Don Quixote (1947)
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In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry...
After an old soldier named Miguel de Cervantes (1547-1616) wrote the adventures of Don Quixote and Sancho Panza, the knight and his squire have become very popular. When he learns that the Turkish comes along the Mediterranean coast with a powerful army, Don Quixote will undertake, again opposed by his niece and his housekeeper, a new adventure that begins in La Mancha and ends on the coast.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
Brenan arrives at Yegen on foot, interrupting the funeral held for the daughter of the local cacique. He collapses from dysentery and soon learns that the local cacique, Don Fernando, is leaving for Granada with his wife. Brenan rents Fernandoâs house for a year and soon enlists the services of MarÃa as housekeeper and cook and becomes friends with a local man named Paco. Brenan spends most of his time reading, walking, and trying to write poetry.His friends Dora Carrington, Lytton Strachey (who is ill), and Ralph Partridge visit for a couple of days. Brenan, who has been maintaining a correspondence with Carrington, learns during the visit that Partridge and Carrington are engaged. He is crushed, as he had been in love with Carrington.
A delightful dramatic comedy, a buddy picture, and, for good measure, a heist film. Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their fatherâs well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support â like nutritious meals and a clean house â and eventually begins to treat his robot like a true companion. With his robotâs assistance, Frankâs passion for his old, unlawful profession is reignited, for better or worse.
A quixotic artist hypothesizes about why he feels bad when a mystery girl stands him up. The event prompts him to ask: what's the content of a momentary feeling? Is it the sum of your experiences? And perhaps more importantly, are your experiences the sum of you?
Marcelino is an orphan who grows up in a monastery. One day when he eats his small meal in a room full of old things he gives a piece of his bread to an old wooden Jesus figure - and indeed it takes the bread and eats it. Getting a wish granted for his donation Marcelino wishes to see his mother...
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Calvin is a young novelist who achieved phenomenal success early in his career but is now struggling with his writing â as well as his romantic life. Finally, he makes a breakthrough and creates a character named Ruby who inspires him. When Calvin finds Ruby, in the flesh, sitting on his couch about a week later, he is completely flabbergasted that his words have turned into a living, breathing person.
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Santiago Miranda¸ an actor representing Bolivar in a television series¸ leaves furious recording because it disagrees with the scripts they oblige die BolÃvar¸ against the wall. Between the lucidity and the madness¸ Miranda really acts as a BolÃvar prepared to perform any act that allows to conclude the unifying of the Liberator task and as an actor which seeks to rewrite reality to make it look to the dreams of Simón BolÃvar.
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Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he's mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophieâs home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liamâs agent puts him on the spot with a long-planned reveal of Gabriel Augustâs true identity, but Sophie doesnât know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?
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Miniseries version of the first half of Cervantes' famous novel.
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The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction?
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