Do not Panic, Major Kardos (1982)
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Lionel Twain has invited the five greatest detectives to a "dinner and murder." How can they resist? Included are a blind butler, a deaf-mute maid, screams, spinning rooms, secret passages, false identities, and more plot turns and twists than are decently allowed.
Stranded student Pete (Ron Eldard) gets a lift from racist trucker Zack and repays the favor by inviting him in for dinner with his roommates, Jude (Cameron Diaz), Luke (Courtney B. Vance), Marc (Jonathan Penner) and Paulie (Annabeth Gish). When Zack praises Hitler and pulls a knife at the table, the roommates kill him. Rationalizing their actions as a favor to humanity, they bury Zack in the yard and begin to invite other offensive types to a string of similarly murderous meals.
The unique statue of the ancient fertility goddess Demeter, known as the "Pagan Madonna" is stolen from the museum, located in a small town on Lake Balaton. At the same time seriously wounded a servant of the museum. The abduction of the museum's priceless statues of pure gold is investigated by the then young and inexperienced investigator Kardos and lieutenant "Droplet".
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Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.
Elwood, the now lone "Blues Brother" finally released from prison, is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Once again hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops, led by Cabel the Curtis' son
A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving poisoned soup to the guests, to rob their possessions and to bury them in the backyard. The story unfolds as the monk tries to save the guest's lives without violating the holy secrecy of the confession.
In 1939, WBN, a fourth radio network, is about to take to America's airwaves. As if the confusion of the premiere night wasn't enough, Penny Henderson, the owner's secretary, must deal with an unhappy sponsor, an overbearing boss and a soon-to-be ex-husband who desperately wants her back. As the broadcast begins, a mysterious voice breaks the broadcast and suddenly members of the cast turn up dead. It's up to her husband Roger, to find out whodunit as the police chase him through the halls of WBN.
The recently deceased Mona Dearly (Bette Midler) was many things: an abusive wife, a domineering mother, a loud-mouthed neighbor and a violent malcontent. So when her car and corpse are discovered in the Hudson River, police Chief Wyatt Rash (Danny DeVito) immediately suspects murder rather than an accident. But, since the whole community of Verplanck, N.Y., shares a deep hatred for this unceasingly spiteful woman, Rash finds his murder investigation overwhelmed with potential suspects.
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When Sanju a master safe cracker teams up with two dangerous criminals to commit one last heist. The robbery is successful and Sanju is given the task of hiding the money till things cool down and the booty can be split. Three months later, the associates return to collect their share of the loot, but Sanju refuses to even recognize them! They realize he enrolled into an accident and is suffering from strong amnesia and decide to stay with Sanju and his wife Neetu until Sanju remembers where he hid the money. What dangerous game is Sanju playing?
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The film condenses the awkwardness of country and functionary existence, consumer thinking based on paternalistic relationships into the sequence of events of 20 August, the feast of the Hungarian new loaf with sentimental irony and documentary credibility. A railwayman's family on the Balaton highlands expects the Budapest relative with his functionary boss and family.
This time, Kapa and Pepe are first of all prisoners of war â and convicts taken to forced labor service, Jews, Hungarian soldiers, German soldiers. Once they are to be executed, then again they are to perform executions. The film tells in spectacular episodes about the fact that in the past more than one century and a half we kept marching from war to war; occupation and liberation turned out to be indifferent, and why couldnât the Jews execute the SS-guys? Our heroes hover about dilapidated barracks, then again on the bridges of the capital they guess whose satellites or eternal friends for all times we might be just now. In the cupboard, among the preserved fruit bottles, Stalin is still hiding. The authors of the film are cited before court, then in a showcase hospital they are waiting for the end to come. A Soviet soldier-maid closes the film with a Péter Nádas-quote.
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Grandhotel je mÃsto mezi nebem a zemÃ. MÃsto, kudy plujà mraky a lidské touhy. Metaforický pÅÃbÄh je zasazený do slavného hotelu tyÄÃcÃho se nad Libercem. V nÄm, jako strážný a vÄzeÅ zároveÅ, pracuje Fleischman, údržbáŠa amatérský meteorolog, který chtÄl mÃt k nebi tak blÃzko, jak jen mu to život dovolÃ. A výš to už nejde.
A lottónyereménynek hála, Tamás megcsinálhatta a filmjét, ami azonban a várakozásokkal ellentétben nagyot bukott. A három fiú egy képeslap révén Alex nyomára jut, aki most szabadult a dutyiból Amerikában és megint csak álnéven, egy szÃndarab jogait akarja megszerezni. A fiúk azt remélik, hogy megtalálják Alexet, megveszik elÅle a jogokat és végre visszaszerzik a hatvan milliójukat, amivel a férfi lelépett. Irány Amerika! Ãm természetesen a dolgok megint nem az elképzelések szerint alakulnak. Végül Tamásra vár a feladat, hogy Budapesten rendezze meg a darabot.
The title of this Hungarian comedy is a German pun on "room for rent" (Zimmer Feri). Near-broke and desperate, Hungarian entrepreneur Feri decides to put a sleazy spin on tourism. After leasing a Lake Balaton boarding house, he moves in his gang -- wife, nephew, daughter, and the daughter's boyfriend -- and then sets out to scam unsuspecting German tourists. Written and directed by Peter Timor (Dollybirds). This film is also known as Feri's Gang. ~ Bhob Stewart, Rovi
Kapa, Pepe and Mesi would like to buy a scrapyard of trains, to start a nostalgia train and earn a lot of money. The capital to start with they want to get from grandpa, who has come home from America with a suitcase full of money. Everybody wants Mesi to approach the old man, because she is the only one he would speak to. But Mesi is more concerned with the idea that she wants a child, by now from anyone, while Pepe is jealous. Kapaâs alleged son emerges, with the mafia behind him: they, too, are eager to get grandpaâs money. After threats and blackmailing, poisoned apples are sent, with only one side of them poisonous. Those dead, by the way, are resurrected by the sound of a song. At last, nobody manages to get the money, but it wouldnât make sense anyway: itâs all fake. The Statue of Liberty, however, turns out to be blind.
Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he'd rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul's behavior changes - he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins... If she does, Paul will no longer explore his homosexual desires, if he does - she'll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there's more to life than elite colleges...
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Me and Orson Welles is a period-drama film directed by Richard Linklater and starring Zac Efron, Christian McKay and Claire Danes. Based on Robert Kaplow's novel of the same name, the story, set in 1937 New York, tells of a teenager hired to star in Orson Welles' production of Julius Caesar, where he becomes attracted to a career-driven production assistant.
Fidgety Bram (seven years old) thinks a lot about the world around him. He is very much looking forward to enter the first grade. But then he ends up in the class of the strict teacher Mr. Fish. The straightfoward Mr. Fish doesnât care about the inside world of the constantly moving around and unconcentrated little boy and does whatever it takes to make Bram do things the ârightâ way. Bramâs parents struggle with the question of how much they should expect their son to adapt without becoming completely miserable.
Don Middleton is so caught up with his work he neglects his wife Elsa. Lonely Elsa begins to spend more time with Don's best friend and they become attracted to one another. Don and Elsa decide to get a divorce, unaware of the effect their problems are having on their daughter Molly. When Elsa announces plans to remarry, Molly runs away from home.
Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.
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