Main cast Loretta Young; Ricardo Cortez; Franchot Tone; Andy Devine; Una Merkel
Genres Romance, Crime, Drama
Description A young woman is on trial for murder. In flashback, we learn of her struggles to overcome poverty as a teenager -- a mistaken arrest and prison term for shoplifting and lack of employment lead to involvement with gangsters. In a brothel, she meets a young lawyer, scion of a wealthy and prestigious family, who falls for her and helps her turn around her life. But her past catches up with her, and she must face the music rather than cause him scandal.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother Alex, a cop with a cleanliness fetish; siblings Juliette and Jimmy, Ivan's partners in a seedy nightclub; the love triangle of Alex, Juliette, and Marie, a professor of philosophy; and of Alex and his nephew, Ivan's dour, stoic son. Ivan's death changes every relationship.
When a feared judge of the French court, Xavier Racine, encounters a French-Danish juror, Ditte Lorensen-Coteret, at a murder trial, their shared past is slowly uncovered.
Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.
Jimmie Rainwood was minding his own business when two corrupt police officers (getting an address wrong) burst into his house, expecting to find a major drug dealer. Rainwood is shot, and the officers frame him as a drug dealer. Rainwood is convicted of drug dealing, based on the perjured evidence of a police informant. Thrown into a seedy jail, fighting to prove his innocence is diffucult when he has to deal with the realities of prison life, where everyone claims they were framed.
Willie Dynamite is a pimp who operates in New York City. Willie was a big success as a pimp, but now, just as fast as he rose to the top, he has hit bottom. A former prostitute who has become a social worker tries to get Willie to clean up his life while it is still possible.
The beautiful Mrs. Paradine is accused of poisoning her older, blind husband. She hires married Anthony Keane as her lawyer and when he begins to fall in love with her, she encourages him.
Eddie Dodd is a burnt out former civil rights lawyer who now specializes in defending drug dealers. Roger Baron, newly graduated from law school, has followed Eddie's great cases and now wants to learn at his feet. With Roger's idealistic prodding, Eddie reluctantly takes on a case of a young Korean man who, according to his mom, has been in jail for eight years for a murder he did not commit.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a 3rd person in the room. The intensity builds when a surprise twist alters everyone's perception of the crime and what happens next...
Two close friends, arrogantly and without remorse, kidnap and murder a young boy. They are caught and put to trial where their larger-than-life defense lawyer blames the Establishment for their actions.
A loose remake of â12 Angry Menâ, â12â is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.
Perry, a sheltered chemical engineer, falls in love with Leslie, a former homecoming princess, when he becomes a jury member at her hippie death cult murder trial.
Mapantsula tells the story of Panic, a petty gangster who inevitably becomes caught up in the growing anti-apartheid struggle and has to choose between individual gain and a united stand against the system.
Based on the 1892 murder of Lizzie Bordenâs family in Fall River, MA, this psychological thriller lays bare the legend of Lizzie Borden to reveal the much more complex, poignant and truly terrifying woman within â and her intimate bond with the familyâs young Irish housemaid, Bridget Sullivan.
In 1928 Arthur Upfield, Australiaâs premier crime writer, plotted the perfect murder for his novel The Sands of Windee. Meanwhile, one of his friends, stockman Snowy Rowles, put the scheme into deadly effect, even before the book was published. This true story resulted in one of Australiaâs most sensational murder trials of the 1930âs and catapulted Upfieldâs name onto the world stage.
Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.
In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then tutelage from Lefty, an aging swindler. After some years of success, they're joined by Federico, the best, a true artist. Things go well until Pilar, a woman from Federico's past, re-enters his life with a proposal to con a golden goose - a swindle that will put them all on easy street. A double-cross may be in the cards. The flashback over, can Ernesto hold his own in the present?
J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white-male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.
Police Lt. Leonard Diamond vies to bring a clever, well connected, and sadistic gangster to justice all the while obsessing over the gangsters' girlfriend.
Based primarily on the first game in the series, Phoenix Wright: Ace Attorney, the film focuses on rookie defense attorney RyÅ«ichi NaruhodÅ, as he strives to protect his clients in various murder trials, including the death of his mentor, Chihiro Ayasato, and the accusation of rival prosecutor, Reiji Mitsurugi. RyÅ«ichi's greatest ally is Chihiro's younger sister Mayoi, a spirit medium whose body is posessed by Chihiro to communicate with him. The film will be a courtroom drama combined with the video game series' signature style. Sci-fi elements are also used such as characters bringing up holographic images of evidence during trials.
During the trial of a man accused of his father's murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices. The film is adapted by Reginald Rose from his own 1957 film version (directed by Sidney Lumet) and from the Westinghouse One television production that predated it. George C. Scott won a Golden Globe for his supporting role; righteous juror Jack Lemmon was denied such an honor for Best Actor, but recipient Ving Rhames (for Don King) dedicated his award to Lemmon.
Sean Veil is an ultra paranoid murder suspect who takes to filming himself round the clock to provide an alibi, just in case he's ever accused of another crime. Problems arise however when the police do come calling and the one tape that can prove his innocence has mysteriously disappeared.
The story concerns the funeral of one of three brothers in a family of gangsters that lived in New York in 1930s. Details of the past of the brothers and their families are shown through a series of flashbacks, climaxing in a shocking ending.
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is *supposed* to be on a diet of bland, civil suits. But the lure of the criminal courts is too much for him, especially when the case is so difficult: Vole's only alibi witness is his wife, the calm and coldly calculating Christine Vole. Sir Wilfrid's task becomes even more impossible when Christine agrees to be a witness not for the defence but for the prosecution.
Transposing Akira Kurosawa's classic "Rashomon" to the American Southwest in the 1870s, this remake begins as three travelers at a dilapidated railroad station discuss the recent trial of the notorious Mexican outlaw Carasco. We go on to see four different versions of how the bandit came to murder a wealthy Southerner and rape his wife, each allocating guilt and innocence differently.
One night in the New Orleans slums, vicious hoodlum Blackie and his friends kill an illegal immigrant who won too much in a card game. Next morning, Dr. Clint Reed of the Public Health Service confirms the dead man had pneumonic plague. To prevent a catastrophic epidemic, Clint must find and inoculate the killers and their associates, with the reluctant aid of police captain Tom Warren, despite official skepticism, and in total secrecy, lest panic empty the city. Can a doctor turn detective? He has 48 hours to try...
Confessions of a Police Captain (Italian: Confessione di un commissario di polizia al procuratore della repubblica, also known as Confessions of a Police Commissioner to the District Attorney) is an Italian crime-drama film about a cop starring Franco Nero and Martin Balsam who is caught up in suffocating and incriminating big city "corruption." Nero tries desperately to bring an elusive criminal to justice who has been a thorn in his side for many years. This cop has a tough decision to make; does he turn in his partner or turn his head? The film won the Golden Prize at the Moscow International Film Festival in 1971 and the Prix lntemational de l'Academie du Cinema at the Ãtoile de Cristal Awards in 1972.
Don't be fooled by the title. Christmas Holiday is a far, far cry from It's a Wonderful Life. Told in flashback, the story begins as Abigail Martin marries Southern aristocrat Robert Monette. Unfortunately, Robert has inherited his family's streak of violence and instability, and soon drags Abigail into a life of misery.
Alaipayuthey (Tamil: ஠லà¯à®ªà®¾à®¯à¯à®¤à¯) (Jumping Waves / compared to tempting or fickle mind in Tamil) is an 2000 Indian, Tamil language film directed by Mani Ratnam. Starring R. Madhavan and Shalini, the film explores the tensions of married life and the maturing of love. The film's score and soundtrack are composed by film composer A. R. Rahman. Alaipayuthey's story is mostly recollected in flashbacks by the character Karthik. Karthik and Shakti fall in love against the backdrop of Madras and its suburban trains, against the wishes of their parents. The movie was well received by critics and did well at the Tamil and Telugu box-offices primarily for its music and realistic portrayal of romance and married life.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone - including the writer, star and director - on the way to becoming one of Hollywood's top movie makers.
Ben Stiller plays comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahl's flashback. Other women in Stahl's life are his British wife Sandra and his agent Vola.
While searching for his fiancee Ritsuko, Sakutarou rediscovers through flashbacks the void deep within him caused by the events from his high school days.
In this family saga, Mrs. Parkington recounts the story of her life, beginning as a hotel maid in frontier Nevada where she is swept off her feet by mine owner and financier Augustus Parkington. He moves them to New York, tries to remake her into a society woman, and establishes their home among the wealthiest of New York's high society. Family and social life is not always peaceful, however, and she guides us, in flashbacks, through the rises and falls of the Parkington family fortunes.
In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later.
The film begins in a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however we know he has fulfilled his childhood ambition, to marry a haidresser.
Ajay (Siddharth) comes to Kasi, where his thoughts and ideas on life and death undergo a sea change after he meets a young boy. He relocates to Chennai and stays in a house owned by a couple S V S Murthy (Mouli) and Jayam (Geetha). They treat him as their own son. A do-gooder, Ajay with his jovial nature wins the heart of all those whom he comes across. Vidya (Nithya Menen), a photo journalist meets Ajay and falls for his good nature. Ajay with the help of Vidya even gets street children obtain sponsorship for their education. But things take a turn when Vidya expresses her love to Ajay. He quietly walks off the place and decides to leave Chennai. But a rude accident to Vidya puts the responsibility on Ajay's shoulders to get her back to health. He takes her to USA for a surgery. Meanwhile a flashback reveals that Ajay was a successful doctor in the United States and who led a happy life.
A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who were involved, she begins to fall in love with him, as her friends warn her that he's dangerous.
In the elegant world of artists and musicians, Gertrud ends her marriage to Gustav and takes a lover, the composer Erland Jansson. When he also fails to live up to her idealistic standards, she leaves him and imposes on herself a kind of exile of the heart. In flashbacks and in conversations laced with memories, we also learn of her affair with Gabriel, who still wishes she would go off with him, and we learn of her adolescence, with its early expression of her isolating ideal of absolute love. Written by
LIME SALTED LOVE is a minimalist, surreal examination of abandonment, guilt, abuse and psychic pain set in this minute's hipster enclaves of Los Angeles. The film, told in rippling flashbacks from its four main characters, drains out of the eyes of the institutionally confined, David Triebel, his guilt-ridden younger brother, Chase, Ellie, his emotionally damaged girlfriend, and Zephyr, the sexual provocateur. In the visual narrative tradition of David Lynch the film depicts the tale of three bonded brothers broken by the accidental death of one and the residual guilt draping the remaining two The film examines how damaged people are hurt even more by their own willful ways. Sometimes it is the smallest things we do to others that destroys them...
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
In America it frequently shows under the title Hey Babu Riba. In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.
Set in the early 90s, Dana (Shea Curry), a recently divorced young woman embarking on an acting career. Months earlier she met a young, charismatic, theater cast-mate, Jack (Michael Buie) in the Spring play at the local dinner theater. They seemingly look like good friends until flashbacks expose their history and brush with romance. Thus, "can a man and woman really be "just friends". Only For You is a story about life, love, friendships, choices and believing in ourselves at all costs. It addresses the question: "What happens when you find the right love at the wrong time?" and it is a story about life, love, friendships, choices and believing in ourselves at all costs.
When the Holmes Woolen Mill burns down, political activist Leopold Dilg is jailed for arson (and murder; one man was lost). Escaping, Leopold hides out in the home of his childhood sweetheart Nora Shelley ...which she has just rented to unsuspecting law professor Michael Lightcap.
In 1942, a cargo ship jammed with British evacuees from Singapore is sunk by a Japanese sub. A small lifeboat carries a beautiful woman, an army officer, a bigoted administrator, and a black seaman. Only the seaman knows the woman is a nun. The men reveal their true selves under the hardships of survival. Told in a too-long flashback frame.
Albert Lewin's interpretation of the legend of the Flying Dutchman. In a little spanish seaport named Esperanza, during the 30s, appears Hendrick van der Zee, the mysterious captain of a yacht (he is the only one aboard). Pandora is a beautiful woman (who men kill and die for). She's never really fallen in love with any man, but she feels very attracted by Hendrick... We are soon taught that Hendrick is the Flying Dutchman, this sailor of the 17th century that has been cursed by God to wander over the seas until the Doomsday... unless a woman is ready to die for him...
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