Old Acquaintance (1943)
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A Broadway playwright puts murder in his plan to take credit for a student's script.
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Director Roy Rowland's 1953 drama, depicting the rocky marriage of a young model and her Broadway playwright-husband, stars Victor Mature, Jean Simmons, Jane Darwell, Dabbs Greer, Nicholas Joy, Lillian Bronson and George Cleveland.
John Belushi was the high school sweetheart who ruined her reputation with lies. Richard Jordan was the collage lover that she almost married. Keith Carradine is the unstable brother of her first real love. Talia Shire is Diane Cruise a woman whose life has shattered in a myriad of pieces after the dissolution of her marriage she desides to delve into her past and seek out the men who marked the milestones of her life.
Successful playwright Felix Webb has a new play, 'The Hit Man', in rehearsal. Directed by his old friend Humphrey, it is already being hailed as a masterpiece; but Felix can't enjoy his success. He has fallen passionately in love with Hilary, a beautiful, fiesty young actress, and is preparing to desert his perfect family, his wife Elena and three lively children. His intolerable situation is further complicated when Humphrey casts Hilary as one of the leads in 'The Hit Man'. Enter Robin Grange, a charismatic young Hollywood actor making his London theatre debut. Robin is attractive, charming and dangerous, and soon inveigles his way into everyone's life. He ingratiates himself with the cast and, quickly grasping Felix's dilemma, sets about weaving his web of mischief. He suggests that if he were to seduce Elena, she would be distracted from Felix's affair, regain her self respect, and perhaps even willingly part from the unfaithful husband to whom she clings...
While investigating an ordinary homicide a group of detectives suddenly find a connection to a very first faces of USSR government.
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Pocho Martin's body is found dead on the shore of a fishing village. According to the forensic Ramiro, Pocho has been assassinated, which alerts the Commissioner Carlos (Mayans). Young Silvia (Analia Ivars), Pocho's friend, receives the sad news but is more concerned about her impending wedding with Andy (José Llamas). Crackpot Oscar speaks to Carlos of the dangerous sirens of Deer Island, evil women who attract sailors and annihilate them. When Ramiro and Carlos go to the island, they find the sisters Lila and Mary (Eva Leon and Lina Romay), who run a tavern / brothel near the beach. Carlos and Lila are old acquaintances and celebrate the reunion, but the murder of Pocho remains unsolved.
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Molière, a down-and-out actor-cum-playwright up to his ears in debt. When the wealthy Jourdain offers to cover that debt (so that Molière's theatrical talents might help Jourdain win the heart of a certain widowed marquise), hilarity ensues.
The film is about three husbands having affairs outside their marriage. One of their wives hires a detective named Kishen and finds out that their husbands are cheating. Their wives find out when Kishen scares them by blind folding them and when they tell their girlfriends list, Sanjana gets hurt and leaves and tries to commit suicide but Kishen helps her.
On the eve of his wedding, on holiday on the Lake Annecy shore, a career diplomat visits an old acquaintance, perhaps a former girlfriend. Through her he meets an intense teenager, Laura, and then lusts after her sister, Claire. Whilst Laura attempts to flirt with him, his fantasy becomes focused on wanting to caress Claire's knee.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as âa genius straight from the slums.â When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her motherâs family and was in prison undergoing rehab. Re-introduced to her motherâs plays and letters, the film follows Lorraineâs personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
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The story of Peter McGowan, a chain-smoking, impotent, insomniac playwright who lives in Los Angeles. Once very successful, he is now in the tenth year of a decade-long string of production failures. He finds himself bonding with a new neighbor's lonely young daughter who has mild cerebral palsy; and during one of his middle-of-the-night strolls, he encounters his oddball doppelgänger.
It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents
When easy-going Aoyagi meets an old friend for a fishing trip, he ends up drugged, framed for the Prime Minister's assassination, and on the run from corrupt cops. It's only the beginning of what quickly becomes the worst, weirdest day of his life. But he'll get by with a little help from his friends, who include a famous pop diva, a rockabilly deliveryman, a crippled old gangster, and the world's most cheerful serial killer.
JULIA covers the 1930s when Lillian attained fame with the production of her play "The Childrens' Hour" on Broadway. It centers on Lillian's relationship with her friend, Julia. It's a relationship that goes beyond mere acquaintance and one for which the word "love" seems appropriate. While Julia attends the University in Vienna, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiel Hammett. After becoming a celebrated playwright, Lillian is invited to a writers conference in Russia. Julia, having taken up the battle against fascism, enlists Lillian en route to smuggle money through Nazi Germany which will assist in the Anti-Fascist cause. During a brief meeting with Julia on this trip, Lillian learns that Julia has had a child which is called Lilly.
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
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In Nazi occupied Czechoslovakia, a childless couple agree to hide a Jewish friend at great personal risk of discovery and execution.
Eva Lovelace, would-be actress trying to crash the New York stage, is a wildly optimistic chatterbox full of theatrical mannerisms. Her looks, more than her talent, attract the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom or the "casting couch"? Will she fade after the brief blooming of a "morning glory"? This was Katharine Hepburn's third film, and resulted in her first Academy Award for Best Actress. The film is based on a play and was remade in 1958 as "Stage Struck", with Susan Strasberg, Christopher Plummer and Henry Fonda in the three lead roles.
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A playwright who begins to mentally unravel before premiere night. She is plagued by dreams and visions of being watched, but cannot decide if she is at the center of a manipulative plot or simply losing her grip on reality.
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