One Night at Susie's (1930)
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When bored courtesan Zelie de Chaumet begs her lover, the corrupt and powerful Stetz, to take her slumming, the pair encounter Pierre Boucheron, alias 'The Rat' , boy-king of the Paris underworld, and the innocent Odile. Love, life and jewels are risked and lost in this powerful romantic melodrama as the four characters' lives are changed by this chance encounter for ever.
Melodrama about two girls whose fortunes run on very different paths.
The fourth of seven films that Raffaello Matarazzo made with Amedeo Nazzari and Yvonne Sanson in the starring roles during the fifties. These films were the epitome of operatic melodrama, and were hugely successful with the Italian public.
Melodrama about a woman who marries a bigamist, then a drunk, and falls in love with another man, all while working at a carnival.
Based on the 1932 play of the same name by Phillip Dunning and George Abbott. Lilly Turner is a very precode character in a very precode film. She starts out with all the best intentions and does nothing wrong, only to find herself in a highly unfortunate situation that society of the time couldn't approve of: an unmarried mother to be. She then gets out of it through the kindness of another, becoming half of an open marriage, very progressive for the times. Lilly Turner would have needed to be completely rewritten to have been made during the code years.
Deshu, a mechanic from Dubai, comes home to Mumbai, and gets embroiled in a crime by accident. The film shows his meteoric rise from common, law-abiding man to underworld kingpin. After his mother passes away, Mumbai-based Deshu returns from Dubai to condole his married sister, Kumud, and retired police constable father, but becomes embroiled with the police as well as the underworld after he witnesses a brutal homicide. Hounded by both the police and goons affiliated to Mangli, he decides to enter the criminal world of Hashimbhai, a rival of the later, and begins his career by killing Mangli. His rise in the gang is phenomenal, and his association with Bollywood beauty, Bhakti Bhatnagar, creates jealously amongst Hashim's sons, Shabbir and Muqarram, who also feel demoralized and threatened, and use every opportunity to instigate their father against him, while the Mumbai Police assign 'Encounter Specialist' Inspector Razaak the task of doing away with Deshu.
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.
Sadhu Agashe, a police officer in Mumbai, makes a name for himself by killing criminals in sting operations instead of locking them up in prison. The film follows his method of working, gives an insight into the Mumbai Police Crime Branch, and Agashe's alleged connection with the underworld.
Glossy melodrama starring Lana Turner as a young woman from Kansas who moves to New York, becomes highly successful at a prestigious modeling agency, and falls in love with a married man.
A woman falls for a charming and mysterious businessman. The whirlwind romance turns sour when she is framed for his underworld crimes. Now, finally out of prison she is ready for sweet revenge.
Melodrama about the professional and romantic problems of an aspiring singer.
In this tearful crime melodrama, a waitress becomes so taken with her dream of living in posh luxury and comfort that she leaves her honest boyfriend the district attorney to take up with a notorious gangster who lavishes her with stolen furs and fabulous diamonds. She has no idea that the crook is only using her as a pawn in his scheme to learn the DA's secrets. When she finally does learn the truth, she gives up her life for truth, justice and love.
Davis and Rains shine in a romantic melodrama set in the world of concert music. Davis is a pianist torn between her wealthy, jealous patron and her cellist husband.
A prominent New York doctor (Kay Francis), unable to have a child, discovers her philandering husband (Warren William) has impregnated her best friend (Jean Muir). Director William Keighley's 1934 melodrama also stars Verree Teasdale, Emma Dunn, Phillip Reed, Louise Beavers and Ann Shoemaker.
This is the story of Karan and Tanya. Karan is in love with Tanya but is too shy to tell her. One day Tanya witnesses the murder of a scientist by his evil twin brother, the underworld don Mehboob, and needs to flee the country. When Karan's friend coaxes him to track Tanya after she migrates to Dubai, he enlists the aid of a deceptive investigator, Rocky to track her down. Rocky ends up falling in love with her at first sight and tries to stop Karan from wooing her. Meanwhile, Tanya's physically disabled friend, Sanju also has a soft spot for her and tries thwarting Rocky's attempts at getting close to Tanya. The plot thickens when Don Mehboob and his gang track Tanya down in Dubai.
Melodrama set in Victorian Brighton. Scheming pub landlady uses the timorous son of a domineering pharmacist to assist in the poisoning of her drunkard husband. (The title is from the way pharmacists used to wrap parcels containing poison).
Mallik is a henchman of Aslam Bhai, a Mumbai underworld kingpin. He inducts local hothead Chandu into the gang, and the two of them soon form a formidable faction within the gang, eventually displacing Aslam. As the empire grows, however, the two of them start drifting apart.
Linda Darnell plays a beautiful Russian peasant in this moody Sirk melodrama, based on Chekhov's "The Shooting Party." Trying to pull herself out of serf-ish poverty, she works her charms on an engaged aristocrat (George Sanders) with tragic results.
George Sanders stars in this engrossing melodrama about a very domineering sister who holds a tight grip on her brother -- especially when he shows signs of falling in love.
An elderly businessman (Frank Morgan) plans what he thinks is an innocent night on the town while his wife is away. Instead, he finds himself involved in a showgirl's murder.
action melodrama
Three bad girls (a down-and-out stripper, a drug-running killer and a corporate powerbroker) arrive at a remote desert hideaway to extort and steal $200 Million in diamonds from a ruthless underworld kingpin.
The film features the leading actress Greta Garbo as Yvonne, an artist's model. Other stars include Robert Montgomery, Lewis Stone, Marjorie Rambeau and Judith Vosselli. It is a romantic melodrama, portraying a Parisian belle with a past returning to haunt her. The film is the only one where Montgomery played opposite Garbo.
In this morbid Nazi sanctioned pro-euthanasia melodrama, a successful doctor is forced to make a heart wrenching decision after his beautiful young wife is diagnosed with multiple sclerosis.
Boisterous gangster kingpin Bull Weed rehabilitates his former lawyer from his alcoholic haze, but complications arise when he falls for Weed's girlfriend.
Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."
The film follows underworld don Vincent Gomas (Mohanlal) and his rivalry against the Kerala Home minister N. Krishnadas (Ratheesh).
Hoda is a famous dancer who gives up the spotlight to marry and start a family with Mamdouh, a handsome young doctor who is just beginning his career. When Mamdouh's scheming Italian head nurse Yolanda sets her sights on Mamdouh, Hoda's jealousy drives her to drink, ultimately endangering everything she holds dear. An enchanting example of Egyptian melodrama at its finest.
Aa Dinagalu is a story about the underworld which was supposed to have existed in the city of Bengaluru in 1986. In the film Agni Shridhar narrates the preview as story of Kotwal Ramachandra era (1975) coincidentally with declaration of emergency by Indira Gandhi, which led to grooming of M.P.Jayaraj as the uncrowned don of Bengaluru mostly working with Knives, Sickles, Longs for terrorising people. Eventually he seems to have got jailed for contempt of court for 10 years. When he returns in 1985, after the death of Indira Gandhi he finds Kotwal Ramachandra to have taken his spot. In this backdrop how a love story ( for which Bengaluru was famous once- having a lot of suicide spots even now) finds its place has been screened.
In this crime melodrama, a Swiss woman finds herself unwittingly involved in a plot to steal from her employer, a London diamond merchant. Her boyfriend is behind the scheme. First he sends two accomplices disguised as German jewelers to see the boss. He is not fooled by their ruse and is killed while the woman is knocked unconscious. She awakens with amnesia and begins aimlessly wandering the London streets. Thinking that his girl has squealed to the police, her boy friend begins scouring the town to find her. Meanwhile, she is taken in by a boxer who returns to the ring to win the money needed to get her out of the country. Trouble ensues when her lover finally finds her after the match and begins beating on the exhausted fighter.
Hoping to raise enough capital to finance a legitimate business and leave behind his life of crime, Liverpool underworld boss Ged Brennan (Scot Williams) sends his brother Ratter (Kenny Doughty) and a crew to pull a daring final heist. But when Ratter kills a drug kingpin during the job, Brennan must turn to rival crook Franner (Stephen Graham) to avert an all-out gangland war. This thriller from director Adrian Vitoria co-stars Cordelia Bugeja.
A hilarious underworld gangster known as Munna Bhai falls comically in love with a radio host by the name of Jahnvi, who runs an elders' home, which is taken over by an unscrupulous builder, who gets the residents kicked out ironically with the help of Munna's sidekick, Circuit, while Munna is busy romancing Jahnvi elsewhere.
This is a bizarre film, almost completely melodramatic. The screenplay by Howard Koch is based on the 1941 Pulitzer Prize-winning novel of the same title by Ellen Glasgow.Completed in 1942 after the US had joined the war, the film was disapproved in 1943 for foreign release by the wartime Office of Censorship, because it dealt truthfully with racial discrimination as part of its plot. It was Huston's second movie and as he put it: âIt was the first time [in an American film], I believe, that a black character was presented as anything other than a good and faithful servant or comic relief.â.
Dylan Berrick is the polished and skillful Overnight Manager of the Century Grand, one of the most classy and upscale hotels in the city. After a shocking night, when a woman named Holly is nearly beaten to death in the hotel by her boyfriend Davis, Dylan takes it upon himself to seek out Holly and become her savior, rescuing her from the drug underworld that he himself is familiar with.
Cahiers du cinéma critic Serge Daney asks whether The Kingdom of Naples is "leftist fiction, kitschy melodrama, photo-roman, a decadent chronicle of a city, opera in a minor key, or simply the first realistic narrative film by Schroeter?" It is all of these and more: an epic chronicle of proletarian family life in Naples from 1943 to 1972 that brilliantly captures the wretched poverty, overwrought passions, and political, religious and economic upheavals of Sicily across two generations. Schroeter assimilates neorealist aesthetics and class sympathies with the tempestuous excesses of popular melodrama, borrowing freely from Rossellini, Pasolini, Visconti, Brecht, and Rossini. (Facets)
A hip and happenin' all girl rock group head to LA to claim lead-singer Kelly's inheritance and make it (and make it) in LA. Soon the girls fall into a morass of drugs and deceit as their recording success soars. It takes several tragedies to make them stop and think... but is it too late?
When a hard-working machinist loses a promotion to a Polish-born worker, he is seduced into joining the secretive Black Legion, which intimidates foreigners through violence.
Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
A modern day witch uses spells and magic to get men to fall in love with her, in a tribute to 1960s pulp novels and Technicolor melodramas.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in Ä°stanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
Rama Rao (Jr. NTR) is the son of Ranjan (Mukesh Rishi) who works as an assistant to Mafia Don Saadu Bhai (Kelly Dorji) is an IPS Aspirant. However, he is rejected from police work due to his fathers connections to the criminal underworld. Meanwhile his brother Siddu (Siddarth Narayan) gets killed in a bomb blast planned by Saadu Bhai. Rama Rao seeking revenge, reunites with his father and becomes Baadshah on the advice of a police officer (Sayaji Shinde). He decides to save India and also completes Operation Baadshah. So he approaches Janaki and falls in love with her. He enters as Ramji a Wedding planner in Janaki's house. He cleverly fools Padmanabha Simha (Brahmanandam) with "Dream Machine" concept and uses him to collect information about Saadu Bhai. Meanwhile Saadu kidnaps police officer (Sayaji Shinde) and threatens to kill him, Baadshah comes to the location Kills Aadi, Saadu Bhai and Crazy Robert and marries Janaki.
James "Brick" Davis, a struggling attorney, owes his education to a mob member named McKay, but refuses to get involved with the underworld. When his friend Eddie Buchanan is gunned down by gangster Brad Collins while on assignment for the Justice Department, Brick decides to give up the law for a career with the Department.
Nesibe lives with her parents on the outskirts of Istanbul; the family is poor, and her consistently unemployed father often takes out his frustration on the rest of the family. Nesbibe knows that there has to be something more to life, and she finds itâat the movies. As she recalls her childhood and adolescence, her own memories merge with scenes from the dozens of musicals, melodramas and romances she saw to fill her days and to escape the desperation of her home life. But as she moves into adulthood, the contradiction between Nesbibeâs cinematic dream life and everyday reality starts to affect her in unexpected ways. Based on a novel by co-director Füruzan, My Cinemas avoids sentimentality and movie nostalgia to show how, in its own way, the cinema can become a kind of trap.
Cousins James and Robert are in love with Susanna. When Robert and Susanna announce their engagement, James vows to ruin their happiness.
This silent melodrama is set against the 1840s westward migration of the Mormons. Dora, a young woman, and her family are saved from an Indian attack by a Mormon community traveling to Utah. They join the wagon train. Dora is pursued by two men, one a recent convert, the other a scheming elder with a stable of wives. The Mormon elder wants her in his harem. When the mother kills herself from revulsion toward polygamy, the daughter must consider her own future and the man she loves. One of Mae Murray's few surviving films, this was intended by Robert Leonard to be a thoughtful drama about the goods and evils of Mormonism, but today it is generally considered pure anti-Mormon propaganda.
A psychotic child murderer stalks a city. Despite an exhaustive investigation fueled by public hysteria and outcry, the police have been unable to find him. The police crackdown makes it nearly impossible for the organized criminal underground to operate. The criminals decide that the only way to get the police off their backs is to catch the murderer themselves.
Melodrama about a bomber on board an airplane, an airport almost closed by snow, and various personal problems of the people involved.
Lana Turner stars as an American news correspondent working in England during WWII. Her affair with a married British correspondent (Sean Connery) ends tragically when he is killed in action. Fearing a nervous breakdown as a result of his death, she travels to Cornwall to mourn with his family without any intention of revealing her relationship with him.
Aryan movie is all about Devanarayan (Mohanlal) who is a Brahmin priest who is falsely accused of theft and forced to leave his village in Kerala. He moves to Bombay where he gets drawn into the underworld through an ageing don Kareem (Goga Kapoor). Some interesting comment initially on Brahmin priesthood in Kerala, but halfway through the film goes haywire.
On a cruise to Cuba, Lulu Smith falls in love with Bob Grover. Back home, she breaks off the romance when he tells her he is married. Lulu has a baby, but doesn't tell Bob, who turns out to be a rising politician. She passes herself off as the baby's nanny. When Bob learns what is going on, he adopts the little girl, not telling his wife or anyone else where she came from. Lulu gets a job at a newspaper. Things get complicated when the editor gets the dirt on Grover, but also wants to marry Lulu
A tale of two gangsters from the eras of past and present, whose lives enter parallel paths as they struggle to survive within Bombay's criminal underworld.
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld - The Batman.
Winner of the Silver Bear in Berlin in 1990, Xie Feiâs film is a politically daring tale of urban alienation and despair. A former prisoner, played by the great Chinese actor Jiang Wen, arrives back in his native Beijing to find that he has no family or prospects or friends, just his underworld contacts trying to drag him back into a life of crime... Taking the classic crime thriller âhookâ â ex-con struggling to go straight â Black Snow emerges as a powerful study of displacement. It takes place at the shattering juncture of the student movement and the Tiananmen Square protests of 1989 and vividly captures the social impact of potential political change at that time.
A young man elopes with the girl he loves and moves to South Africa, where he works in the diamond-exporting business. Slowly, he is pulled into the underworld
Greta Garbo runs away from an unbearable life at home--and a pre-arranged marriage to a man she despises--and seeks happiness with handsome engineer Clark Gable. Director Robert Z. Leonard's 1931 melodrama also features Jean Hersholt, Alan Hale, John Miljan, Cecil Cunningham, Hale Hamilton and Russell Simpson.
The fashion world meets the underworld in BOOM, written and directed by Kaizad Gustad and produced by Ayesha Shroff under the banner of Quest Films
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
The musical biopic of jazz great Red Nichols features a healthy dose of melodrama along with the melodies. As the famed Dixieland cornetist, he runs into opposition to his sound, but breaks through to success. He marries a warm, patient woman (Bel Geddes) and even finds time to raise a family. Then tragedy strikes when their daughter contracts polio. The jazzman puts down his horn to stand by her.
A conservative Midwest businessman ventures into the sordid underworld of pornography in California to look for his runaway teenage daughter who is making porno films in the porno pits of Los Angeles.
Adapted from one of Dashiell Hammett's best novels, The Glass Key is a lively and straightforward melodrama of political corruption and urban intrigue. George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out.
Gambler Arnold Rothstein (David Janssen) marries an actress (Dianne Foster), avenges his buddy (Mickey Rooney) and meets an underworld fate.
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