Chicken Every Sunday (1949)
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Pontus is divorced and has custody of his children every other week while living life as a bachelor the rest of the time. His older brother, Jens, is married since 20 years and has three children. When Jens' marriage collapses, he moves in with his younger brother - a move which will change both of their lives radically.
Luther Heggs aspires to being a reporter for his small town newspaper. He gets his big break when the editor asks him to spend the night at the Simmons mansion that, 20 years before, was the site of a now famous murder-suicide. Luther's account of his wild, ghost-ridden night in the house leads Simmons to sue for libel, but with the aid of his friend Kelsey they determines what exactly happened.
The discovery of a discarded sofa, in Taipei city, transforms a routine Sunday into a capricious adventure of perseverance and self-discovery for - Filipino guest workers - Manuel and Dado.
Italian immigrant tries to become a member of Swiss society but fails as a waiter and even as a chicken plucker. He then becomes involved with shady wealthy character and tries to hide his Italian identity. He refuses to give up no matter how awful his situation.
Traditional Sunday dinners at Mama Joe's (Irma P. Hall) turn sour when sisters Teri (Vanessa L. Williams), Bird (Nia Long) and Maxine (Vivica A. Fox) start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad (Brandon Hammond) to pull the family together and put the soul back into the family's weekly gatherings. Michael Beach, Mekhi P
Stocky Greg's passion is football, and he rounds up his family from their respective church meetings and rushes home just in time to make the kick-off of the Sunday afternoon Vikings game. He has just planted himself in front of his massive television screen scarfing down chicken when his new home teaching companion, Nelson, calls to inform him that he has set an appointment to visit the Mori family in 15 minutes. Mormon males serving as home teachers are admonished to visit with their assigned families once a month, bring them a spiritual message, and provide help as necessary. Nelson, a nerdy "letter of the law" kind of Mormon who will not even purchase gas on a Sunday, intends to visit 100 % of his assigned families every month, and as this is the last day of the month even the many madcap mishaps that start immediately will not deter him from completing his duty despite Greg's griping and attempts to get back to the games.
Never on Sunday is a 1960 Greek black-and-white film which tells the story of Ilya, a prostitute who lives in the port of Piraeus in Greece, and Homer, an American tourist from Middletown, Connecticut â a classical scholar enamored with all things Greek. Ilya is a character close to the "hooker with a heart of gold" cliché. Homer feels Ilya's life style typifies the degradation of Greek classical culture and attempts to steer her onto the path of morality. It constitutes a variation of the Pygmalion story. The film stars Melina Mercouri and Jules Dassin, and it gently submerges the viewer into Greek culture, including dance, music, and language (through the use of subtitles). The signature song and the bouzouki theme of the movie became hits of the 1960s and brought the composer, Manos Hadjidakis, an Academy Award.
Setsuko Hara plays Fumiko, whose unsuccessful marriage has made her become more and more cynical. When her niece, Ayako visits and complains about her own marriage, she is unsurprised. Meanwhile, a new couple, whose marriage is similarly unblissful, moves in next door. The two couples create a very awkward bond that could ruin both marriages, but everyone seems to be aware and nobody cares either way. [Cinema Talk Blog]
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