Consolation Marriage (1931)
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Melodrama about two girls whose fortunes run on very different paths.
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.L.
Keld is in a rut. His wife of 25 years has left him. For sustenance, he eats his way through the menu at the local Chinese takeaway. The owner talks him into a marriage of convenience with his sister from China and the unplanned-for happens. A delicate romance blossoms between these two damaged, fragile individuals, but a secret gives their relationship a fateful twist. A subtle and touching story of life's diversity.
Soames and Irene Forsyte have a marriage of convenience. Young Jolyon Forsyte is a black sheep who ran away with the maid after his wife's death. Teenager June Forsyte has found love with an artist, Phillip Bosinny. The interactions between the Forsytes and the people and society around them is the truss for this love story set in the rigid and strict times of the Victorian age.
The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.
Sanjay (Sumanth) is an extremely practical guy who believes in nothing but logic and reasoning. He listens to his mind and ignores his heart. Hamsa Vahini (Sneha) is a girl who believes strongly in human bonds and trusts everybody easily. Hamsa likes Sanjay immensely and proposes to marry him. Sanjay too accepts the proposal. In a casual chitchat, Sanjay reveals that he does not love her though he is marrying her. He feels that it is a marriage of convenience and practicality. Sanjay's confession hurts Hamsa and she cancels the engagement. As Sanjay slowly realizes the power of love and starts missing her, Hamsa becomes pragmatic and practical due to her family related circumstances, and ignores his pleas for forgiveness. The rest of the story is all about how she finally accepts Sanjay's love.
Melodrama about the professional and romantic problems of an aspiring singer.
Davis and Rains shine in a romantic melodrama set in the world of concert music. Davis is a pianist torn between her wealthy, jealous patron and her cellist husband.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
They were the perfect loving couple, well, almost.Emmanuel wanted a child but Philippe didn't. One day, however, Emmanuel decides to take the plunge, at the risk of losing Philippe. But how do you make a child when you are gay?
A marriage which started on the wrong foot, compromised by her boyfriend agreed to marry family friend in order to save face. In turn he entered into marriage to get away from his aggressive clinging girlfriend. But the truth was that he was really in love with her but lacked the nerve to tell her. He saw the marriage of convenience as the best way to win her.
Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."
Jodhaa Akbar is a sixteenth century love story about a marriage of alliance that gave birth to true love between a great Mughal Emperor, Akbar and a Rajput princess, Jodhaa.
Marty is a 19 year old pioneer woman, recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Clark Davis, a widower, offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
Bisexual attorney Alain is bedding his female boss, his murderer client, the client's hairdresser girlfriend, and a precocious boy who knows what he wants and tries to convince Alain that he can 'have it all'.
This is a bizarre film, almost completely melodramatic. The screenplay by Howard Koch is based on the 1941 Pulitzer Prize-winning novel of the same title by Ellen Glasgow.Completed in 1942 after the US had joined the war, the film was disapproved in 1943 for foreign release by the wartime Office of Censorship, because it dealt truthfully with racial discrimination as part of its plot. It was Huston's second movie and as he put it: âIt was the first time [in an American film], I believe, that a black character was presented as anything other than a good and faithful servant or comic relief.â.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They've taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
A gay man and a lesbian enter into a marriage of convenience in order to prevent his deportation, and then gradually fall in love with one another.
A woman agrees to a marriage of convenience with a refugee.
Set in 1870's New York, a spinster heiress is courted by a much younger, penniless man, much to the chagrin of her over-protective father, and must decide whether to spend the rest of her life alone, or marry a man who is interested in her only because of her inheritence.
Deemed "the D.W. Griffith of Turkish Cinema," Omer Lutfi Akad directs this 1952 film based upon real events that took place in Ä°stanbul, in the following years of World war II. It is about a love triangle that led to homicide. It was a stylistic departure of what otherwise had been typical of Turkish melodramas of the time.
Vicki returns to her elder sister Beth's house in Australia after an affair in Italy. Beth, with a teenage daughter, has become involved in something of a marriage of convenience with Frenchman J.P., and her rather prickly houseproud ways are causing frictions counterpointed by Vicki's more laid-back and indolent air. When Beth goes off on vacation to the outback alone with her cantankerous father to see if they can finally get to know each other, relationships in the household start to shift.
Lana Turner stars as an American news correspondent working in England during WWII. Her affair with a married British correspondent (Sean Connery) ends tragically when he is killed in action. Fearing a nervous breakdown as a result of his death, she travels to Cornwall to mourn with his family without any intention of revealing her relationship with him.
Urban horticulturalist Brontë Mitchell has her eye on a gorgeous apartment, but the building's board will rent it only to a married couple. Georges Fauré, a waiter from France whose visa is expiring, needs to marry an American woman to stay in the country. Their marriage of convenience turns into a burden when they must live together to allay the suspicions of the immigration service, as the polar opposites grate on each other's nerves.
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a scheming minister John Dudley marries off his son, Guildford to Lady Jane Grey, whom he places on the throne after Edward dies. At first hostile to each other, Guildford and Jane fall in love. But they cannot withstand the course of power which will lead to their ultimate downfall.
Greta Garbo runs away from an unbearable life at home--and a pre-arranged marriage to a man she despises--and seeks happiness with handsome engineer Clark Gable. Director Robert Z. Leonard's 1931 melodrama also features Jean Hersholt, Alan Hale, John Miljan, Cecil Cunningham, Hale Hamilton and Russell Simpson.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
An Englishman on a Ruritarian holiday must impersonate the king when the rightful monarch, a distant cousin, is drugged and kidnapped.
Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King.
In this captivating Depression-era melodrama, impetuous veterinary student Jacob Jankowski joins a celebrated circus as an animal caretaker but faces a wrenching dilemma when he's transfixed by angelic married performer Marlena.
Director Alejandro Galindo directs the legendary Delores Del Rio in a classic drama from the Golden Age of Mexican cinema that portrays political change in Mexico through the microcosm of one family struggling with tradition in a time of change. Liberal farmer Pepe has arrived in Santa Fe to visit his aunt, Dona Perfecta. While he's there, Pepe is eager to teach the traditional-minded townspeople a new way of living. Unfortunately for Pepe the people of Santa Fe aren't eager to embrace change, and when the citizens begin to voice resentment Pepe is forced to seek refuge with his sympathetic aunt. Dona Perfecta is just as traditional as any of the other townspeople though, and only suffers Pepe due to the fact that he is family. When Pepe and his cousin Rosario fall deeply in love, the situation quickly comes to a head.
Broken Blossoms is an American silent film from director D. W. Griffith. This melodrama tells the love story of an abused English woman and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
In order to convince Raimonda, a wealthy noble woman, to finance his project for a holiday resort, Saverio gets engaged to Clotilde, her mentally-disturbed and sex-obsessed adolescent daughter. He plans to have her kidnapped and raped by an accomplice so she won't be a virgin anymore and he'll have an excuse to get out of the impending marriage. But what he doesn't plan is to fall in love with the girl...
Original in its sincere, lyrical realism, The River is a naturalistic melodrama otherwise characteristic of the period. Shot in sunbathed pastoral locations by Jan Stallich (Ecstasy), the story of first love between a sturdy village boy and a country girl is filmed with a movingly genuine charm.
Misadventures of four groups of guests at the Beverly Hills Hotel.
My Son, My Son! is a 1940 American drama film based on a novel by the same name written by Howard Spring and directed by Charles Vidor. It was nominated for an Academy Award for Best Art Direction by John DuCasse Schulze.[
This Mexican crime melodrama was released in English-speaking communities as Another Dawn. Latin film favorite Pedro Armendariz stars as smooth-talking Octavio, chief henchman to a slain labor leader. On behalf of his fallen boss, Octavio protects a cache of valuable documents from the assassins. Along the way, he renews his relationship with ex-flame Julieta (Andrea Palma), now engaged to another man.
Illegal immigrant and showgirl Johnny Jones is due to be deported from the USA, her only hope is to get married, but her rich publisher boyfriend Barton Kendrick is already married! She meets down-on-his-luck author, Bill Smith, and proposes a marriage of convenience in order to remain in the country, but Bill has more ambitious ideas.
Victorian melodrama gets a big send-up in this spoof production of the old play "The Drunkard; or, The Fallen Saved." The play within the movie is the old one where evil villain Cribbs schemes to get his lusty clutches on the heroine by driving her naive husband to alcoholic ruin. Luckily, a temperance lecturer is on hand to set things straight, as is the great Buster Keaton as the drunkard's brother.
The film features a change of pace for comic actor Petchtai, who offers a sombre, dramatic portrayal of a taxicab driver who develops a relationship with a young woman (Woranut, in her debut feature film role) who is working in a massage parlor. The film has dream sequences that place the characters in scenes that might have come from a classic Thai melodrama film of the 1960s or 70s, with a dubbed soundtrack, which was a common method of filmmaking in the era.
Unable to get work in her home country, Laurine Lynne (Beverly Roberts) travels to Vienna where her press agent, Joe Craig (Allyn Joslyn), convinces her to marry royalty. The lucky fellow is Prince Rupert (Patric Knowles), an impoverished nobleman now working as a waiter. Do the two of them fall in love despite this marriage of convenience?
A wealthy businessman's irresponsible son and a down-on-her-luck model enter into a marriage of convenience, and end up falling in love.
Bold, eccentric Broadway performer Lisa Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make adoption viable. Why not her new obstetrician Dr. McBain? She offers him help with his research on rabbits in exchange for marriage - and he accepts. The marriage of convenience turns into a marriage of real love. When Dr. McBain's ex-wife comes looking for money, Lisa suspects something and leaves New York. However, a serious illness with the baby brings them together again as McBain operates to try and save the baby's life
Actor Yoo Ji-Taeâs directorial debut feature film is one part melodrama, one part comingof-age story about Soo-young, a miserable thirtysomething man and Mai-Ratima, a 22-year-old Thai girl who accepts a mail order marriage in order to realize her Korean Dream. Into their relationship comes Young-jin, a hostess, slowly turning it into a love triangle.
King Arthur establishes the ideals and laws of Camelot but is tragically forced to enforce these laws against his own wife.
In this sly Mexican sex comedy, a manipulative mama deftly manages the life of her homosexual son so that he can have his cake and eat it too. A woman of means, she does this by allowing her son, a doctor, to tryst in her home with his lover. Putting her son's happiness above all else, she then arranges a marriage of convenience to a woman. When the marriage is consummated, the young male lover gets terribly jealous and this creates problems until the irrepressible Doña Herlinda again gets involved.
This homage to Italyâs âWhite Telephoneâ films (sophisticated comedy-dramas revolving around working-class girls) of the 1930s gives Agostina Belli her best role â going from chambermaid to prostitute to singer to film-star to mistress of âIl Duceâ! â for which she received a special David Di Donatello award, the Italian equivalent of the Oscar. Incidentally, the English title evokes memories of Octave Mirbeauâs âscandalousâ novel âDiary Of A Chambermaidâ â thrice brought to the screen (in Hollywood in 1946 by Frenchman Jean Renoir, in France in 1964 by Spaniard Luis Bunuel and in 1974, typically as a sexploitationer, by prolific âEuro-Cultâ exponent Jess Franco: the latter being the only one I havenât watched and donât own in any form). At other points in the narrative, the film also reminded me of A STAR IS BORN (itself filmed several times) and BELLE DE JOUR (1967), Bunuelâs celebrated classy treatment of prostitutionâ¦
Soldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's Civil War enemy, General Havelock-Allen. Not wanting to disrupt his planned marriage to Mapy, Johnny must figure out how to concoct a temporary marriage-of-convenience with the descendant -- who turns out to be the beautiful Terry Havelock-Allen.
When her visa expires, a young Japanese immigrant in San Francisco agrees to marry a Japanese-American boy to avoid being deported back to Japan.
Melodrama about a woman who marries a bigamist, then a drunk, and falls in love with another man, all while working at a carnival.
Based on the 1932 play of the same name by Phillip Dunning and George Abbott. Lilly Turner is a very precode character in a very precode film. She starts out with all the best intentions and does nothing wrong, only to find herself in a highly unfortunate situation that society of the time couldn't approve of: an unmarried mother to be. She then gets out of it through the kindness of another, becoming half of an open marriage, very progressive for the times. Lilly Turner would have needed to be completely rewritten to have been made during the code years.
The fourth of seven films that Raffaello Matarazzo made with Amedeo Nazzari and Yvonne Sanson in the starring roles during the fifties. These films were the epitome of operatic melodrama, and were hugely successful with the Italian public.
When bored courtesan Zelie de Chaumet begs her lover, the corrupt and powerful Stetz, to take her slumming, the pair encounter Pierre Boucheron, alias 'The Rat' , boy-king of the Paris underworld, and the innocent Odile. Love, life and jewels are risked and lost in this powerful romantic melodrama as the four characters' lives are changed by this chance encounter for ever.
A young woman going to her wedding is waiting for her fiancée, a hood in custody, who is allowed by the police to go to his wedding.
Glossy melodrama starring Lana Turner as a young woman from Kansas who moves to New York, becomes highly successful at a prestigious modeling agency, and falls in love with a married man.
In this tearful crime melodrama, a waitress becomes so taken with her dream of living in posh luxury and comfort that she leaves her honest boyfriend the district attorney to take up with a notorious gangster who lavishes her with stolen furs and fabulous diamonds. She has no idea that the crook is only using her as a pawn in his scheme to learn the DA's secrets. When she finally does learn the truth, she gives up her life for truth, justice and love.
Tells the story of a young woman escaping from reform school who tries to steal a foreign ambassador's watch but ends up falling in love with him.
A prominent New York doctor (Kay Francis), unable to have a child, discovers her philandering husband (Warren William) has impregnated her best friend (Jean Muir). Director William Keighley's 1934 melodrama also stars Verree Teasdale, Emma Dunn, Phillip Reed, Louise Beavers and Ann Shoemaker.
Ito, daughter of a clan official, encounters Magoshiro Eguchi. Magoshiro is a low ranking samurai sparks an attraction with Ito. Ito challenges Magoshiro to a sword match using bamboo sticks. Mahoshiro accepts. The pair's duel causes sparks to fly an attraction from both sides. Meanwhile, Ito faces an arranged marriage with Saisuke Katagiri and Magoshiro is with Kayo...
Melodrama set in Victorian Brighton. Scheming pub landlady uses the timorous son of a domineering pharmacist to assist in the poisoning of her drunkard husband. (The title is from the way pharmacists used to wrap parcels containing poison).
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