Murder at the Vanities (1934)
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Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
Paramount Pictures decided in 1935 to create a new romantic team, thus cast singing stars Carl Brisson and Mary Ellis in the frothy operetta All the King's Horses. Brisson does the "Prisoner of Zenda" bit as a movie star who is forced by circumstances to impersonate a look-alike king. Ms. Ellis is the highborn lady who seems to be fooled by the ruse. The plots roll merrily onward while various and sundry musical-comedy character actors (including Edward Everett Horton and Eugene Pallette) fuss and fume in the background. Danish singer Carl Brisson had created a minor sensation by introducing "Cocktails for Two" in Paramount's Murder at the Vanities (34), but the studio's attempts to turn him into a Scandinavian Maurice Chevalier were unsuccessful.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Constance Shaw, a Broadway dance star, and Joseph Rivington Reynolds, a keen fan of hers, marry after she breaks up with her fiancé. Connie thinks Joseph owns a gold mine, but he actually works as a presser at a hotel valet shop. When everyone learns what he really is, Joseph is banned from the theater. When he sneaks in again, he learns of a plot to set off a bomb in the adjoining munitions warehouse.
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In search of an emissary to represent the American theater at an arts expo in Paris, a State Department bureaucrat (Ray Bolger) invites Ethel Barrymore to appear -- too bad her invitation is sent to chorus girl Ethel "Dynamite" Jackson (Doris Day) instead! Not one to look a gift horse in the mouth, Miss Jackson hightails it to Paris -- with the bureaucrat in pursuit. A plethora of song-and-dance numbers ensues in this Sammy Cahn-scored musical.
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New York, 1980: airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened "Single O". He is befriended by J-21, who can't marry the girl of his dreams because he isn't "distinguished" enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.
French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.
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Live At The Public Theater on DVD, Blu-ray and digital formats on September 26th. Featuring songs from Stingâs latest album and forthcoming Broadway musical of the same name, the DVD and Blu-ray captures Sting in an intimate evening of music and storytelling filmed on his birthday, during a run of 10 benefit concerts performed at The Public Theater in New York City. The DVD and Blu-ray will be available for worldwide pre-order beginning today.
The video contains "Scenes From A Memory" in its entirety from its final performance in New York City on August 30th, 2000. The contents of the Special Edition DVD is: 1. SFAM in its entirety from its final performance in New York City 2. Audio Commentary throughout SFAM by all five members of Dream Theater 3. Over one hour of bonus live material 4. Behind The Scenes Documentary 5. Metropolis 2000 World Tour Photo Gallery
Score: 20th Anniversary World Tour Live with the Octavarium Orchestra is a live album, recorded on April 1, 2006 at Radio City Music Hall in New York City. This is the final concert of their 20th Anniversary Tour, labeled "A Very Special Evening with Dream Theater". The entire second half of the concert features a complete symphonic orchestra, dubbed "The Octavarium Orchestra", conducted by Jamshied Sharifi.
A koala named Buster recruits his best friend to help him drum up business for his theater by hosting a singing competition.
In 1971, to get breathing room from tax and management problems, the Stones go to France. Jimmy Miller parks a recording truck next to Keith Richards and Anita Pallenberg's Blue Coast villa, and by June the band is in the basement a few days at a time. Upstairs, heroin, bourbon, and visitors are everywhere. The Stones, other musicians and crew, Pallenberg, and photographer Dominique Tarle, plus old clips and photos and contemporary footage, provide commentary on the album's haphazard construction. By September, the villa is empty; Richards and Jagger complete production in LA. "Exile on Main Street" is released to mediocre reviews that soon give way to lionization.
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