The Gay Caballero (1940)
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Cisco and Gordito arrive to find there is an outlaw operating in the area who is assumed to be the Cisco Kid. When a reward is offered for his capture and a large shipment of money goes out, Cisco is on hand. Seeing the gang rob the stage he goes after them only to be wounded. The gang leader leaves Cisco's handkerchief at the scene and now he is wanted for the murder he tried to break up.
A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.
After several years' dormancy, the "Cisco Kid" western-film series returned to the screen with Monogram's The Cisco Kid Returns. Duncan Renaldo, actually Rumanian, starred as the Mexican "Robin Hood of the Old West", with Martin Garralaga as his corpulent sidekick Pancho. In the tradition of 20th Century-Fox's earlier "Cisco" efforts, our hero comes to the aid of an orphaned child, clears himself of a kidnapping charge, and proves that a "solid citizen" is in fact a criminal mastermind.
The Cisco Kid and Pancho are mistakenly identified as leaders of an outlaw band. While the cavalry runs them down, they must hunt down the real bad guys.
Army Sergeant Mickey Dunn sets out in pursuit of the Cisco Kid, a notorious if kind-hearted and charismatic bandit of the Old West. The Kid spends much of his loot on Tonia, the woman he loves, not realizing that she is being unfaithful to him in his absence. Soon, with her oblivious paramour off plying his trade, Tonia falls in with Dunn, drawn by the allure of a substantial reward for the Kid's capture -- dead or alive. Together, they concoct a plan to ambush and do away with the Cisco Kid once and for all.
Cisco saves a stagecoach from being robbed and takes a shine to one of the passengers whose father is in cahoots with a vicious criminal who plans to murder him.
Eduardo Belmonte overhears his new step-mother, Maria, and her lover, Don Ricardo Gonzales plotting to take over the Belmonte rancho on the night of the fiesta given by her husband, Don Carlos Belmonte. Eduardo offers Maria money if she will depart the hacienda premises, but she refuses and then accuses Eduardo of making love to her. The old Don doesn't take kindly to his son hitting on his step-mother and attacks him in a rage. The lights go out, the father is killed and Maria blames Eduardo, who escapes from the house, chased by Ricardo's men. The Cisco Kid and Pancho rescue Eduardo, who has been shot, and hide him while they investigate. Cisco discovers that bullets from Maria's gun, a handy little derringer, are the same type that killed Don Carlos. But the Alcalde arrests Cisco and Pancho, and Cisco is "supposedly" executed by a firing squad, but IS NOT shot and escapes by a trick. And now Maria and Ricardo are in real trouble with Cisco on the loose.
The second of Monogram's 1945 trio of "Cisco Kid" westerns, In Old New Mexico stars Duncan Renaldo as Cisco and Martin Garralaga as Pancho. The plot concentrates on heroine Ellen (Gwen Kenyon), a nurse accused of murder. Gallant Cisco "kidnaps" Ellen from the authorities, then sets about to prove her innocence, all with the cooperation of a sympathetic sheriff.
Chasing women and staying one step ahead of the law, the Cisco Kid meets Raquel and then Dolores. He sees that Raole is the boy friend of Raquel but engaged to Dolores. Learning that all her money will got to her uncle Don Jose when she marries Raole, Cisco suspects a plot and sets out to unravel it.
The Cisco Kid (Gilbert Roland) hears of a land-swindling scheme devised by the police Commandante (Martin Garralaga) and the tax collector (Harry Woods) in a small western town. Cisco's efforts against the plot cause the thieves to fall out, and Cisco is able to return the land to the rightful owners.
The Cisco Kid is captured while keeping a rendezvous with cantina dancer Dolores but is released by his captor, the commander of a U.S. Army regiment, to help break up a kidnap ring. On his way to Las Tables with his pal, Gordito, he makes a stop at the Martinez Rancho, where they learn that his friend Carlos has been kidnapped, from his wife Marquerita. At the Crystal Palace Saloon, Cisco runs into an old girlfriend, Sally, who he once jilted for a tight-rope walker, but she doesn't betray him when the sheriff and an army officer enter searching for Cisco.
When old rancher Cordoba's grandson is murdered, the Cisco Kid takes his place to find who's trying to take over the ranch.
The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.
Five O' Henry stories, each separate. The primary one from the critic's acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".
The film's name comes from the song "Stand By Me" by Ben E. King from 1961. The song was also the theme song. This film was modeled from a novella by Stephen King called "The Body" and was the ninth filmed story from the author. The film tells the story of a group of 10-year-old friends out on their own and the trials and tribulation they are confronted with along the journey.
Avalon is the third in Levinson's semi-autobiographical series of four "Baltimore Films": Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.
Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves ⦠and all the wrong guys. Now they're willing to risk it all to find out if there's more between them than just the law. Variety hails Out of Sight as "a sly, sexy, vastly entertaining film."
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