a marble quarry. Marianne wants to protect him from the poor and lonesome life on the mountain and is even willing to denounce their bonds to the tradition of the farm, that has existed over centuries. Like an abandoned animal that keeps coming back to its territory, the introverted farmers son keeps sneaking back to the mountain as often as possible. When his father dies accidently whilst repairing the roof, Marianne fears, that Albert will take over the role of his father and return to the farm. Instead, she decides to hide the death from Albert and the outside worldâand buries his corpse on the mountain.
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In forgotten towns along the American border, a young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.
In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women â Abbie, a free-spirited punk artist living as a boarder in the Fields' home and Julie, a savvy and provocative teenage neighbour â to help with Jamie's upbringing.
A mother travels to Patagonia with her autistic son with the hope that a ranger and a pod of wild orcas can help him find an emotional connection.
A hedonistic soccer mom embarks on a strange journey of self-discovery, seeking to reconnect with her estranged son by returning his pet rock back to the island of Menorca, Spain.
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A crusading DA falls for a defense attorney with a criminal past.
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As a child, Donald was tormented by his mother who used fire as a punishment. Now a deranged adult, Donald stalks women at clubs, then takes them home where he kills them with a flamethrower.
After two failed marriages a science fiction writer decides that coming to terms with his mother will improve his chances for a successful relationship, so he moves in with her.
Craig T. Nelson stars as Steve Freeling, the main protagonist, who lives with his wife, Diane, and their three children, Dana, Robbie, and Carol Anne, in Southern California where he sells houses for the company that built the neighborhood. It starts with just a few odd occurrences, such as broken dishes and furniture moving around by itself. However, a tree comes alive and takes Robbie through his bedroom window, and Carol Anne is abducted by ghosts. Realizing that something evil haunts his home, Steve calls in a team of parapsychologists led by Dr. Lesh to investigate, hoping to get Carol Anne back, so he can remove his family from the house before it's too late.
¡Qué viva México! is a film project begun in 1930 by the Russian avant-garde director Sergei Eisenstein (1898-1948). It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it his "greatest film plan and his greatest personal tragedy".
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