The Satanist (1968)

Director
Zoltan G. Spencer

Main cast
Pat Barrington

Genres
Horror

Description
A young couple's marriage becomes threatened when an attractive female occultist enters their lives, enticing them into a strange world of drugs, sex, and satanic rites.


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The janitor at a local high school is actually the scout for a coven of Satanists on the lookout for a virgin to sacrifice. One day he kidnaps the cheerleading squad to use for their rituals. However, unbeknownst to the devil-worshipers, one of the cheerleaders is actually a witch, and has plans of her own for the Satanists.
Satan's School for Girls is set within the grim walls of Fallbridge College for Girls. Hoping to learn the truth behind the "suicide" of her younger sister, Beth Hammersmith enrolls in Fallbridge under the assumed name of Karen Oxford. Our heroine soon learns that the school is in the clutches of a coven of witches called "The Five" -- and that she herself has the right satanic qualities to enable The Five to take over the world
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The accidental unearthing of Satan’s earthly remains causes the children of 17th-century English village to slowly convert into a coven of devil worshipers.
A frustrated pianist himself, music journalist Myles Clarkson is thrilled to interview virtuoso Duncan Ely. Duncan, however, is terminally ill and not much interested in Myles until noticing that Myles' hands are ideally suited for piano. Suddenly, he can't get enough of his new friend, and Myles' wife, Paula, becomes suspicious of Duncan's intentions. Her suspicions grow when Duncan dies and Myles mysteriously becomes a virtuoso overnight.
Minnesota, 1990. Detective Bruce Kenner (Ethan Hawke) investigates the case of young Angela (Emma Watson), who accuses her father, John Gray (David Dencik), of an unspeakable crime. When John unexpectedly and without recollection admits guilt, renowned psychologist Dr. Raines (David Thewlis) is brought in to help him relive his memories and what they discover unmasks a horrifying nationwide mystery.
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Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
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