Olympia Part One: Festival of the Nations (1938)
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The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.
Through previously undiscovered private letters, photos and diaries that were found in the Himmler family house in 1945, the "The Decent One" exposes a unique and at times uncomfortable access to the life and mind of the merciless "Architect of the Final Solution" Heinrich Himmler.
A historical analysis of how groups such as the Naziâs may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800âs through the late 20th Century at the eve of the 21st. âA society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.â
Four volume documentary set ("Adolf Hitler", "The SS Blood and Soil", "The Enigma of the Swastika", and "Himmler The Mystic") containing mainly B&W as well as some color archival footage, with narration explaining the influences of alternative belief systems (occult, paganism, mysticism, etc) on the Nazi ideology and Hitler's personal philosophy. Also documents the history and development of the ideas and symbols that would be used along with eugenicist racial politics to perpetrate the murder and oppression of millions during World War II.
The story of the child refugees who were transported to Britain to escape the Nazi Holocaust.
Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s-1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.
Documentary film that examines the rise and fall of the Third Reich, incorporating puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. The director, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.
As the human world gathers to stage the Olympic Games, this programme looks at what would happen if animals were to do the same. Competitors from the mammal, bird, insect, reptile and fish nations are scaled to human size as they compete in Olympic events. On screen BBC sport graphics impart facts and figures, with commentary from John Motson and Jonathan Pearce.
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPà under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.
Wattstax is the 1973 documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current day Watts neighborhood. The film won the Golden Globe for Best Documentary Film.
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This documentary about Henri-Georges Clouzotâs unfinished 1964 psycho-thriller LâEnfer is as tantalizing as it is frustrating. Despite remaining one of the most masterful of French directors, Cluozot inexplicably seems to have lost control on the big-budget production of LâEnfer. The long-lost raw footage is intriguing and dazzling, infused with swirling lights and blue-lipped, cigarette-puffing fantasy temptresses. Although directors Serge Bromberg and Ruxandra Mederea have managed to speak to numerous members of the original crew, this behind-the-scenes investigation has so little to say about the reasons behind Clouzotâs failure to complete the film. In spite of this, the undiminished power of Clouzotâs extraordinary images makes the documentary a fascinating watch.
From 1940 to 1944, France's Vichy government collaborated with Nazi Germany. Marcel Ophüls mixes archival footage with 1969 interviews of a German officer and of collaborators and resistance fighters from Clermont-Ferrand. They comment on the nature, details and reasons for the collaboration, from anti-Semitism, xenophobia, and fear of Bolsheviks, to simple caution. Part one, "The Collapse," includes an extended interview with Pierre Mendès-France, jailed for anti-Vichy action and later France's Prime Minister. At the heart of part two, "The Choice," is an interview with Christian de la Mazière, one of 7,000 French youth to fight on the eastern front wearing German uniforms.
Examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
Far outside what's normally taught as "history", this 6-hour documentary attempts to explain what's normally glossed over - Germany's actions prior to WWII, Hitler's popularity, the support of the Nazis by the Germans, the basis for hardline Nazi stances against Jews, and why Nazism was such a danger to the established world powers. It chronicles the German WWI defeat, communist attempts to take over Germany; hyperinflation during the Weimar Republic, widespread unemployment and misery that served as the foundation of Nazi principles, and Hitlerâs amazing rise to power. It also reveals a personal side of Hitler: his family background, his artwork and struggles, and what motivated him to pursue a career in politics. While open to criticism for being "pro-Nazi" in its perspectives, the documentary does present many factual foundations for those perspectives, highlighting an endless list of hypocrisies and double-standards imposed on Germany in the years before, during, and after WWII.
By the mid-1980s, the fabled animation studios of Walt Disney had fallen on hard times. The artists were polarized between newcomers hungry to innovate and old timers not yet ready to relinquish control. These conditions produced a series of box-office flops and pessimistic forecasts: maybe the best days of animation were over. Maybe the public didn't care. Only a miracle or a magic spell could produce a happy ending. Waking Sleeping Beauty is no fairy tale. It's the true story of how Disney regained its magic with a staggering output of hits - "Little Mermaid," "Beauty and the Beast ," "Aladdin," "The Lion King," and more - over a 10-year period.
Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.
Veteran actors from the 3 Baltic countries - Estonia, Latvia and Lithuania - gather at a castle in Latvia to receive awards for their roles as Nazi villains in propagandist Soviet war films. They reminisce about the films that made them famous throughout the USSR, but also stigmatized the Baltic countries as Nazi sympathizers in the eyes of many Russians - a misconception that is nowadays exploited by the Russian media, desperate to label the Baltic countries as a fascist haven
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Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175
In the closing days of the European Theater of World War II, the Soviet Union was closing in on the capital city of Nazi Germany, Berlin. Through archival footage and witness interviews, this film covers the final days of the Third Reich as Adolf Hitler and his cronies try to fend off the inevitable with a combination of dwindling forces and wishful thinking.
Knocking opens the door on Jehovah's Witnesses. They are moral conservatives who stay out of politics and the Culture War, but they won a record number of court cases expanding freedom for everyone. They refuse blood transfusions on religious grounds, but they embrace the science behind bloodless surgery. In Nazi Germany, they could fight for Hitler or go to the concentration camps. They chose the camps. Following two families who stand firm for their controversial and misunderstood Christian faith, KNOCKING reveals how one unlikely religion helped to shape history beyond the doorstep.
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Explores the making of Charles Chaplin's first "talkie" Diktatorn (1940) and draws many things that between Chaplin and Hitler had in common. The film contains colour home movie footage of the film's production which where shot by Charles' brother Sydney. These never before seen films were discovered by his daughter Victoria while looking though an old suitcase she found in the basement. The raw footage gives us an alternate insight to Chaplin's classic film which started production years before Adolf Hitler was seen as a major threat in the western world.
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The definitive photographic record of the 1984 Los Angeles Olympics, told "from the inside" through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.
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Der Sieg des Glaubens (English: Victory of Faith) (1933) is the first documentary film directed by Leni Riefenstahl, who was hired despite opposition from Nazi officials that resented employing a woman â and a non-Party member too. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933.
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First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.
Usain Bolt is the fastest man on the planet and a sportsman like no other. But what makes him so much faster than any other man in the history of the human race? Who better to investigate than athletics legend Michael Johnson, the man Bolt has dethroned as the world's fastest human ever.
Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.
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Four Olympic gold medals, seven World Championship titles, four World Cup tour championships and forty six World Cup circuit victories.Once his career as a professional athlete ended, however, the other side of his personality emerged into public view in all of its vulgarity. An alcohol dependency, several marriages accompanied by numerous marital problems, petty crime, uncontrolled acts of violence, greedy hangers-on⦠Wherever he roams, drama and catastrophe dog his footsteps. And everything is exposed in the headlines the next dayâ¦
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World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.
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In the spring of 1939, Gilbert and Eleanor Kraus embarked on a risky and unlikely mission. Traveling into the heart of Nazi Germany, they rescued 50 Jewish children from Vienna and brought them to the United States.
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The black power salute by Tommie Smith and John Carlos at the 1968 Mexico Olympics was an iconic moment in the US civil rights struggle. Far less known is the part in that episode in history played by Peter Norman, the white Australian on the podium who had run second â and the price paid afterward by all three athletes.
The suspenseful chronicle of how the prodigious Polish violinist Bronislaw Huberman helped save Europeâs premiere Jewish musicians from obliteration by the Nazis during World War II. In three years, he transformed from a world renowned violinist to a humanitarian racing against time.
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The film about Max Bill (1908-1994) moves between the dynamic fields of art, aesthetics and politics. Max Bill was probably the most important swiss artist of the 20th century and the most famous student to come out of the legendary Bauhaus in Dessau. He was an ardent anti-fascist and all his avant-garde work as an artist, sculptor, architect and typographer showed a social responsibility and environmental awareness right through his life. His views have become incredibly topical.
My film diaries 1970-1979: my marriage, children are born, you see them growing up. Footage of daily life, fragments of happiness and beauty, trips to France, Italy, Spain, Austria. Seasons of the year as they pass through New York. Friends, home life, nature, unending search for moments of beauty and celebration of life friendships, feelings, brief moments of happiness. The film is also my love poem to New York. Itâs the ultimate Dogme movie, before the birth of Dogme.
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Allied propaganda in the form of cartoons and newsreels shows the rise of Adolf Hitler and the Nazis.
The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930's. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...
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