Glorifying the American Girl (1929)
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Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
Lavish biography of Flo Ziegfeld, the producer who became Broadway's biggest starmaker.
The late, great impresario Florenz Ziegfeld looks down from heaven and ordains a new revue in his grand old style.
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brent as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Rich kid Danny Churchill has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to be a female for miles. But before Danny arrives, he spies a pair of legs extending out from under a stalled roadster. They belong to the Dean's granddaughter, Ginger Gray, who is more interested in keeping the financially strapped college open than falling for Danny's romantic line. At least at first...
Musical comedy antics in an art deco bakery (motto: "Glorifying the American Doughnut") with Eddie Cantor as an assistant to a phoney psychic, who is mistaken for an efficiency expert and placed in charge. Complications ensue when the psychic and his gang attempt to rub the payroll.
A "rockumentary", covering the rise to fame of MC Gusto, Stab Master Arson, and Dead Mike: members of the rap group "CB4". We soon learn that these three are not what they seem and don't apear to know as much about rap music as they claim... but a lack of musical ability in an artist never hurts sales, does it? You've just got to play the part of a rap star...
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio manâs moves to Brooklyn, New York, to throw an unprecedented block party. Filmed with inspiration from the 1973 documentary Wattstax.
Nick cannot stop obsessing over his ex-girlfriend, Tris, until Tris' friend Norah suddenly shows interest in him at a club. Thus beings an odd night filled with ups and downs as the two keep running into Tris and her new boyfriend while searching for Norah's drunken friend, Caroline, with help from Nick's band mates. As the night winds down, the two have to figure out what they want from each other.
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant.
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager in charge Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack if offering to let him see the show from an unusual view point, after he forgot to get him tickets for the performance, but then they find the corpse of a murdered women. Bill suspects Eric of the crime, especially, after the second female lead Rita Ross told him she saw the women leaving from Eric's room. Then Rita is shot onstage with Eric's gun. Jack and Bill decide not to stop the show, but Bill preparing to arrest Eric. Is he on the right track ?
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
Song-and-dance man Bert Kalmar can't continue his stage career after an injury for while, so he has to earn his money as a lyricst. Per chance he meets composer Harry Ruby and their first song is a hit. Ruby gets Kalmar to marry is former partner Jessie Brown, and Kalmar and Jessie prevent Ruby from getting married to the wrong girls. But due to the fact, that Ruby has caused a backer's withdrawal for a Kalmar play, they end their relation.
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On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protegee Hannah Brown, vowing to make her a star in time for next year's Easter parade.
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Some of MGM'S musical stars review the studios history of musicals. From The Hollywood Revue of 1929 to Brigadoon, from the first musical talkies to Gene Kelly in Singin' in the Rain.
A Roaring '20s singer (Alice Faye) becomes a Ziegfeld Follies star as her criminal husband (Tyrone Power) gets deeper in trouble.
The 1920's and 30's career of singer Helen Morgan is followed from her early days singing outdoors in a carnival, through her speak-easy and chorus-girl days, to her stardom on Broadway in Ziegfeld's "Show Boat". Her involvement with Larry Maddux, a gin-runner and con-man, and Russell Wade, a prominent, married New York lawyer, and her decline thanks to these failed romances and alcohol are punctuated by performances of many of the songs she made famous.
Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star, simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics
1930s in New York â The famous singer Fanny Brice has divorced her first husband Nicky Arnstein. During the depression she has trouble finding work as an artist but meets Billy Rose, a newcomer who writes lyrics and owns his own nightclub.
Biography of the African-American who became a major performer in the Paris cabarets of the 1920's and 1930's. The film follows her life beginning as a struggling performer in 1917 St. Louis, her frustrations leading to her move to France, and follows to her death in 1975. Written by John Sacksteder
This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom's footsteps.
Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
Based on the Broadway hit about the life and times of burlesque dancer Gypsy Rose Lee and her aggressive stage mother, Mama Rose.
Sally is an orphan who was named by the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing. Working as a waitress, she serves Blair (Alexander Gray), and they both fall for each other, but Blair is engaged to socialite Marcia. Sally is hired to impersonate a famous Russian dancer named Noskerova, but at that engagement, she is found to be a phoney. Undaunted, she proceeds with her life and has a show on Broadway, but she still thinks of Blair.
Various MGM stars from yesterday present their favorite musical moments from the studio's 50 year history.
Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.
This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies.
In the late 1800s, Miss Pilgrim, a young stenographer, or typewriter, becomes the first female employee at a Boston shipping office. Although the men object to her at first, she soon charms them all, especially the handsome young head of the company. Their romance gets sidetracked when she becomes involved in the Women's Suffrage movement.
In search of an emissary to represent the American theater at an arts expo in Paris, a State Department bureaucrat (Ray Bolger) invites Ethel Barrymore to appear -- too bad her invitation is sent to chorus girl Ethel "Dynamite" Jackson (Doris Day) instead! Not one to look a gift horse in the mouth, Miss Jackson hightails it to Paris -- with the bureaucrat in pursuit. A plethora of song-and-dance numbers ensues in this Sammy Cahn-scored musical.
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1896, Montmartre: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female charm to let the representatives of law enforcement look the other way - or even attend the shows. But then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger, too? Her boyfriend Francois certainly doesn't like to watch her trying.
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When his unmarried mother dies, custody of 13-year-old Job is assumed by his alleged father, Chris, whom he has never seen. Job is an enthusiastic cadet at a military academy, and Chris turns out to be a top-grossing rock star who removes Job from his beloved school to keep him company on tour. Getting acquainted is fraught with culture shock for both father and son. Written by Paul Emmons
Musical thriller. An uninhibited youth woos the hottest about-to-be-married college girl. He rises to become a rock-star - then self-destructs.....Awesome score by A.R.Rahman
Two rural teens sing and dance their way through a forbidden romance and a dangerous travelling carnival.
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A race car driver tries to outrun the beautiful tax auditor out to settle his account.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.
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