People Are Funny (1946)
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After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.
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Harriet Green, a beloved and radiant music hall star of the Edwardian era, has a guilty secret: She has a baby daughter, born out of wedlock. Harriet leaves her public and flees to South Africa to raise her daughter quietly. The years pass, and now her daughter, Harriet Hawkes, returns to London as a young show-biz hopeful. Tommy, a wily publicity man, knowing that young Harriet is a dead ringer for her famous mother, convinces a theater producer to star her in a new revue as none other than the original Harriet Green, miraculously untouched by old age. The ruse works too well: Now the public believes Harriet is a well-preserved 60-year-old and Tommy is her son. The deception is more than merely inconvenient, because now Harriet and Tommy have secretly fallen in love.
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A crooked producer tries to link his backers by producing a flop and disapearing with the money. Patricia, one of the chorus girls has given her money, too and after the disappearing of the producer one of the backers is in charge of production, trying the same trick. But Patricia tries to convince him to give the show a chance.
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Beverly Ross, the switchboard operator at a local radio station, jumps at the chance to be the emcee of a recorded program at an early morning hour before the soldiers at a nearby army camp assemble for reveille. Bevery, sensing what bands and singers are favorites of the soldiers plays recordings she knows they will like and intersperses then with chatter and camp bulletins. Beverly's younger brother is a soldier at the camp, and two of his buddies, one rich and the other one poor, vie for Beverly's attentions.
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Broadway producer Max Bialystock and his accountant Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back - and what can be a more certain flop than a tasteless musical celebrating Hitler� The film distributors were also afraid that the audience would react negatively, so the film had a sneak premiere in Pittsburgh in November 1967 and its official premiere in New York in March 1968, but it didn't go on general release in the US until November 1968. It wasn't released outside the US until its UK premiere in October 1969, followed by Sweden in May 1970, and Italy, Denmark and France in 1971. They didn't dare show in Germany until 1976. Today its regarded a comedy classic.
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