Who is Jean Rollin? A man who has spent his childhood in the middle of some of the greatest intellectuals of the twentieth century. An artist who has worked with Maguerite Duras for his first film. A director's career singular and unique in French cinema, with films overtly fantastic, surreal, poetic - disconcerting. A filmmaker has always murdered by the critics but starting, finally, to enjoy some recognition in France, while many fans worship him already in Europe and the United States. Jean Rollin signs a marginal and unknown work marked by death and nostalgia, and whose main obsession is the time, that of the wandering and dreams. Jean Rollin died in December 2010 at the age of 72. This documentary is the portrait of a real artist, the last surrealist, a poet who created his very own dreamworld. A tribute for a unique director, with testimonials from his closest collaborators.
Suddenly Jennifer is torn from her comfortable and non-assuming life. While planning to move, Jennifer and her husband will experience anything but an ordinary day! It all begins with a strange visit from her soon to be ex-neighbor, the postman who mentions an urgent need. Later when Jennifer comes home from grocery, she discovers an elderly neighbor, who is her son's babysitter, has disappeared. She also receives a terrifying and disturbing letter which contains a macabre death poem, plus some compromising sex photos of her husband and the missing babysitter! To get over the initial shock, she decides to take a bath, and promptly falls asleep in the bathtub. When she awakes, she finds herself on the floor of her apartment covered in blood and body parts! Center to this surreal and horrific scene is a mysterious masked man who promises to lead Jennifer on the right path toward the sacred white light . The story continues as a tale of physical and mental torture!
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
Documentary about the film maker Luis Bunuel. Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions.
A ten year old boy gets tired of life with abusive parents and cashes in his piggy bank and steals a Mustang. He rides off into a surreal America playing "Motorama," a game sponsored by Chimera Gas Company. He has various encounters with different people, and eventually reaches the Chimera Gas Company where he finds they are not playing by the rules of the game.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.
Disheartened when his story about Canadian snipers possibly mutilating corpses in Afghanistan is buried, Luke (Nick Stahl) quits his job but is even more determined to return to Afghanistan to get the real story. With his offbeat buddy, Tom (Nicolas Wright), tagging along, Luke returns to Afghanistan and intends to gather enough evidence to get his old story into print. But he soon finds that the country is an even more dangerous place than when he left. To make matters worse, his old friend and fixer, Mateen (Stephen Lobo) has been hired away by Luke's journalistic nemesis, Imran Sahar (Vik Sahay). Soon the trip for Luke and Tom in Afghanistan turns into a surreal and perilous adventure, a journey into an alternate reality, filtered through a haze of gun smoke.
In Jan NÄmecâs surreal fable, a picnic is rudely transformed into a lesson in political hierarchy when a handful of mysterious authority figures show up. This allegory about oppression and conformity was banned in its home country but became an international success after it premiered at the New York Film Festival.
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.
A surreal, virtually plotless series of dreams centered around six middle-class people and their consistently interrupted attempts to have a meal together.
First of a Trilogy: In a New York ravaged with acid rains, a man in his twenties meets a mysterious, yet familiar young woman who disrupts the banality of his day-to-day existence. Together, they will embark on a surreal journey with a devastating climax.
Gandu hates his life. He hates his mother. Gandu raps out his hate, anger, dirt and filth of his existence. He and his rickshawpuller friend enter the world of smack, rap, porn and horror. Reality and fiction, surreal and bizarre come together. Can Gandu survive?
The eagerly awaited sequel to Patrick Keiller's London and Robinson in Space is a beautifully photographed cinematic essay on our current environmental and economic predicament, narrated by Vanessa Redgrave. Timely, provocative and studded with surreal humour, Robinson in Ruins reveals hidden histories and surprising visions (from the opium poppy fields of Oxfordshire to what seems to be a talking post box), making us consider the world around us afresh.
Two friends, fed up with their college lives, quit art school and escape to the woods of northern Wisconsin where the wilderness begins to close in and they drift into a state of surrealism.
A group of stoners inhale more than they bargained for when they smoke from an evil bong in this campy comedy. The guys buy a vintage bong named EeBee from an ad in High Times magazine, but they have no idea the possessed pipe will gradually suck them into a horrifying surreal world. As they fight for their lives, EeBee's former owner (none other than Tommy Chong) -- the only one who understands the power of the bong -- tries to rescue them.
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.
Amy and David are two underachievers from suburbia. Amy has had a rough life raised by her neglectful drug addicted single mother. David has been raised in a more conventional family, but his lack of motivation has driven his father crazy. When Amy meets David it seems they both find what they are looking for. But when Amy gets pregnant, both Amy and David go through a personal and surreal crisis in making choices. Which leads them to decide if they should do it the right way or the wrong way?
Hoyle a girl with a sharp mind and a weakness for bourbon -- finds herself on the trail of a reclusive genius. But her work takes a series of unforeseen twists as events around her grow increasingly fragmented... disconnected... surreal. With an ethereal lounge singer and her loyal partner as her only allies, Hoyle is plunged into a dark world of intrigue and earth-shattering cosmological secrets. Haunted by an ever-present shadow whom she is destined to face, Hoyle discovers that the most powerful force in the universe -- the power to bend reality, the power to know the truth -- lies within the depths of the human heart.
A comedy writer's need for approval leads him to a wonder elixir that bends his world into a surreal landscape of comedy tropes, which forces him to explore his own worth outside the writer's room.
A surreal and erotic interpretation of Dylan Thomas' 'Under Milk Wood' is the first theatrical production of the brilliant, haunting radio play since Elizabeth Taylor and Richard Burton's 1972 film. Certain to astonish and excite in equal measures, Dan y Wenallt reunites director Kevin Allen with actor Rhys Ifans over 15 years after the release of their cult classic Twin Town. An ensemble Welsh speaking cast of familiar faces is led by Ifans as First Voice and Captain Cat, with Charlotte Church as Polly Garter.
Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague, he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape, he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways.
Big Bang Love tells the story of two young prisoners from different backgrounds whose bond transcends their pasts. This stunning, imaginative film has been adapted from Masaki Ato's homoerotic graphic novel. Two beautiful young men become lovers in jail until one kills again. As they open their hearts to each other, life around them dissolves between the real world with a murder mystery and a surreal journey filled with images of a primitive past and an ambiguous future.
In a surreal, parallel universe, Thessaloniki has its very own superhero: Super Demetrios. Posing as Dimitris Christoforidis, journalist for the Golden Jerusalem magazine, he fights for truth, justice and the Greco-Christian ideal. In the dark of the night, the city's worst nightmare returns. Captain F.ROM is back, determined to meet his long-awaited goal: claiming his true name. A name he's entitled to. A name that becomes him. The two protagonists are drawn into a conflict that toys with the viewer's patience until the very climax of the film, in an archetypal battle between good and evil.
Our figurine sized supermen hero embarks on an epic surreal journey that will take him across the Ethiopian post apocalyptic landscape in search of a way to get on the hovering spacecraft that for years has become a landmark in the skies.
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
Eric (Corin Redgrave) is a novelist whose imagination is unusually powerful. While exploring a run-down mansion in the French countryside, looking for sites for his stories, he meets a girl dressed in clothes from another time. Returning to the site, he encounters a modern woman who says he probably met a ghost. He is fascinated by the situation which cannot be what it seems.
Who is Jean Rollin? A man who has spent his childhood in the middle of some of the greatest intellectuals of the twentieth century. An artist who has worked with Maguerite Duras for his first film. A director's career singular and unique in French cinema, with films overtly fantastic, surreal, poetic - disconcerting. A filmmaker has always murdered by the critics but starting, finally, to enjoy some recognition in France, while many fans worship him already in Europe and the United States. Jean Rollin signs a marginal and unknown work marked by death and nostalgia, and whose main obsession is the time, that of the wandering and dreams. Jean Rollin died in December 2010 at the age of 72. This documentary is the portrait of a real artist, the last surrealist, a poet who created his very own dreamworld. A tribute for a unique director, with testimonials from his closest collaborators.
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
A story about the meeting between surrealist film director Federico Fellini and writer Carlos Castaneda, an anthropologist and apprentice shaman. Fellini goes looking for magical Mexico together with Castaneda. The journey confronts him with himself and he is pursued by voices, strange occurrences, meetings and reunions that defy the passage through space time; inexplicable coincidences that fascinate, irritate and intrigue him. Crossing Mexico from north to south shows the many facets of the country, the varied landscapes and realities of the territory. He and his travel companions are at the same time witnesses, victims and protagonists of a surreal adventure that takes them from Tijuana to Tulum.
The film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.
Disheartened when his story about Canadian snipers possibly mutilating corpses in Afghanistan is buried, Luke (Nick Stahl) quits his job but is even more determined to return to Afghanistan to get the real story. With his offbeat buddy, Tom (Nicolas Wright), tagging along, Luke returns to Afghanistan and intends to gather enough evidence to get his old story into print. But he soon finds that the country is an even more dangerous place than when he left. To make matters worse, his old friend and fixer, Mateen (Stephen Lobo) has been hired away by Luke's journalistic nemesis, Imran Sahar (Vik Sahay). Soon the trip for Luke and Tom in Afghanistan turns into a surreal and perilous adventure, a journey into an alternate reality, filtered through a haze of gun smoke.
A group of stoners inhale more than they bargained for when they smoke from an evil bong in this campy comedy. The guys buy a vintage bong named EeBee from an ad in High Times magazine, but they have no idea the possessed pipe will gradually suck them into a horrifying surreal world. As they fight for their lives, EeBee's former owner (none other than Tommy Chong) -- the only one who understands the power of the bong -- tries to rescue them.
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.
Amy and David are two underachievers from suburbia. Amy has had a rough life raised by her neglectful drug addicted single mother. David has been raised in a more conventional family, but his lack of motivation has driven his father crazy. When Amy meets David it seems they both find what they are looking for. But when Amy gets pregnant, both Amy and David go through a personal and surreal crisis in making choices. Which leads them to decide if they should do it the right way or the wrong way?
Hoyle a girl with a sharp mind and a weakness for bourbon -- finds herself on the trail of a reclusive genius. But her work takes a series of unforeseen twists as events around her grow increasingly fragmented... disconnected... surreal. With an ethereal lounge singer and her loyal partner as her only allies, Hoyle is plunged into a dark world of intrigue and earth-shattering cosmological secrets. Haunted by an ever-present shadow whom she is destined to face, Hoyle discovers that the most powerful force in the universe -- the power to bend reality, the power to know the truth -- lies within the depths of the human heart.
A comedy writer's need for approval leads him to a wonder elixir that bends his world into a surreal landscape of comedy tropes, which forces him to explore his own worth outside the writer's room.
A surreal and erotic interpretation of Dylan Thomas' 'Under Milk Wood' is the first theatrical production of the brilliant, haunting radio play since Elizabeth Taylor and Richard Burton's 1972 film. Certain to astonish and excite in equal measures, Dan y Wenallt reunites director Kevin Allen with actor Rhys Ifans over 15 years after the release of their cult classic Twin Town. An ensemble Welsh speaking cast of familiar faces is led by Ifans as First Voice and Captain Cat, with Charlotte Church as Polly Garter.
Phometrica tells the story of a couple, Stefania (Joanna Ignaczewska) and Jose (Tom Woodward). When Stefania falls pregnant, Jose becomes suspicious about the nature of the clearing work she's undertaking to help support the family. Paranoid that she's keeping something from him, he follows her. However, rather than reveal Stefania's secrets, Jose steps into his own nightmares and finds himself exploring his own guilt. Meanwhile as Stefania seeks to pull their life into some kind of order, the couple find themselves separated by the growing chaos, and are unable to escape their hopeless indulgence in their own suffering. Featuring Arthur Brown as cult leader Deacon Tavalouris, the film plays out in a series of fractured sketches that range from the comedic to the surreal.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man. El Topo (the mole) claims to be God, while dressed as a gunfighter in black, riding a horse through a spiritual, mystical landscape strewn with old Western movie, and ancient Eastern religious symbols. Bandits slaughtered a village on his path, so El Topo avenges the massacred, then forcibly takes their leader's woman Mara as his. El Topo's surreal way is bloody, sexual and self-reflective, musing of his own demons, as he tries to vanquish those he encounters.
A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.
Director Mario Fererri reenacts the events leading up to the Battle of the Little Big Horn in this wild, highly stylized surreal farce set in and around a gaping excavation for a huge urban renewal project in 1974 Paris. The anachronistic backdrop highlights the incongruity of the broad comic characterizations of real life figures George Armstrong Custer, Sitting Bull, and Buffalo Bill.
Originally shot in the summer of â79 and released in May â80 under the title of âLa Strega nuda (The Naked Witch),â it tells of a young man (Danilo Micheli) who is tempted to a weird house by an ugly witch (Anna Massarelli) where he encounters a group of surreal characters in surreal circumstances. More a film of images and sensations than a cohesive storyline â including arresting shots such as the witch mutating from ugly to beautiful while circling Micheli, and the lead character foreseeing his own funeral escorted by bikers
While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.
A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it's dangerous and improper to become involved with a colleague, he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape, he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world's attention in his own unconventional ways.
Big Bang Love tells the story of two young prisoners from different backgrounds whose bond transcends their pasts. This stunning, imaginative film has been adapted from Masaki Ato's homoerotic graphic novel. Two beautiful young men become lovers in jail until one kills again. As they open their hearts to each other, life around them dissolves between the real world with a murder mystery and a surreal journey filled with images of a primitive past and an ambiguous future.
In a surreal, parallel universe, Thessaloniki has its very own superhero: Super Demetrios. Posing as Dimitris Christoforidis, journalist for the Golden Jerusalem magazine, he fights for truth, justice and the Greco-Christian ideal. In the dark of the night, the city's worst nightmare returns. Captain F.ROM is back, determined to meet his long-awaited goal: claiming his true name. A name he's entitled to. A name that becomes him. The two protagonists are drawn into a conflict that toys with the viewer's patience until the very climax of the film, in an archetypal battle between good and evil.
Our figurine sized supermen hero embarks on an epic surreal journey that will take him across the Ethiopian post apocalyptic landscape in search of a way to get on the hovering spacecraft that for years has become a landmark in the skies.
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
A ten year old boy gets tired of life with abusive parents and cashes in his piggy bank and steals a Mustang. He rides off into a surreal America playing "Motorama," a game sponsored by Chimera Gas Company. He has various encounters with different people, and eventually reaches the Chimera Gas Company where he finds they are not playing by the rules of the game.
In Jan NÄmecâs surreal fable, a picnic is rudely transformed into a lesson in political hierarchy when a handful of mysterious authority figures show up. This allegory about oppression and conformity was banned in its home country but became an international success after it premiered at the New York Film Festival.
The story of a middle-aged bookshop owner, who becomes embroiled in a surreal swirl of romance and family secrets of infidelity, her energy levels registering in bursts of electrical interference - causing lightbulbs, traffic lights, toasters and computers to spontaneously spark and malfunction.
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