The Flight (1970)
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In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.
In September 1942, the German Afrika Korps under Rommel have successfully pushed the Allies back into Egypt. A counter-attack is planned, for which the fuel dumps at Tobruk are a critical impediment. In order to aid the attack, a group of British commandos and German Jews make their way undercover through 800 miles of desert, to destroy the fuel dumps starving the Germans of fuel.
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A real time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.
Charles 'Slim' Lindbergh struggles to finance and design an airplane that will make his New York to Paris flight the first solo transatlantic crossing.
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Neerja is a portrayal on the life of the courageous Neerja Bhanot, who sacrificed her life while protecting the lives of 359 passengers on the Pan Am flight 73 in 1986. The flight was hijacked by a terrorist organization.
Two Korean girls, Jung-Min (14) and Young-hee (15) are kidnapped by the Japanese Imperial Army and taken to a 'Comfort Station' in China. There, they join other kidnapped girls in serving Japanese soldiers as sexual slaves known as 'Comfort Women'. Decades later, an elderly lady attempts to reunite with the spirit of her lost friend. Inspired by the testimony of Kang Il-chul.
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After having been forced to leave the Soviet Union 1929 Trotsky has ended up in Mexico 1940. He is still busy with the politics. Stalin has sent out an assassin, Frank Jacson. Jacson befriends a young communist and gets an invitation to Trotsky's house.
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The Russian Revolution provides the backdrop of this costume epic that centers around a young nobleman who, with his maid, escapes from his homeland to Constantinople where the two marry and begin a new life as commoners. But though it seemed a good idea at the time, the aristocrat has trouble adjusting to the daily toil and grimness of his new existence and when he meets an exciting seductress he immediately, abandons his good, peasant wife. With his shady lady, the fellow tries to become a con artist, but it doesn't work. He decides to return to his wife, and gets there just as she is about to be sent back to Russia. Much of the film was shot in real homes in Constantinople.
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The first part of the film trilogy about the events before creation of the Bulgarian state in the middle of the VII century. Volga Bulgaria is straining under the attacks of the Khazars. Following the testament of his father, the sons of Khan Kubrat looking for a new home for their tribes. The youngest of them - Asparukh, wander 20 years in search of "land forever" for his people and reaches the mouth of the Danube. The film is narrated by captured Byzantine chronicler Belisarius, which should Asparukh in his journeys. Byzantine witnessed the heroic efforts of the Bulgarians to win the land south of the Danube and to create their new country.
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லà¯à®ªà®¾à®¯à¯à®¤à¯) (Jumping Waves / compared to tempting or fickle mind in Tamil) is an 2000 Indian, Tamil language film directed by Mani Ratnam. Starring R. Madhavan and Shalini, the film explores the tensions of married life and the maturing of love. The film's score and soundtrack are composed by film composer A. R. Rahman. Alaipayuthey's story is mostly recollected in flashbacks by the character Karthik. Karthik and Shakti fall in love against the backdrop of Madras and its suburban trains, against the wishes of their parents. The movie was well received by critics and did well at the Tamil and Telugu box-offices primarily for its music and realistic portrayal of romance and married life.
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