Black Indians: An American Story (2004)
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From Rich-Heape Films, the award winning producers of Trail of Tears Cherokee Legacy and Black Indians An American Story and told from the Native American perspective, this documentary uncovers the dark history of the US government policy and will give a voice to the countless Indian children forced through the system. The film deals with both the schools run by Christian missionaries and those run by the United States' Bureau of Indian Affairs. It addresses the schools' role of forcing cultural assimilation of the resident children into the ways of the majority culture of European Americans.[2]
Political commentator, author and filmmaker Dinesh D'Souza puts forth the notion that America's history is being replaced by another version in which plunder and exploitation are the defining characteristics. D'Souza also posits that the way the country understands the past will determine the future. Using historic re-enactments, D'Souza explores the lives and sacrifices of some of America's greatest heroes, including George Washington and Frederick Douglass.
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An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.
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Few comedians can stir up controversy like the legendary Paul Mooney -- writer for Richard Pryor, creator of In Living Color's Homey the Clown and featured guest on Chappelle's Show. With his characteristic brutal honesty, Mooney passionately and hysterically charges into the electrified currents of racial tension. In this magnificent standup performance at Hollywood's Laugh Factory, Mooney earns a standing ovation with his relentless no-holds-barred observations on black history, stereotypes and prejudices, living in White America, celebrity divas and much, much more!
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During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as âa genius straight from the slums.â When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her motherâs family and was in prison undergoing rehab. Re-introduced to her motherâs plays and letters, the film follows Lorraineâs personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
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It is well known in economics academia that The Wonderful Wizard of Oz written by L. Frank Baum in 1900 is loaded with powerful symbols of monetary reform which were the core of the Populist movement and the 1896 and 1900 president bid of Democrat William Jennings Bryan. The yellow brick road (gold standard), the emerald city of Oz (greenback money), even Dorothyâs silver slippers (changed to ruby slippers for the movie version) were the symbol of Baumâs and Bryanâs belief that adding silver coinage to gold would provide much needed money to a depression-strapped, 1890s America. We believe Baumâs symbols represent the only solution to relieve the growing economic hardship here in America â and the rest of the world. Practically speaking, 2009 marks the 70th anniversary of the 1939 MGM release of the The Wizard of Oz movie, so interest will be very high. Even Oz websites put up by kids get millions of hits.
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.From the shifting faultlines of Hollywood fantasies and the economic and racial tensions of Reagan's America, Fishbone rose and became one of the most original bands of the last 25 years. With a blistering combination of punk and funk they demolished the walls of genre and challenged the racial stereotypes and the political order of the music industry and of the nation. EVERYDAY SUNSHINE is about music, history, fear, courage and funking on the one.
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