The Occult History of the Third Reich (1992)
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A historical analysis of how groups such as the Naziâs may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800âs through the late 20th Century at the eve of the 21st. âA society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.â
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s-1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.
Basically a World War II mixtape set to covers of Beatles music.
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During World War II, a hand-picked group of American GI's undertook a bizarre mission: create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. The 23rd Headquarters Special Troops used inflatable rubber tanks, sound trucks, and dazzling performance art to bluff the enemy again and again, often right along the front lines. Many of the men picked to carry out these dangerous deception missions were artists. Some went on to become famous, including fashion designer Bill Blass. In their spare time, they painted and sketched their way across Europe, creating a unique and moving visual record of their war. Their secret mission was kept hushed up for nearly 50 years after the war's end.
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Explores the making of Charles Chaplin's first "talkie" Diktatorn (1940) and draws many things that between Chaplin and Hitler had in common. The film contains colour home movie footage of the film's production which where shot by Charles' brother Sydney. These never before seen films were discovered by his daughter Victoria while looking though an old suitcase she found in the basement. The raw footage gives us an alternate insight to Chaplin's classic film which started production years before Adolf Hitler was seen as a major threat in the western world.
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