Description An accident during a bar mitzvah celebration leads to a gendered rift in a devout Orthodox community in Jerusalem, in this rousing, good-hearted tale about women speaking truth to patriarchal power.
The early 1960s: In preparation for his Bar Mitzvah, a Jewish boy, Max Glick (Noam Zylberman) from a small Manitoba community with an overbearing family tries to navigate his coming-of-age with his family's condescension and bigotry using his sarcastic, Jewish humour. The town's rabbi dies, and a sub-plot develops in which Max's father (Aaron Schwartz) and grandfather (Jan Rubes)-both synagogue leaders-are saddled with a traditional Hassidic rabbi who sticks out like a sore thumb among the otherwise assimilated Jewish community. To make matters more difficult, Max likes a Catholic girl (14 year old Fairuza Baulk in just her third film), whom he later competes with in a piano competition. The quirky, fun-loving rabbi tries to help him with his problems, yet harbours a secret ambition of his own.
Filmed in Winnipeg and rural Beausejour, Manitoba, Canada.
All hilarity breaks loose in this heartwarming coming-of-age comedy when three generations of Fiedlers collide in a crazy family reunion. As they prepare for the biggest Bar Mitzvah on the block, they begin to see that they're much more alike than they'd originally thought.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.
Avalon is the third in Levinson's semi-autobiographical series of four "Baltimore Films": Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
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