Main cast Dennis O'Keefe; Mary Meade; Alfred Ryder; Wallace Ford; June Lockhart
Genres Thriller, Crime
Description From Wikipedia, the free encyclopedia. T-Men is a semidocumentary style 1947 film noir shot in black-and-white. The film was directed by Anthony Mann with cinematography by noted noir cameraman John Alton. The B-movie is featured in Visions Of Light: The Art Of Cinematography (1992) documentary for the drama's use of lighting. Description above from the Wikipedia article T-Men, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bart Tare is an ex-Army man who has a lifelong fixation with guns, he meets a kindred spirit in sharpshooter Annie Starr and goes to work at a carnival. After upsetting the carnival owner who lusts after Starr, they both get fired. Soon, on Starr's behest, they embark on a crime spree for cash. Subjects of a manhunt, they are tracked by police in the hills Tare enjoyed as a boy.
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.
Ex con turned private investigator Bradford Galt (Mark Stevens) suspects someone is following him and maybe even trying to kill him. With the assistance of his spunky secretary, Lucille Ball, he dives deep into a mystery in search of answers.
Al Goddard (Alan Ladd), a detective who works for the United States Postal Inspection Service, is assigned to arrest two criminals who've allegedly murdered a U.S. postal detective.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise in Martin Scorsese's multiple Oscar-winning crime thriller. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
Orson Wellesâs "Mr. Arkadin" tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as "Confidential Report" but was never released in the US. The fourth version, called "the Corinth version", was discovered in 1961 and was released in the US in 1962. Finally, in 2006, "the Criterion edit" was released; likely to remain the one closest to Welles' intentions.
Bogey's on the lam and Bacall's at his side in Dark Passage, Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry who, framed for murder, escapes San Quentin and soon emerges from plastic surgery with a new face. Bacall is Irene Jansen, Vincent's lone ally. In a supporting role, Agnes Moorehead portrays Madge, a venomous harpy who finds pleasure in the unhappiness of others. The chemistry of the leads is undeniable, and they augment it here with exceptional tenderness. Exceptional too are the atmospheric San Francisco locations and the imaginative camera work that shows Vincent's point of view - but not his face - until the bandages are removed. Lest Irene get ideas, the post-surgery Vincent tells her: "Don't change yours. I like it just as it is."
Young Treasury Agent Elliot Ness arrives in Chicago and is determined to take down Al Capone but it's not going to be easy, because Capone has the police in his pocket. Ness meets Jimmy Malone a veteran patrolman and probably the most honorable one in the force. He asks Malone to help him get Capone but Malone warns him that if he goes after Capone, he is going to war.
John Cummings, an unsuccessful cosmetics salesman, has his unpaid-for car stolen by one of the hoods in the employ of Lionel Meadows, the sadistic organizer of a London car conversion racket. The auto was not insured, and since the police appear indifferent to his plight, Cummings decides to find it himself -- and gets himself involved in an underworld battle.
Chan Wing Yan, a young police officer, has been sent undercover as a mole in the local mafia. Lau Kin Ming, a young mafia member, infiltrates the police force. Years later, their older counterparts, Chen Wing Yan and Inspector Lau Kin Ming, respectively, race against time to expose the mole within their midst.
Landing in jail for a petty theft crime, Alvin finds himself sharing a cell with John Jaster, the incarcerated half of the pair of high-tech thieves responsible for the missing gold. His partner, Bristol, is still at large. Alvin wants only to get out of prison and start fresh with his girlfriend, Lisa, and when the Feds, led by U.S. Treasury investigator Clenteen, set him loose on a sketchy deal, he thinks his luck has changed. Alvin has his freedom and the Feds have found their bait.
John Wooâs Hard Boiled tells the story of jaded detective âTequilaâ Yuen (played with controlled fury by Chow Yun-fat). Wooâs dizzying odyssey through the world of Hong Kong Triads, undercover agents, and frenzied police raids culminates unforgettably in the breathless hospital sequence.
It's a major double-cross when former police officer Brian O'Conner teams up with his ex-con buddy Roman Pearce to transport a shipment of "dirty" money for shady Miami-based import-export dealer Carter Verone. But the guys are actually working with undercover agent Monica Fuentes to bring Verone down.
A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a potential witness. Soon they are killing everyone he even comes in contact with in order to get him.
In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
In Paris, a gold smuggler is at war with other local gangsters who want piece of the action. Then the mob shows up and makes things worse. And an undercover US Treasury Department agent is trying to infiltrate the smuggle business.
The Naked City portrays the police investigation that follows the murder of a young model. A veteran cop is placed in charge of the case and he sets about, with the help of other beat cops and detectives, finding the girl's killer.
In the coastal town of Los Angeles, a gang of bank robbers call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. The F.B.I. believes that the members of the gang could be surfers and send young agent Johnny Utah undercover at the beach to mix with the surfers and gather information.
The tranquility of a small town is marred only by sheriff Tod Shaw's unsuccessful courtship of widow Ellen Benson, a pacifist who can't abide guns and those who use them. But violence descends on Ellen's household willy-nilly when the U.S. President passes through town... and slightly psycho hired assassin John Baron finds the Benson home ideal for an ambush.
Two undercover agents infiltrate a drug-smuggling ring in Mexico, thee find them selves falling in love with each other. Neither is aware of the other's identity As they decide to make a run for the border.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Tough NYC police detective Dixon misses out on a promotion because of his record of roughing up suspects. When accidentally kills a suspect in a murder case he plants clues to absolve himself. But when the father of a woman he recently fell in love is accused of the crime his plan looks like back firing.
Bud Corliss (Wagner) is an ambitious student who is wooing Dorothy Kingship (Woodward) purely for her father's mining fortune. When he discovers that Dorothy is pregnant with his child, he realizes she is quite likely to be disinherited by her wealthy family. He assures Dorothy that he'll take care of her, yet he hesitates when Dorothy insists on marrying. Bud then murders Dorothy and stages it in a way that it appears to be a suicide. He then reaches out to her sister Ellen (Leith) with the hopes of marrying her in order to ingratiate himself with her father. After a couple of months Ellen finds evidence to question the suicide verdict, and then discovers Bud knew Dorothy. Ellen struggles to avenge her sister and save her own life.
An undercover cop finds himself in a Catch-22 situation where he has to return the drugs he had stolen from a kingpin in exchange for his son. The bag containing the drug goes missing, and with both gangsters and cops on his tail, can he get out of this mess?
The Hong Kong Police placed 1000 undercover officers in the various Triad groups in their efforts to bring down the criminal organization in Hong Kong. After one undercover officer's identity is discovered and he is killed, the pressure is put on one gang, suspicious of each other and everyone around them. Betrayal, deceit and murder bring this group of 'brothers' into a collision with the law, and each other.
Newspaper reporter John McGuire plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death. A stunning example of cinematic expressionism, cited by many as the first studio film shot in a completely noir style. Peter Lorre virtually reprises the eerily convincing persona he created in Fritz Lang's M, adding an emotion-wringing melancholia to his performance as a paranoid, lost soul. Featuring the astounding art direction of Van Nest Polglase and the brilliant cinematography of Nicholas Musuraca, as well as reportedly uncredited script work by Nathanael West (The Day of the Locust)!
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he's finally released for lack of evidence--after having been beaten up and tortured by the police--he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Centring on the activities of a gang of assorted criminals and, in particular, their leader â a vicious young hoodlum known as "Pinkie" â the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.
A DEA agent and an undercover Naval Intelligence officer who have been tasked with investigating one another find they have been set up by the mob -- the very organization the two men believe they have been stealing money from.
After her cheating husband leaves her, Mildred Pierce proves she can become independent and successful, but can't win the approval of her spoiled daughter.
The black policeman Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA: the Columbian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss. First step is to get the lawyer and hobby dealer David Jason to trust him.
Picking up the storyline from where Singam ended, Duraisingam (Suriya) has gone undercover after meeting the Home Minister and is working as an NCC officer in a school in Thoothukudi. The only people who know about this operation are the Chief Minister and Home Minister apart from himself.
The Killing was Stanley Kubrickâs first film with a professional cast and the first time he achieved public recognition as the unconventional director heâs now known for. The story is of ex-prisoners who plan to set up a racetrack so they can live a life without monetary worries. One of the more exceptional films of the 1950âs.
Lucia, an children's book author, tells the story of her husband's disappearance. One day on their way to Brazil he just disappears. She goes to the police, gets a ransom note, and makes friends with the old dude downstairs and the young dude upstairs as she tries to find him. Things take a bit of a twist as she realized the kidnapping may not be as simple as it seems on the surface.
Two carefree young travellers make the mistake of their lives when they pick up a mysterious, and slightly psychotic, hitch-hiker who never closes his right eye -- even when he sleeps!
A mysterious client of private eye Don Strachey pays him cash to tail a woman who turns out to be an undercover officer; an older lesbian couple are victims of threats and vandalism; an old flame of his lover Tim shows up to support the older couple; neighbors are angry at the couple for refusing to sell out to a developer; and, parents are angry at one of the couple, Dorothy, for being a good guidance counselor to gay teens. Her partner, Edith, wants to move away; Dorothy is adamant about staying. When someone dies in a fire in their barn, the stakes get higher. Don, who does not believe in coincidence, gives the police enough information to stay on their good side as he pursues the truth.
In the Deep South, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money. As the children escape down the river, events build to a battle between good and evil.
This movie tells the story of a man who goes undercover in a hi-tech prison to find out information to help prosecute those who killed his wife. While there he stumbles onto a plot involving a death-row inmate and his $200 million stash of gold.
Anne Baxter stars as Norah Larkin, a single woman whose heart is broken after receiving a "Dear John" letter. After a night of drinking she passes out in the apartment of womaniser Harry Prebble (Raymond Burr), awaking to find herself accused of his murder.
A psychotic socialite confronts a pro tennis star with a theory on how two complete strangers can get away with murder...a theory that he plans to implement.
Please enter your e-mail address to subscribe for updates
The General Data Protection Regulation (GDPR) and Cookies
On 25 May 2018, the General Data Protection Regulation (GDPR) (EU) 2016/679 will come into force. The GDPR strengthens and clarifies the rights of EU-resident natural persons with regard to their personal information The Terms and Conditions and the Privacy Policy for Valossa services have been updated accordingly.
Please review Valossa's updated Terms and Conditions, Privacy Policy and the Cookie Policy. If you use our services to process personal information of EU-resident natural persons you need to comply with the GDPR. By using our services on or after 25 May 2018, you will be agreeing to the changes.
Under the GDPR, you have several rights, such as accessing your own personal data, erasing of that data, and the right to be notified within 72 hours of a data breach that is likely to result in a risk for your rights and freedoms. You may reach the Data Protection Officer (DPO) of Valossa when needed, and the details for doing so can be found in the updated Privacy Policy.
Click 'OK' to agree and continue using WhatIsMyMovie.com.