Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
Petty crook and cop-killer Martin Rome, in bad shape from wounds in the hospital prison ward, still refuses to help slimy lawyer Niles clear his client by confessing to another crime. Police Lt. Candella must check Niles' allegation; a friend of the Rome family, he walks a tightrope between sentiment and cynicism. When Martin fears Candella will implicate his girlfriend Teena, he'll do anything to protect her. How many others will he drag down to disaster with him?
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
Al Roberts, a New York nightclub pianist, hitch-hikes to Hollywood to meet his girlfriend Sue. The gambler he's riding with, Charles, unexpectedly dies. Afraid the police wouldn't believe the truth, Al takes the man's identity. In a gas station, he gives a lift to Vera, a woman that knew Charles and blackmails Al with tragic consequences.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
Two professional killers invade a small town and kill a gas station attendant, "the Swede," who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede's life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
Private detective Philip Marlowe is asked by a publishing executive, Adrienne Fromsett, to locate the wife of her boss, publisher Derace Kingsby. Earlier she had sent her husband a telegram saying she was heading to Mexico to marry Chris Lavery. However Kingsby had recently seen Lavery in the neighbouring Bay City. Marlowe pursues his investigation at the Kingsby's lakeside cottage.
Anne Baxter stars as Norah Larkin, a single woman whose heart is broken after receiving a "Dear John" letter. After a night of drinking she passes out in the apartment of womaniser Harry Prebble (Raymond Burr), awaking to find herself accused of his murder.
Fast-talking con-man and grifter Candy Johnson rises to be the corrupt boss of Yellow Creek, but his wife's alcoholic father tries to set things right.
Set in the 1930's this intricate caper deals with an ambitious small-time crook and a veteran con man who seek revenge on a vicious crime lord who murdered one of their gang.
Joe Moore has a job he loves. He's a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman reneges on the money he's owed, and his wife may be betraying him with the fence's young lieutenant. Moore and his partner, Bobby Blane and their utility man, Pinky Pincus find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild FBI agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and mafia.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.
The Horatio Alger parable gets the film noir treatment with the redoubtable Edmund OâBrien as a whip-smart telephone technician who moves up the ladder of a Syndicate gambling empire in Southern California until distracted by an inconveniently married Joanne Dru and his own greed. Ripped from the headlines of the 1950 Kevaufer Organized Crime Hearings, this fast-moving picture is laden with location sequences shot in Los Angeles, the Hoover Dam and Palm Springs including the famous Doll House watering hole on North Palm Canyon Drive!
Frank W. Abagnale Jr. is a cunning con man -- posing as a doctor, lawyer and pilot all before turning 21. He's also a deft forger, and his work attracts the attention of FBI agent Carl Hanratty, who makes it his mission to put Frank behind bars. But Frank not only eludes capture, he revels in the pursuit, even taking time to taunt Carl by phone.
A multi-layered satire of race relations in America. Live-action sequences of a prison break bracket the animated story of Brother Rabbit, Brother Bear, and Preacher Fox, who rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.
A psychiatrist comes to the aid of a compulsive gambler and is led my a smooth-talking grifter into the shadowy but compelling world of stings, scams, and con men.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
In a flashback, Ernesto, a young con man, tells us how he got to the edge of a big score: childhood in an orphanage, youthful smash-and-grab burglaries until his partner is caught, then tutelage from Lefty, an aging swindler. After some years of success, they're joined by Federico, the best, a true artist. Things go well until Pilar, a woman from Federico's past, re-enters his life with a proposal to con a golden goose - a swindle that will put them all on easy street. A double-cross may be in the cards. The flashback over, can Ernesto hold his own in the present?
Bruno, a sadistic criminal, wants clever con man Leo out of the way. Leo and his equally clever wife, Lily, are up to something. So too is Julius: he hires Leo to kill Gloria, Julius's wife. Leo does it, but then Julius shows up with the murder on tape, saying Gloria isn't his wife - it's blackmail. Leo's bookie, Troy, is also closing in, wanting to be paid. Bruno and Lily as well as Bruno and Julius have their own scams running, and Leo is their target. Maybe Leo can get Troy off his back, avoid Moose (Bruno's huge enforcer), send Gloria's corpse out of England, turn the tables on Bruno's murderous brother Caspar, and outfox Lily. Or is Lily his fox? It's a three-ring circus.
Frank Johnson, sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Bud Corliss (Wagner) is an ambitious student who is wooing Dorothy Kingship (Woodward) purely for her father's mining fortune. When he discovers that Dorothy is pregnant with his child, he realizes she is quite likely to be disinherited by her wealthy family. He assures Dorothy that he'll take care of her, yet he hesitates when Dorothy insists on marrying. Bud then murders Dorothy and stages it in a way that it appears to be a suicide. He then reaches out to her sister Ellen (Leith) with the hopes of marrying her in order to ingratiate himself with her father. After a couple of months Ellen finds evidence to question the suicide verdict, and then discovers Bud knew Dorothy. Ellen struggles to avenge her sister and save her own life.
Private eye Jake Gittes lives off the murky moral climate of sunbaked, pre-World War II Southern California. Hired by a beautiful socialite to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together.
To Kill A Mockingbird is the film adaptation of the classic book by Harper Lee. The film tells the story of a child in a small American town in the 1930âs where color prejudice, racial hatred, and taking the law into your own hands were everyday events. Gregory Peck would receive an Oscar for his excellent portrayal of a single father named Atticus Finch.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
The Killing was Stanley Kubrickâs first film with a professional cast and the first time he achieved public recognition as the unconventional director heâs now known for. The story is of ex-prisoners who plan to set up a racetrack so they can live a life without monetary worries. One of the more exceptional films of the 1950âs.
Spade and Archer is the name of a San Francisco detective agency. That's for Sam Spade and Miles Archer. The two men are partners, but Sam doesn't like Miles much. A knockout, who goes by the name of Miss Wanderly, walks into their office; and by that night everything's changed. Miles is dead. And so is a man named Floyd Thursby. It seems Miss Wanderly is surrounded by dangerous men. There's Joel Cairo, who uses gardenia-scented calling cards. There's Kasper Gutman, with his enormous girth and feigned civility. Her only hope of protection comes from Sam, who is suspected by the police of one or the other murder. More murders are yet to come.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
Stoker Thompson is a 35-year-old has-been boxer. His once-promising fighting career has come crashing to the end. Tiny, Stoker's manager, is sure he will continue to lose fights, so he takes money for a "dive" from a mobster, but is so sure that Thompson will lose that he doesn't tell the boxer about the set-up. At the beginning of the last round of the vicious boxing match he learns of the fix.
Belfast police conduct a door-to-door manhunt for an IRA gunman (James Mason) wounded in a daring robbery.
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