Borotalco (1982)
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Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
A documentary feature film that ties four narratives - from China, India, Scotland, and Tunisia - together with countless insights from venerable filmmakers and ordinary moviegoers. An aspiring actress in Mumbai battles to break into Bollywood; two friends in Scotland take a mobile film festival across the highlands; a young crew in Hong Kong embarks on the shooting of its first film; a Tunisian director anxiously anticipates the premiere of his controversial film at a major festival. These stories are woven together with scenes from video stores, projection booths, studios, cinemas, and slums into a vivid meditation on the power of cinema to shape our world.
A movie-theater employee adjusts to a new life after the cinema he worked at for over 25 years is forced to shut down.
A biopic based on the life story of J.C. Daniel, the pioneer of Malayalam cinema. It is a detailed account on Daniel's life, making of his film Vigathakumaran and the tragic story of Vigathakumaran's heroine P. K. Rosie. The film is particularly based on the novel Nashta Naayika by Vinu Abraham (which details the story of Rosie) and the biography of J. C. Daniel by Chelangatt Gopalakrishnan.
Sachin is an engineering graduate from a middle class Mumbai family, but his passion is for the world of cinema. He is dreaming and planning for a future as a director, when he sees Jessie. It is love at first sight for Sachin. However, Jessie is from a strict Malayali Christian family, and her parents would never approve of their romance. The other problem is Jessie insists that she doesn't want a romantic relationship, but wants only to be friends. Of all the girls in the world why did Sachin have to fall for Jessie?
In 1973, the Loud family became a television sensation of a new kind. It was long before a metal rock star showed his eccentric family on the small screen and decades before housewives had screaming matches with each other on camera in public. CINEMA VERITE tells the behind-the-scenes story of the groundbreaking documentary "An American Family," which chronicled the lives of the Louds in the early 1970s and catapulted the Santa Barbara family to notoriety while creating a new television genre: the reality TV series.
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small fishermen village, it is not clear who is the hunter and who is the prey.
Cinema Company is a 2012 Malayalam romantic comedy drama film written and directed by Mamas and starring mainly newcomers. Basil, Sanjeev, Shruthi and Badri play the roles of four intimate friends who dream to make a film. Plot
The film traces the journey of four friends as they strive to give life to their dream cinema. And how their lives are upturned as the cinema becomes their life.
A collective film of 33 shorts directed by different directors about their feeling about cinema.
The owner of a failing cinema and his mysterious boarder are caught up in the political intrigue of Argentina.
THE PERVERT'S GUIDE TO CINEMA takes the viewer on an exhilarating ride through some of the greatest movies ever made. Serving as presenter and guide is the charismatic Slavoj Žižek, the Slovenian philosopher and psychoanalyst. With his engaging and passionate approach to thinking, Žižek delves into the hidden language of cinema, uncovering what movies can tell us about ourselves.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema.
Mr Jonny First arrives to the Wild West to present the art of the Cinematograph.
A woman is walking alone through an abandoned city. She approaches the forbidden zone and tries to pass through. Everywhere the Morning Patrol and deceptive traps are watching. The city itself is alive but uncontrolled. Computer voices warn non-existing inhabitants to leave the city. The communication system works... cinemas show films... classic faces of a past era flash across TV screens. She is confronted by one of the few survivors guarding the city. They will come close to each other ; they will try to recall the past. Together they unravel their tangled memory - threads of this catastrophe and decide to penetrate the zone together ; They are linked by the bonds of violence and death since no other behaviour is possible in this kind of world. Is there an end? Is there hope and any future since no person that was allowed through ever returned to tell us whether the freedom of the sea exists.
Thamizh Padam is a 2010 Indian Tamil language spoof film written and directed by debutant C. S. Amudhan. The film stars Shiva and Disha Pandey in the lead roles. The film's plot parodies contemporary commercial films in Tamil cinema, mocking the stereotypical scenes.[3][4]. The film was distributed by Dhayanidhi Alagiri's Cloud Nine Movies, and it was released on 29 January 2010 and won critical acclaim and commercial success at the box office.
Aaranya Kaandam (Tamil: à®à®°à®£à¯à®¯ à®à®¾à®£à¯à®à®®à¯; English: Jungle chapter; English title: Anima and Persona) is a 2011 Indian Tamil action film, written and directed by newcomer Thiagarajan Kumararaja. It is supposedly the first neo-noir film in Tamil cinema. The story takes place in a day in the lives of the six protagonists, played by Jackie Shroff, Ravi Krishna, Sampath Raj and newcomers [Yasmin Ponnappa], Somasundaram and Master Vasanth. Produced by S. P. B. Charan's Capital Film Works, the film features musical score by Yuvan Shankar Raja and cinematography by P. S. Vinod and editing handled by the duo Praveen K. L. and N. B. Srikanth.
"I saw these movies. They had a powerful effect on me. You should see them." That's Martin Scorsese's message for this documentary. We meet his family on Elizabeth Street in New York; he's a third generation Italian with Sicilian roots. Starting in 1949, they watched movies on TV as well as in theaters, lots of Italian imports. Scorsese, with his narration giving a personal as well as a public context, shows extended clips of these movies. Films of Rossellini and De Sica fill part one; those of Visconti, Fellini, and Antonioni comprise part two. Scorsese takes time with emotion, style, staging, technique, political context, and cinematic influence. It's his movie family.
A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.
Vaali (is a 1999 Tamil thriller film written and directed by S. J. Suryah. The film stars Ajith Kumar in a dual role with Simran appearing in another leading role. The supporting cast of the film include Jyothika in her debut venture, Livingston and Vivek. The film's music is composed by the music director, Deva while Jeeva was in charge of the cinematography. The film released on 1 May 1999 and went to become a commercial success as well as becoming critically acclaimed.
After his young son goes missing, Lei (Andy Lau) begins a 14-year quest to find him.
Filmmaker Ning Ying returns to her favorite theme â the gradual decay of traditional Chinese values and culture at the dawn of the 21st century â in this low-key drama. Desi (Yu Lei) is a cab driver who has recently broken up with his wife. Lonely, Desi is searching for a new love, and as he drifts through Beijing in search of fares and a girlfriend, he sees a city that is increasingly bending to the influence of the West, with traditional pastimes and customs forced to make way for the onslaught of the free-market economy. Xia Ri Nuan Yangyang has been screened on the international film festival circuit in two different versions; the cut shown at the 2001 Rotterdam Film Festival ran 99 minutes, while the film was only 79 minutes when it appeared at the Berlin Film Festival that same year.
2015 Malayalam thriller film written and directed by Ranjith. It features Mohanlal as Raju and Andrea Jeremiah as Jayanthi in lead roles along with Ajmal Ameer, Siddique, Mythili, Tini Tom, Vijayaraghavan, Renji Panicker and V. K. Prakash in significant roles. The film is produced by Antony Perumbavoor under the banner Aashirvad Cinemas.
Country girl Yu Hong leaves her village, her family and her lover to study in Beijing. At university, she discovers an intense world of sexual freedom and forbidden pleasure. Enraptured, compulsive, she falls madly in love with fellow student Zhou Wei. Driven by obsessive passions they can neither understand nor control, their relationship becomes one of dangerous games - betrayals, recriminations, provocations - as all around them, their fellow students begin to demonstrate, demanding democracy and freedom. Was the only Asian film selected to compete for the Palme d'Or in 2006. In September of 2006, director Lou Ye was barred from making movies for five years because the film incorporated footage of the Tiananmen Square demonstrations and wasn't screened for Chinese officials. The Chinese government also demanded that all copies of the film be confiscated
Lei Li lost his right-arm in a sword duel with the master of a martial arts school, long ago. Now, he is able to defend himself well with just his left arm, and kung fu techniques. That he proves with just the help of his friend Chung-Chieng, when he crosses his path with a beautiful girl in need, Pao Chiao. Even against impossible odds, he will prove a great warrior.
George, a lonely librarian, believes love is obsolete, until a road trip to Death Valley with a cinema projectionist named Sophie teaches him otherwise.
Lei Ming, a noble young martial arts student who doesn't know the meaning of giving up. He faces a treacherous, blood-thirsty Japanese karate expert, which leads to many memorable battles as well as several unforgettable training sequences.
Indian documentary about Indian film history and P. K. Nair, the founder of the National Film Archive of India and guardian of Indian cinema. He built the archive can by can in a country where the archiving of cinema was considered unimportant.
All of your favorite Tekken characters are here as they battle their way through each other to win the Iron Fist tournament, where fighters of unequaled strength from around the world gather to test their strength in the gladitorial arena. Of course, intrigue and danger abound, with professional assassins, champions of justice, and those whose prowess earns them fear and respect facing off.
Goodbye, Dragon Inn is set in the approximately ninety minutes of the last feature at an old Taipei cinema that is closing down, showing King Hu's 1967 sword-fighting classic Dragon Inn. Only a few people are present in the cinema, and a variety of subplots are developed around them. Throughout the film, the ticket woman tries to find the projectionist, searching for him in order to present him with a steamed bun. A young Japanese tourist wanders around the cinema in search of a homosexual encounter. An older man tells him that the cinema is haunted. An old man, who was one of the actors who appeared in the original Dragon Inn, watches the film with tears in his eyes. Outside the theater, he encounters an older man who had been watching the film with his grandson; this man also starred in the original film. The film is shot with almost no camera movement, most shots lasting well over thirty seconds. There are only about a dozen of lines of dialogue.
Kei (Simon Yam) is the experienced leader of a team of pickpockets â also known as "Sparrows" in HK slang. He enjoys a carefree lifestyle taking photos. One day a dashing beauty, Chun-Lei (Kelly Lin), suddenly appears in Kei's viewfinder. Kei is mesmerized. But behind Chun-Lei's attractive facade lies a mysterious past and a mission to set herself free.
Covering over 100 years of cinema, this is a journey of discovering and exploring the magic of cinema from a personal perspective. Looking at the changes and developments of cinema Thomas explains how film has deeply affected his life as a person and a filmmaker.
Based on an Eileen Chang novel, a story of romance and fate set in the Shanghai of the 1930s. Manjing (Wu Chien-lien), a young woman from a once-well-off family, works in a Shanghai factory, where she meets Shujun (Leon Lai), the son of wealthy Nanjing merchants. Despite Shujun's reservations about Manjing's family (her sister, Manlu (Anita Mui) works as a nightclub "hostess"), they manage, in stages, to fall in love. The expected progress through engagement to marriage is interrupted, first by Manjing's ambivalence about taking this step, then by Shujun's rejection of her family, and finally by that family's baroquely conceived abuse and enslavement of Shujun. After a long period of seperation, Shujun and Manjing meet, but realize that their happiness remains only in memory, in a nostalgic re-imagining of opportunities missed, understandings never arrived at.
Steve McQueen: The Man & Le Mans interweaves stunning newly discovered footage and voice recordings with original interviews. It is the true story of how a cinema legend would risk almost everything in pursuit of his dream.
This highly personal film essay demonstrates that Chinese cinema has dealt with questions of gender and sexuality more frankly and provocatively than any other national cinema. Yang ± Yin examines male bonding and phallic imagery in the swordplay and kung fu movies of the '60s and '70s; homosexuality; same-sex bonding and physical intimacy; the continuing emphasis on women's grievances in melodramas; and the phenomenon of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.
Small-timer Fei (Louis Koo), his harried buddy Sam (Simon Yam), and antique store owner Mok (Sun Hong Lei) are all in desperate need of money. Fei wants his friend to drive a robbery getaway car but Sam backs out, throwing Fei in trouble with the triads. As the three are arguing, a mysterious man leaves them a map, leading them to an unlikely treasure under the Legislative Council building. All their financial woes seem to be solved after a late-night heist, but they are being tracked by shady cop Wen (Lam Ka-Tung), who is carrying on an affair with Sam's emotionally unstable wife, Ling (Kelly Lin), and has connections with Fei. When the twisted relationship tangles come to light, the brotherhood dangerously breaks down and the treasure ends up in the wrong hands.
Documentary about the film maker Luis Bunuel. Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions.
Drawing on remarkable true stories, Peter Chan delivers a moving drama about child abduction in China. Huang Bo stars as a father whose young son disappears in the streets of a big city. He sets out on a search across China, stopping at nothing to find him. In this star-studded cast, Zhao Wei plays the role of a mother from a poor rural area.
In Seoul, the paths of two men and one woman intersect and move apart from one another, centering around their love for cinema. A suicidal student meets a young woman who decides to follow him in his fatal gesture. Coming out of a cinema, Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, and recognizes her : she is the main actress in the film he has just seen. The life of this wavering and distressed young man strangely echoes the one of the young man from the beginning...
America is on the search for the murderer Eddie Kim (Bryon Lawson). Sean Jones (Nathan Philips) must fly to L.A. to testify in a hearing against Kim. Accompanied by FBI agent Neville Flynn, the flight receives some unexpected visitors.
On a routine courier mission, the prestigious Chin Hu chief was murdered by four mysterious monks. When all evidence points to Ching Hua (Liu Yu-Po), his friend Lei Hsin (Derek Yee) is determined to clear his name by barging in the Shaolin Temple thrice, and gets intwined in an intricate web of deception!
The story of two renowned actors of Fascist cinema, Luisa Ferida and Osvaldo Valenti, who were supporters of the Salò Republic. Accused of collaboration and torture, they were shot by the Partisans after the country was liberated.
A very arrogant white haired Thai Chi martial artist and two of his cronies wreaks havoc in a small village, terrorizing people and their families. Three local heroes team up to defeat the villainous three, but they have to find a secret weak point, which the Thai Chi master can choose and change at will.
Lesa Lesa is a 2003 Tamil film directed by Priyadarshan and produced by Vikram Singh. The film features Shaam and Trisha in the lead roles and Madhavan in an extended guest appearance, while Vivek, Radharavi and Sreenivasan play supporting roles. Cinematography is handled by Tirru, while the film's score and soundtrack were composed by Harris Jayaraj. The story is partially adapted from the 1998 Malayalam film Summer in Bethlehem, which was co-written by Ranjith and Venu Nagavally.
Set in ancient China, Zeng Jing is a skilled assassin who finds herself in possession of a mystical Buddhist monk's remains. She begins a quest to return the remains to its rightful resting place, and thus places herself in mortal danger because a team of assassins is in a deadly pursuit to possess the remains which holds an ancient power-wielding secret.
Beautiful is a 2011 Indian Malayalam musical drama thriller film written by Anoop Menon and directed by V. K. Prakash. The film stars Jayasurya, Anoop Menon and Meghana Raj in the lead roles. The cinematography was by Jomon T. John and the music was composed by Ratheesh Vegha. It tells the story about the intense bonding of two friends, one quadriplegic and other a musician. The film released on 2 December 2011 to predominantly positive reviews
During the Chinese Revolution in 1949, three couples flee from China to an island of Taiwan.
The Sorcerer and the White Snake is an ancient Chinese fable about a woman demon who falls in love with a mortal is brought to life through the latest advances in CGI and action techniques.
The Goalie's Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders' long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer's existence and, like many of Wenders' films, the overwhelming cultural influence of America in post-war West Germany.
Gabita is pregnant, abortion is strictly forbidden in Romania during the communist regime. Despite this it is common practice and Gabita wants an abortion. The movie follows her and her friend Otilia during the day she has made the appointment with Mr. Bebe to have the abortion.
The artistry, triumph and lifelong friendship of the great cinematographers Laszlo Kovacs and Vilmos Zsigmond. With film school equipment, they shoot the Soviet crackdown of the 1956 Hungarian Revolution. As refugees they struggle in Hollywood, finally breaking into the mainstream with their pivotal contribution to the "American New Wave."
Oru Kal Oru Kannadi is an upcoming Indian Tamil-language comedy film written and directed by M. Rajesh. It stars producer Udhayanidhi Stalin, in his acting debut, Hansika Motwani and Santhanam in the lead roles, whilst featuring Harris Jayaraj's music and K.Balasubramaniam's cinematography. The film, named after Yuvan Shankar Raja's hit song from Rajesh's debut film Siva Manasula Sakthi (2009), Still some of the Scenes are filming. It is currently in production stage and planned for release by the end of 2011.
Vietnam veteran "Four Leaf" Tayback's memoir, Tropic Thunder, is being made into a film. Director Damien Cockburn canât control the cast of prima donnas. Behind schedule and over budget, Cockburn is ordered by a studio executive to get filming back on track, or risk its cancellation. On Tayback's advice, Cockburn drops the actors into the middle of the jungle to film the remaining scenes. Unbeknownst to the actors and production, the group have been dropped in the middle of the Golden Triangle, the home of heroin-producing gangs.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
Plain-clothes detective Wang is the best in his trade. One day he stumbles across a young girl's body who apparently is died of abortion. Wang investigates the guilty abortionist who leads Wang to a secret organization called "The Welfare Association". Actually it is an international prostitution racket. Wang sneaks into the association. When he is about to arrest the association's organizer, a girl, Lei, whose sister's death cause by the secret society, saves Wang in certain death. Wang arrests the organizer but has set her free from headquarter. Wang and Lei get together in getting the commander dismissed.
Collegemates Karthik and Shweta fall in love and take it to the next level but the girl soon discovers that she is pregnant. And, when the parents find out, the consequences are startling. Aadhalal Kadhal Seiveer (English: Therefore, Go Ahead and Love, Tamil: à®à®¤à®²à®¾à®²à¯ à®à®¾à®¤à®²à¯ à®à¯à®¯à¯à®µà¯à®°à¯) is a 2013 Indian Tamil romantic drama film directed by Suseenthiran. It features debutant Santhosh Ramesh (Singanamala Ramesh's second son) and Manisha Yadav of Vazhakku Enn 18/9 fame in the lead roles. It is produced by Nallu Studios and music by Yuvan Shankar Raja. Cinematography is by Soorya.A.R, editing by Antony, stunts by Anal Arasu, lyrics by Vaali and Yugabharathi. The film released with highly positive reviews. The film was declared "Hit" at the boxoffice.
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