Lady of the Camelias (1981)
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In another indictment of the flaws of our so-called civilization, this satire from the late director Marco Ferreri features Christopher Lambert as Michel, a miserable man who has failed at love and finds solace in a mechanical key holder.
"O" is a talented photographer in her late twenties with a promising career ahead of her. She is torn, however, between the tasks financial realities are forcing upon her and between her own artistic aims. Encouraged by her boyfriend, Rene, "O" decides that she should pursue her artistic passion without reservation, setting aside financial realities until she has completed her very beautiful, avant-garde book of original photos. In hopes of enabling "O" to focus her energies on the book, Rene introduces her to a mysterious benefactor, the wealthy and powerful Sir Stephen. What starts out as a promising arrangement, turns out to be self-destructive for "O". She allows outside influences to corrupt her artistic vision, as she is drawn into a seductive world of deceit, power, and eroticism
Follows the parallel stories of a number of characters who are trying to change their lives via the Internet or are simply having fun online.
The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.
Author Frank's debut novel is successful, but he needs the proceeds to pay off a debt and his girlfriend Mascha ends their relationship. He meets another woman, but he and Mascha also seem to make amends. These amorous vicissitudes give him inspiration for a new book, which will deal with eroticism in the Netherlands.
A drama centered on the friendship between two young women who grew up in the same orphanage; one has found refuge at a convent in Romania and refuses to leave with her friend, who now lives in Germany.
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
Something terrible is happening in class 3A at Calmecatl Junior High. No one can leave the classroom until the guilty party is found. This is the device that gives us a glimpse of the ethics, games, esthetics and eroticism of these girl-women. It is not easy to say what the subject is, there are so many: the discovery of sexuality, discrimination, chance, drugs, maternity, traditions, betrayals, power, love. A mural of a complex reality from the point of view of twenty-something women in the skin of 14 to 15 year old girls.
1913, shortly before the outbreak of WWI. A group of aristocrats gathers at the estate of Sir Randolph Nettleby for a weekend shoot. As the terminal decrepitude of a dying class is reflected in the social interactions and hypocrisy of its members, only world weary Sir Randolph seems to realise that the sun is setting.
A 'chance' meeting in the street, give you the opportunity to Agata and Marc to help each other to overcome the inertia of their lives. Tired of going from bed to bed and boy to boy, Agata is confronted with the challenge of staying, not flee to problems. But Agata does not know what's wrong, feels a barrier to enjoying sex. The parents of Agata added to the situation, an extra humor and problems. Eroticism, sensuality, tension and humor, make this film a new style of film making, where bodies do not hide and the sex scenes are displayed naturally, openly.
Emmanuelle, a svelte,naive young woman, is en route to Bangkok where she'll join her new husband. He works for the French Embassy and has a lovely home, several dedicated servants, and an expensive car at his disposal. Once Emmanuelle arrives, her husband and a few friends introduce her to a realm of sexual ecstasy she'd never imagined.
An adaptation of Proust's "La Prisoniere" (book five of "Remembrance of Things Past"). Set in Paris, France, it is a serious tale of a tragic and dysfunctional love.
Detective Emily Eden is a tough New York City cop forced to go undercover to solve a puzzling murder. Her search for the truth takes her into a secret world of unwritten law and unspoken power, a world where the only way out is deeper in!
Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated -- since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
An embittered husband, paralyzed and in a wheelchair, buttonholes a complete stranger and begins to tell him the story of his marriage. The stranger would like to escape, but cannot. For one thing he grows fascinated by the story. For another he is mesmerized by the man's wife, who has perfected that trick of looking a man boldly in the eye until, by looking away, he concedes sexual supremacy.
Sizzingly sexy Madonna leads a star-filled cast in this erotic thriller as a woman accused of killing a wealthy, elderly man through her insatiable sexual prowess.
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.
Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.
When New York psychiatrist Bill Capa visits Los Angeles to take over his murdered colleague's therapy group, he finds himself embroiled in the thick of a mystery when he bumps into Rose and begins a torrid affair.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
Dangerous Liaisons is the film based on the novel of the same name by Choderlos de Laclos set in 18th century France. Marquise de Merteuilâs asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things donât go as planned in this love triangle drama.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Happily engaged to her handsome fiance, Charles, Fanny is soon hit with one misfortune after another until she is forced to become a prostitute to survive. This is the story, with many erotic asides, of her struggle to regain her pride in herself and find happiness in life once again.
Tara and Maya are two inseparable friends in India. Their tastes, habits, and hobbies are the same. Years later, the two have matured, but have maintained their friendship. Tara gets married to the local prince, Raj Singh, who soon succeeds the throne as the sole heir. After the marriage, Raj gets bored of Tara and starts seeking another female to satisfy his sexual needs. He notices Maya and is instantly attracted to her. He has her included as one of his courtesans, and is intimate with her. Watch what happens when Tara finds out and the extent she will go to keep her marriage intact.
A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
Humbert Humbert, a divorced British professor of French literature, travels to small-town America for a teaching position. He allows himself to be swept into a relationship with Charlotte Haze, his widowed and sexually famished landlady, whom he marries in order that he might gain access to her fourteen-year-old daughterâLolitaâwith whom he has fallen hopelessly in love, but whose affections shall be appropriated by a devious trickster named Clare Quilty.
In the late 1940's, Martha Beck and Raymond Fernandez were America's notorious "Lonely Hearts Killers". Their lethal scam was simple; they would swindle and then viciously murder lovelorn war widows who would answer their personal ads in which Ray would describe himself as a sexy Latin Lover. Based on a true story.
After bagging his latest victim, a murderous sociopath (Kiefer Sutherland) decides to steal the dead man's identity and pose as the deputy of a remote coastal town, where the local sheriff (Beau Bridges) and his lover (Camelia Kath) are cooking up a few misdeeds of their own: namely, to kill the mistress's husband (Wayne Rogers) and pin the crime on the fledgling deputy. But in this town of half-truths, nobody's secret is safe.
Samir is a singer living happily with his jealous wife Samira. However, His ex-girlfriend Kiki wants to relive their relationship again, but he refuses because he is afraid of Samira's violent reaction. Kiki seeks the help of an Indian Maharaja and asks him to force Samir to attend her birthday party, he then sends his men to do the job. Samir feels intimidated during the celebration and accidently breaks Kiki's pearl necklace which she borrowed from the Maharaja. He promises her to fix it and puts it in his pocket, but becomes drunk and loses consciousness.
The Alceste (Betty Livanos) is a fifty-year woman with two daughters, who still retains the youthful glow of years. The decision to follow her lover to England resulted completely disrupt relations with Mika (Christiana Matzouranis), her great daughter. When Alcestis decides to settle in Greece, wants to make a new beginning with her daughters. But Mika confronts her icily, and never accepted behavior of her mother. A legacy in Galaxidi addressed Alcestis and her daughters, imposing the coexistence of the family. Only that Mika has decided to send a representative to husband, Marino (Haris Romas), a winemaker ... Behind the aggressive attitude of Marino for the charming mother of hiding a strange eroticism to unforeseen development, which causes many comical situations ...
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The film has been ten years in the making, and over time it has grown to become what the director himself has called an artistic testament. It is simultaneously his most personal and most provocative film. A film about growing older, about losing, about the special moments one remembers, and about the director's own circling around the essence of eroticism.
Camelia, a prostitute who works in a low-class cabaret in Mexico City (called "The Blood Stain') meets Guillermo, a young man from the country who just arrived in the city looking for a better life. She offers to take care of him until he gets set up, and the initial friendship soon turns romantic. This inevitably causes problems with Gastón, Camelia's pimp.
Among his most deliciously perverse films, Godâs Comedy centers around the outlandish presence of Monteiro, once again as João de Deus, now employed as the eccentric manager of the Paradise ice cream parlor and inventor of its renown and guarded ambrosia. A collector of female pubic hair - including a precious strand from Queen Victoria - Monteiro's Joao de Deus embodies the cryptically entomological eroticism that lies at the tremulous heart of his late films. The meticulous staging of Godâs Comedy underscores Monteiroâs heightened sensitivity to the occult eroticism of everyday rituals, rendering the serving and stirring of the ice cream as sacred and hauntingly sensuous ceremonies.
Fascinating journey through the life and work of the prestigious Catalan poet Jaime Gil de Biedma, both marked by sexuality and eroticism. Charismatic and somewhat eccentric, brilliant intellectual with extraordinary sensitivity and member of Barcelona's 'gauche divine' in the 60s, Gil de Biedma liked to describe himself as a 'poet of experience' while he suffered dreadfully from the dichotomy strangling him: bourgeois and executive for a multinational by day, communist and homosexual poet by night.
After the mysterious disappearance of an oil well owner, one of his workers, Gerardo assumes the business management. Soon, the owner's sister arrives from Argentina, and, believing that Gerardo killed her brother to keep the wells for himself, she starts working as a singer under a false name in the same casino her brother disappeared, in order to find out what exactly happened.
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Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
Moody realism conveys a stark poetry in this tale of a cab driver stuck with an abandoned baby in his back seat. Moral quandaries and social fears vie with eroticism when the driver and a lonely woman spend the night with the baby as the phantom facsimile of a family. The filmâs finale, set in an orphanage, is a stunning, haunting piece of social realism that was to send ripples of influence through the next four decades of Iranian cinema.
The movie is set in the remote chinese province of Fenyang, and spans the turbulent 1980s by following four performers in the state-run Peasant Culture Group. We see the group evolve from workers that are restricted to approved revolutionary classics that praise Chairman Mao, through performance of western classics, after china adopts an 'open door' policy, and the effects on their lives.
Joan Mares obsession for the lovely and luscious Norma Valenti takes epic proportions because he cannot let go of her. After he is injured by some skin heads, he uses his scars to pursue his life as a street musician. He devices a plan to get to Norma and she never catches on to his deceit, except she realizes that as Juan Faneca his performance in bed is exactly what she had experienced with Joan Mares because she concludes they were taught sex by the same prostitute.
The last few years in the life of Armida Miserere, female jail director who committed suicide
Commercial airline pilot Whip Whitaker has a problem with drugs and alcohol, though so far he's managed to complete his flights safely. His luck runs out when a disastrous mechanical malfunction sends his plane hurtling toward the ground. Whip pulls off a miraculous crash-landing that results in only six lives lost. Shaken to the core, Whip vows to get sober -- but when the crash investigation exposes his addiction, he finds himself in an even worse situation.
A filmmaker (van den Driessche) holds a series of boundary-pushing auditions for his project about female pleasure.
Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.
During a murder hunt game at a country house, to which Hercule Poirot is invited as an "expert", a real murder occurs.
Eight short stories of seduction and illicit encounters between lovers, filled with humor and eroticism, which use a circular structure located in the cosmopolitan atmosphere of a colonial city of Mexico.
A pair of blind masseurs, an enigmatic city woman, a lonely man and his ill-behaved nephewâThe Masseurs and a Woman is made up of crisscrossing miniature studies of love and family at a remote resort in the mountains. With delicate and surprising humor, Hiroshi Shimizu paints a timeless portrait of loneliness and the human need to connect.
An enigmatic actress (Emmanuelle Seigner) may have a hidden agenda when she auditions for a part in a misogynistic writer's (Mathieu Amalric) play.
Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko's sister) tries to reunite them. She too is secretly in love with Hiroshi.
Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
The Wongs struggle to cope with life, love, and family dysfunction in the suburbs of New York.
As every summer, Georges Lajoie, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite. They join old friends, the Schumachers and the Colins. Brigitte Colin, the daughter, is quite a pretty young girl now. One day, Georges rapes and murders her. He hides the body near the barracks of the immigrant Arab workers. The racism of the campers will do the rest... A virulent lampoon against the average Frenchman's racism.
After young Midori loses her parents, she takes refuge in a freak show with living mummies, human torsos, and sexual degenerates. She is beaten, raped, and exposed to hideous displays of exhibitionism and cruelty. Her savior is Mr. Arashi, a dwarf who imprisons himself in bottles and escapes confinement like a vapor.
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