The Halliday Brand (1957)
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Marshall Jed Cooper survives a hanging, vowing revenge on the lynch mob that left him dangling. To carry out his oath for vengeance, he returns to his former job as a lawman. Before long, he's caught up with the nine men on his hit list and starts dispensing his own brand of Wild West justice.
New Federal marshal Len Merrick saves Tim Keith from lynching at the hands of the Roden clan, and hopes to get him to Santa Loma for trial. Vindictive Ned Roden, whose son Ed was killed, still wants personal revenge, and Tim would like to escape before Ned catches up with him again. Can the marshal make it across the desert with Tim and his daughter? Even if he makes it, will justice be served?
The sheriff of Gunlock is planning to hang Sam Hall, who shot three farmers found on cattle land, at sundown. At the casino, betting is 8 to 3 he won't make it. The cattlemen are set to rescue Sam; the farmers hope to lynch him before he can be rescued; and Hall schemes for escape with his girl Nellie. But Sheriff Jorden is most concerned with finding out who hired Hall: a leading suspect is the sheriff's future brother-in-law.
The townsfolk are set on lynching an accused killer held in the town lockup. But US Marshal Johnny Reno stands in their way.
Gil Carter and Art Croft ride into a small Nevada town plagued by cattle thieves. Initially suspected of being the rustlers themselves, Carter and Croft eventually join a posse out to get the criminals, who also may be involved in a recent shooting. When the posse closes in on a group that could be the fugitives, they must decide on a course of action, with numerous lives hanging in the balance.
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Set in Kansas during the early 1900s, a teen-aged Native American boy is taken from his family and forced to attend a distant Indian "training" school to assimilate into White society. When he escapes to return to his family, Sam Franklin, a bounty hunter of Cherokee descent, is hired to find and return him to the institution. Franklin, a former Indian scout for the U.S. Army, has renounced his Native heritage and has adopted the White Man's way of life, believing it's the only way for Indians to survive. Along the way, a tragic incident spurs Franklin's longtime nemesis, the famous "Indian Fighter" Sheriff Henry McCoy, to pursue both Franklin and the boy.
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When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective.
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First DEFA "western" establishing Gojko MitiÄ's stardom portraying Native Americans.
Western that starts when a man (Matt Dow) is mistaken as a train robber. After the town's sheriff shoots the kid he's riding with, Dow clears his name and ends up as the new sheriff. He romances a Swedish woman and settles in to a peaceful life only to find that the boy has a few secrets of his own.
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Florida, 1830 - Of all eastern Native American tribes, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a simple horticultural life. But white plantation owners, angry at the increasing numbers of black slaves fleeing to Seminole protection, want to take their land. Plantation owner Raynes, in particular, has convinced the military to wipe out the Seminoles. His rival Moore, a sawmill owner from the North who has a Seminole wife, is against slavery and considers it unprofitable. Chief Osceola sees the coming danger; he tries to avoid provoking the whites, but cannot prevent the war that breaks out in 1835.
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The legendary Native American chieftain refuses to go with his people peacefully to the reservation and starts a rebellion.
A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.
Jack McKee and Cecil Colson are two bumbling drifters who make a living by rustling cattle from other peoples herds in the wilds of Montana. Jack is from a wealthy background but left his parents as he resented their posh lives, and Cecil is a Native American half-breed seeking his own path in life away from his father. Both hustle and rustle their way in the world by targeting cattle owned by wealthy ranch owner John Brown. Frustrated that someone is killing his cattle, John hires a pair of ranch hands Burt and Curt to find the rustlers. When Brown realizes he cannot trust his two inept ranch hands, he turns to the grizzled former rustler Henry Beige to find the cattle thieves, while Jack and Cecil are always one step ahead of them, not realizing that their luck will eventually run out sometime.
Reverend Miller arrives in Tucson where he wants to build a church. But on the very day of his arrival a gang carries out a raid on the bank and the people of Tucson, who are suspicious of the new reverend because he carries a gun, immediately blame him for the robbery. The sheriff saves him from lynching by putting him in jail. Then he asks the priest to find the gang and the booty; thus Miller becomes the Reverend Colt. His exceptional skill means that he can shoot hats off people's heads and their pistols from their pockets, but he never kills.
Kansas, 1868. A wagon train is attacked by a band of Lakota Sioux led by the young and athletic warrior Tokalah. The attractive, red haired Anna Brewster-Morgan and her friend Sarah White are on this wagon train too. When Tokalah noticed a terrified Anna with a Bible, he thinks this is an omen. Despite killing the other passengers of the wagon train, only Anna and Sarah may continue their voyage. The next day Anna and Sarah are kidnapped by Tokalah. At first terrified of her captors, the unhappily married Anna eventually falls in love with the noble, honorable Tokalah. After a year's captivity, Sarah is returned to her own people. Anna now must choose between her new life with T
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Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as âa genius straight from the slums.â When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her motherâs family and was in prison undergoing rehab. Re-introduced to her motherâs plays and letters, the film follows Lorraineâs personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
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When a prisoner barely survives a lynch mob attack and is presumed dead, he vindictively decides to frame the mob for his murder.
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Ancient Native American legend of the Bone Eater rises up and begins terrorizing the local townspeople
Eric Smallhouse is a Native American who believes it's his destiny to lead his people back to the old ways. Undaunted by his complete lack of knowledge about those ways, he drags his son on a quest to reclaim the past. Failing miserably, Eric begins to think that the modern world with its modern conveniences is the real enemy, and his antics soon leave him on the run from the authorities.
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James Earl Jones narrates this examination of the historical relationship between American Indians and African-Americans, who often merged their cultures to work and live together while mainstream white society shunned them. Through illuminating anecdotes and interviews, descendants of fused black and Indian families discuss the complications of their mixed heritage and how their culture was largely erased on official documents.
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